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In The Great Gatsby, F. Scott Fitzgerald told the tale of a high society love affair that became an iconic depiction of life during the Jazz Age of the 1920s. After the 1929 stock market crash, life took an ironic downturn even for the wealthy. Written in light of these events, The Golden Vanity is both a social comedy of errors and a sardonic view of the Jazz Age and the crash, told through the lives of three self-assertive women who could not be more different. Cousins Gina, Geraldine, and Mysie are all inhabitants of New York City, but their lives could not be more different. A secretary starts a new job rife with romantic entanglements, a best-selling novelist is undermined by her husband’s attempts to win big on the stock market, and an actress leads an unconventional, yet surprisingly intellectual, life. Isabel Paterson follows their stories through the economic collapse and demonstrates, with sophisticated wit, that “doing what everyone else is doing” is not the best way to survive such times. Originally published in 1934, The Golden Vanity has been out of print for far too long. A new introduction by Stephen Cox illuminates the novel’s important historical footprint and places it in a modern context.
Annotation The first book in almost a century to concentrate exclusively on the beaux-arts mural movement in the United States.
Novelist, columnist, cultural critic, political theorist-- Isabel Paterson was one of the most extraordinary personalities of the 1930s, renowned for her incisive wit and her unique interpretation of the American experience. The Woman and the Dynamo is the first biography of a woman who has long been a source of rumor and legend. From interviews, private papers, and her millions of published words, Stephen Cox weaves a narrative that brings Paterson vividly to life. A radical individualist in both theory and practice, Paterson spent her early life on the Western frontier, "lavished" two years on formal education, set a record for high-altitude flight, became a journalist by "accident," and made herself a fearless chronicler and conscience of New York literary life. At the same time, she made a permanent contribution to American political thought. Paterson identified the fundamental issues at stake in the crises of the twentieth century and responded with an original theory of history and political economy. In her view, the individual mind is the dynamo of history, working through the "long circuit" of institutions that maintain and enhance individual liberty; and America is the place where the advanced forms of those institutions were invented and are currently undergoing their severest trial. While other intellectuals derided the American ideal of progress and called for the restraint or abolition of the capitalist system, Paterson demanded a scrupulous application of the "engineering principles" on which American civilization had been built. The Woman and the Dynamo provides one of the few broad and detailed accounts of the origins of the American political Right, emphasizing the special role that women and imaginative writers played in its creation, and posing new questions about what it means to be "left" or "right," "liberal" or "conservative" in America. This will be compelling reading for those interested in twentieth century intellectual history, literature, and politics.
On Wall Street, in the culture of high tech, in American government: Libertarianism -- the simple but radical idea that the only purpose of government is to protect its citizens and their property against direct violence and threat -- has become an extremely influential strain of thought. But while many books talk about libertarian ideas, none until now has explored the history of this uniquely American movement -- where and who it came from, how it evolved, and what impact it has had on our country. In this revelatory book, based on original research and interviews with more than 100 key sources, Brian Doherty traces the evolution of the movement through the unconventional life stories of its most influential leaders -- Ludwig von Mises, F.A. Hayek, Ayn Rand, Murray Rothbard, and Milton Friedman -- and through the personal battles, character flaws, love affairs, and historical events that altered its course. And by doing so, he provides a fascinating new perspective on American history -- from the New Deal through the culture wars of the 1960s to today's most divisive political issues. Neither an expos' nor a political polemic, this entertaining historical narrative will enlighten anyone interested in American politics.
In Eugene O'Neill's Creative Struggle, Doris Alexander gives us a new kind of inside biography that begins where the others leave off. It follows O'Neill through the door into his writing room to give a blow-by-blow account of how he fought out in his plays his great life battles&—love against hate, doubt against belief, life against death&—to an ever-expanding understanding. It presents a new kind of criticism, showing how O'Neill's most intimate struggles worked their way to resolution through the drama of his plays. Alexander reveals that he was engineering his own consciousness through his plays and solving his life problems&—while the tone, imagery, and richness of the plays all came out of the nexus of memories summoned up by the urgency of the problems he faced in them. By the way of O'Neill, this study moves toward a theory of the impulse that sets off a writer's creativity, and a theory of how that impulse acts to shape a work, not only in a dramatist like O'Neill but also in the case of writers in other mediums, and even of painters and composers. The study begins with Desire Under the Elms because that play's plot was consolidated by a dream that opened up the transfixing grief that precipitated the play for O'Neill, and it ends with Days Without End when he had resolved his major emotional-philosophical struggle and created within himself the voice of his final great plays. Since the analysis brings to bear on the plays all of his conscious decisions, ideas, theories, as well as the life-and-death struggles motivating them, documenting even the final creative changes made during rehearsals, this book provides a definitive account of the nine plays analyzed in detail (Desire Under the Elms, Marco Millions, The Great God Brown, Lazarus Laughed, Strange Interlude, Dynamo, Mourning Becomes Electra, Ah, Wilderness!, and Days Without End, with additional analysis of plays written before and after.
Citing declining coverage of classic English and American literature in today's schools, a "politically incorrect" primer challenges popular misconceptions while introducing the works of such core masters as Shakespeare, Faulkner, and Austen, in a volume that is complemented by a syllabus and a self-study guide. Original.