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We women like to talk. We talk to the tune of around 20,000 words per day, if current science is to be believed. We talk to commune with our girlfriends, sisters and mothers, we talk to issue directives to our kids and families, we talk to share our feelings (ad nauseum, if you ask our husbands and partners), we talk at work, we talk at play, sometimes we even talk in our sleep. Words are kind of our thing. We should be word experts. So why is it that certain words send us over the edge? The words that take others to their happy place often make us miserable. Words like "vacation," "dinner," and "holidays" can leave us breathing into a paper bag with our head between our knees. But it doesn't have to be that way. Join Mary Fran Bontempo and redefine the "dirty words" that make women cringe. You'll laugh, learn, make some changes and trim your "dirty words" list down to size!
It happens to the best of us. On a day like any other, you look in the mirror and find a cranky, worn-out, middle-aged woman staring back at you. A woman who is firmly strapped into a giant pair of GRANNY PANTIES. Yes, aging is inevitable, but looking, and acting, like your grandma is not. So join Mary Fran Bontempo and learn a new set of Commandments that will enable you to avoid the Granny Panties and love life in the middle years. You'll laugh, learn a few things and with any luck, bid a permanent goodbye to GRANNY PANTIES and the old hag in the mirror!
“As funny as it is informative, this book will have you laughing out loud while you contemplate the revolutionary power of words.” —Camille Perri, author of The Assistants and When Katie Met Cassidy A brash, enlightening, and wildly entertaining feminist look at gendered language and the way it shapes us. The word bitch conjures many images, but it is most often meant to describe an unpleasant woman. Even before its usage to mean “a female canine,” bitch didn’t refer to women at all—it originated as a gender-neutral word for “genitalia.” A perfectly innocuous word devolving into an insult directed at females is the case for tons more terms, including hussy, which simply meant “housewife”; and slut, which meant “an untidy person” and was also used to describe men. These are just a few of history’s many English slurs hurled at women. Amanda Montell, reporter and feminist linguist, deconstructs language—from insults, cursing, gossip, and catcalling to grammar and pronunciation patterns—to reveal the ways it has been used for centuries to keep women and other marginalized genders from power. Ever wonder why so many people are annoyed when women speak with vocal fry or use like as filler? Or why certain gender-neutral terms stick and others don’t? Or where stereotypes of how women and men speak come from in the first place? Montell effortlessly moves between history, science, and popular culture to explore these questions—and how we can use the answers to affect real social change. Her irresistible humor shines through, making linguistics not only approachable but downright hilarious and profound. Wordslut gets to the heart of our language, marvels at its elasticity, and sheds much-needed light on the biases that shadow women in our culture and our consciousness.
The New York Times bestseller now in paperback. One of the preeminent linguists of our time examines the realms of language that are considered shocking and taboo in order to understand what imbues curse words with such power--and why we love them so much. Profanity has always been a deliciously vibrant part of our lexicon, an integral part of being human. In fact, our ability to curse comes from a different part of the brain than other parts of speech--the urgency with which we say "f&*k!" is instead related to the instinct that tells us to flee from danger. Language evolves with time, and so does what we consider profane or unspeakable. Nine Nasty Words is a rollicking examination of profanity, explored from every angle: historical, sociological, political, linguistic. In a particularly coarse moment, when the public discourse is shaped in part by once-shocking words, nothing could be timelier.
Dirty Jewess is the personal account of one woman's courageous journey towards religious and political freedom while coming of age in post-Holocaust, communist Czechoslovakia. The narrative recalls the author's experience as a child of Holocaust survivors, living as a refugee in Rome, and finally realizing her dream of becoming a successful American citizen. Silvia Fishbaum's life behind the iron curtain is a universal tale of humanity, resilience, and overcoming adversity. Fishbaum weaves together her mother's testimony of Auschwitz with the testimony of her childhood art tutor, Ludovit Feld—a victim of Mengele's experiments—to create a compelling and layered life narrative.
