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As the inscription on his tombstone reveals, Wilkie Collins wanted to be remembered as the “author of The Woman in White,” for it was this novel that secured his reputation during his lifetime. The novel begins with a drawing teacher’s eerie late-night encounter with a mysterious woman in white, and then follows his love for Laura Fairlie, a young woman who is falsely incarcerated in an asylum by her husband, Sir Percival Glyde, and his sinister accomplice, Count Fosco. This edition returns to the original text that galvanized England when it was published in serial form in All the Year Round magazine in 1860. Three different prefaces Collins wrote for the novel, as well as two of his essays on the book’s composition, are reprinted, along with nine illustrations. The appendices include contemporary reviews, along with essays on lunacy, asylums, mesmerism, and the rights of women.
The Woman in White is an intricately plotted story, organised as a chain of 'witness' statements from a wide diversity of characters designed to unravel a cunning conspiracy against innocent women by a duo of memorable aristocratic monsters, Sir Percival Glyde and his devilish companion, the Italian Count Fosco. It is, ultimately, about a degenerate aristocrat after a middle-class woman's money that passes to him through their marriage if the woman is declared dead. He is a man prepared to plot actual murder to retain his hold on the cash and also to keep his own desperate secret secure. The intricacies of the plot, however, defy easy summary, each convolution and partial revelation driving the reader on to the next scene, and the next, disclosing the secret like a series of Russian dolls. It was said that the eminent politician William Gladstone once cancelled an evening appointment to finish a Collins novel. This is a common reader experience. Everything develops from one of the most famous scenes in Victorian literature: the late-night encounter of Walter Hartright with a mysterious lone woman, near Hampstead Heath, after midnight, 'a solitary Woman, dressed from head to foot in white garments; her face bent in grave inquiry on mine, her hand pointing to the dark cloud over London, as I faced her' (ch. 4). He is entirely unable to locate her in class terms - she is neither a lady nor of the humble ranks - and although unchaperoned 'at that suspiciously late hour' she is also clearly not a prostitute. This is the enigmatic Anne Catherick, escaped from an asylum, who initially only serves to further the plot by acting as an uncanny double for Hartright's beloved, Laura Fairlie, the main damsel in distress. Fairlie will be the target of Glyde and Fosco's cunning plot. That Anne Catherick's story is only unravelled in the margins of the central narrative somehow further guarantees her enigmatic hold on the imagination. She acts as a powerful cipher.
The Woman in White is an epistolary novel written Wilkie Collins in 1859, serialized in 1859-1860, and first published in book form in 1860. It is considered to be among the first mystery novels and is...
One of the greatest mystery thrillers ever written, Wilkie Collins' The Woman in White was a phenomenal bestseller in the 1860s, achieving even greater success than works by Dickens, Collins' friend and mentor. Full of surprise, intrigue, and suspense, this vastly entertaining novel continues to enthrall readers today.
FROM HAN KANG, WINNER OF THE 2024 NOBEL PRIZE IN LITERATURE “[Han Kang writes in] intense poetic prose that . . . exposes the fragility of human life.”—from the Nobel Prize citation SHORTLISTED FOR THE BOOKER PRIZE • A “formally daring, emotionally devastating, and deeply political” (The New York Times Book Review) exploration of personal grief through the prism of the color white, from the internationally bestselling author of The Vegetarian “Stunningly beautiful writing . . . delicate and gorgeous . . . one of the smartest reflections on what it means to remember those we’ve lost.”—NPR While on a writer’s residency, a nameless narrator focuses on the color white to creatively channel her inner pain. Through lyrical, interconnected stories, she grapples with the tragedy that has haunted her family, attempting to make sense of her older sister’s death using the color white. From trying to imagine her mother’s first time producing breast milk to watching the snow fall and meditating on the impermanence of life, she weaves a poignant, heartfelt story of the omnipresence of grief and the ways we perceive the world around us. In captivating, starkly beautiful language, The White Book offers a multilayered exploration of color and its absence, of the tenacity and fragility of the human spirit, and of our attempts to graft new life from the ashes of destruction.
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Wilkie Collins’ classic tale of murder, intrigue, madness, and mistaken identity, featuring updated endnotes and an introduction by Anne Perry “[The Woman in White] has lasted, to our great pleasure, because it is superb storytelling about people who engage our minds and our imaginations and into whose passions we are drawn.”—Anne Perry ONE OF TIME’S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME Generally considered the first English sensation novel, The Woman in Whitefeatures the remarkable heroine Marian Halcombe and her sleuthing partner, drawing master Walter Hartright, pitted against the diabolical team of Count Fosco and Sir Percival Glyde. After more than a century since its publication, Wilkie Collins’s psychological thriller has never been out of print.