Wilkie Collins
Published: 2021-10-13
Total Pages: 456
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The Woman in White is an intricately plotted story, organised as a chain of 'witness' statements from a wide diversity of characters designed to unravel a cunning conspiracy against innocent women by a duo of memorable aristocratic monsters, Sir Percival Glyde and his devilish companion, the Italian Count Fosco. It is, ultimately, about a degenerate aristocrat after a middle-class woman's money that passes to him through their marriage if the woman is declared dead. He is a man prepared to plot actual murder to retain his hold on the cash and also to keep his own desperate secret secure. The intricacies of the plot, however, defy easy summary, each convolution and partial revelation driving the reader on to the next scene, and the next, disclosing the secret like a series of Russian dolls. It was said that the eminent politician William Gladstone once cancelled an evening appointment to finish a Collins novel. This is a common reader experience. Everything develops from one of the most famous scenes in Victorian literature: the late-night encounter of Walter Hartright with a mysterious lone woman, near Hampstead Heath, after midnight, 'a solitary Woman, dressed from head to foot in white garments; her face bent in grave inquiry on mine, her hand pointing to the dark cloud over London, as I faced her' (ch. 4). He is entirely unable to locate her in class terms - she is neither a lady nor of the humble ranks - and although unchaperoned 'at that suspiciously late hour' she is also clearly not a prostitute. This is the enigmatic Anne Catherick, escaped from an asylum, who initially only serves to further the plot by acting as an uncanny double for Hartright's beloved, Laura Fairlie, the main damsel in distress. Fairlie will be the target of Glyde and Fosco's cunning plot. That Anne Catherick's story is only unravelled in the margins of the central narrative somehow further guarantees her enigmatic hold on the imagination. She acts as a powerful cipher.