"What We Talk About When We Talk About Rape is brilliant, frank, empowering, and urgently necessary. Sohaila Abdulali has created a powerful tool for examining rape culture and language on the individual, societal, and global level that everyone can benefit from reading." —Jill Soloway In the tradition of Rebecca Solnit, a beautifully written, deeply intelligent, searingly honest—and ultimately hopeful—examination of sexual assault and the global discourse on rape told through the perspective of a survivor, writer, counselor, and activist After surviving gang-rape at seventeen in Mumbai, Sohaila Abdulali was indignant about the deafening silence that followed and wrote a fiery piece about the perception of rape—and rape victims—for a women's magazine. Thirty years later, with no notice, her article reappeared and went viral in the wake of the 2012 fatal gang-rape in New Delhi, prompting her to write a New York Times op-ed about healing from rape that was widely circulated. Now, Abdulali has written What We Talk About When We Talk About Rape—a thoughtful, generous, unflinching look at rape and rape culture. Drawing on her own experience, her work with hundreds of survivors as the head of a rape crisis center in Boston, and three decades of grappling with rape as a feminist intellectual and writer, Abdulali tackles some of our thorniest questions about rape, articulating the confounding way we account for who gets raped and why—and asking how we want to raise the next generation. In interviews with survivors from around the world we hear moving personal accounts of hard-earned strength, humor, and wisdom that collectively tell the larger story of what rape means and how healing can occur. Abdulali also points to the questions we don't talk about: Is rape always a life-definining event? Is one rape worse than another? Is a world without rape possible? What We Talk About When We Talk About Rape is a book for this #MeToo and #TimesUp age that will stay with readers—men and women alike—for a long, long time.
The historical novel has been one of the most important forms of women's reading and writing in the twentieth century, yet it has been consistently under-rated and critically neglected. In the first major study of British women writers' use of the genre, Diana Wallace tracks its development across the century. She combines a comprehensive survey with detailed readings of key writers, including Naomi Mitchison, Georgette Heyer, Sylvia Townsend Warner, Margaret Irwin, Jean Plaidy, Mary Renault, Philippa Gregory and Pat Barker.
The #1 New York Times–bestselling author’s “groundbreaking” work on women’s sexual fantasies (Publishers Weekly). First published in 1973, My Secret Garden ignited a firestorm of reactions across the nation—from outrage to enthusiastic support. Collected from detailed personal interviews with hundreds of women from diverse backgrounds, this book presents a bracingly honest account of women’s inner sexual fantasy lives. In its time, this book shattered taboos and opened up a conversation about the landscape of feminine desire in a way that was unprecedented. Today, My Secret Garden remains one of the most iconic works of feminist literature of our time—and is still relevant to millions of women throughout the world. “The author whose books about gender politics helped redefine American women’s sexuality.” —The New York Times
A humorous, trenchant and fascinating examination of how Western culture's taboo words have evolved over the millennia
Talk Dirty to Me is a frank, funny, and provocative journey through gender and desire. It ranges from romance and pornography, prostitution and morality, to fantasies and orgasm. Sallie Tisdale guides us through her research of peep shows, sex shops, and even the pornography collection of the British Library. Along with descriptions of her personal experiences, she presents a brilliant, fascinating, and wholly original portrait of contemporary sex and sexual identity. "I wrote Talk Dirty To Me almost twenty years ago. I was in my thirties, and I still found sex bewildering - to be precise, I found my own anxieties and shyness about sex bewildering." - Sallie Tisdale Sallie Tisdale challenges commonly held assumptions about almost everything related to sexuality. Talk Dirty to Me investigates the role of sex in human life: from discussing how gender is now something partly born, partly borrowed, and partly built; to exploring how children are sexualised in fashion, music, and advertising while condemnation of paedophilia reaches fever pitch. "I don't worry much about sex anymore. It just is, there - sometimes forward, sometimes over in a corner. There's mine, and there's yours, and I don't worry too much about yours. Sex is just being human." - Sallie Tisdale Talk Dirty to Me encompasses a wide range of references: American and Japanese pornography, James Joyce's infamous love letters, interviews with prostitutes proud of their skills and earning power, cultural writing from Roland Barthes to Susie Bright, Freud, Adam and Eve, to the findings of sex researchers such as Masters and Johnson. Sallie Tisdale invites her readers to have an open conversation about sex while challenging traditional feminist attitudes towards sexual politics. A personal philosophy of human sexuality - now expanded and revised. Talk Dirty to Me is a frank, funny, and provocative journey through gender and desire. It ranges from romance and pornography, prostitution and morality, to fantasies and orgasm. Sallie Tisdale guides us through her research of peep shows, sex shops, and even the pornography collection of the British Library. Along with descriptions of her personal experiences, she presents a brilliant, fascinating, and wholly original portrait of contemporary sex and sexual identity. Sallie Tisdale challenges commonly held assumptions about almost everything related to sexuality. Talk Dirty to Me investigates the role of sex in human life: from discussing how gender is now something partly born, partly borrowed, and partly built; to exploring how children are sexualised in fashion, music, and advertising while condemnation of paedophilia reaches fever pitch. Talk Dirty to Me encompasses a wide range of references: American and Japanese pornography, James Joyce's infamous love letters, interviews with prostitutes proud of their skills and earning power, cultural writing from Roland Barthes to Susie Bright, Freud, Adam and Eve to the findings of sex researchers such as Masters and Johnson. Sallie Tisdale invites her readers to have an open conversation about sex while challenging traditional feminist attitudes towards sexual politics.