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The Wolf Hunters – After managing to survive an attack by a pack of wolfs Roderick Drew becomes close friend with Wabigoon. Determined to earn some money to help his mother, young Rod travels to Canada to hunt and trap with his new friend. When Rod and Wabi get together with Mukoki, an old Indian guide and Wabi's cousin, three companions are ready to turn their faces to the adventures that await them in the great North. The Gold Hunters is the sequel of the story of friendship and discovery in the wilds of North America, between Roderick Drew, Wabigoon and Mukoki. After tracking and rescuing a kidnapped Indian princess three friends start the search of a gold mine, following a treasure map they found in the hand of a skeleton, a map that caused two Frenchmen to kill each other many years ago. James Oliver Curwood (1878-1927) was an American action-adventure writer and conservationist. His adventure writing followed in the tradition of Jack London. Like London, Curwood set many of his works in the wilds of the Great White North. He often took trips to the Canadian northwest which provided the inspiration for his wilderness adventure stories. At least eighteen movies have been based on or inspired by Curwood's novels and short stories.
The Wolf Hunters – After managing to survive an attack by a pack of wolfs Roderick Drew becomes close friend with Wabigoon. Determined to earn some money to help his mother, young Rod travels to Canada to hunt and trap with his new friend. When Rod and Wabi get together with Mukoki, an old Indian guide and Wabi's cousin, three companions are ready to turn their faces to the adventures that await them in the great North. The Gold Hunters is the sequel of the story of friendship and discovery in the wilds of North America, between Roderick Drew, Wabigoon and Mukoki. After tracking and rescuing a kidnapped Indian princess three friends start the search of a gold mine, following a treasure map they found in the hand of a skeleton, a map that caused two Frenchmen to kill each other many years ago. James Oliver Curwood (1878-1927) was an American action-adventure writer and conservationist. His adventure writing followed in the tradition of Jack London. Like London, Curwood set many of his works in the wilds of the Great White North. He often took trips to the Canadian northwest which provided the inspiration for his wilderness adventure stories. At least eighteen movies have been based on or inspired by Curwood's novels and short stories.
This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Novels The Wolf Hunters The Gold Hunters Kazan Baree, Son of Kazan The Courage of Captain Plum The Danger Trail The Honor of the Big Snows Philip Steele of the Royal Northwest Mounted Police The Flower of the North Isobel God's Country and the Woman The Hunted Woman The Grizzly King The Courage of Marge O'Doone Nomads of the North The River's End The Valley of Silent Men The Golden Snare The Flaming Forest The Country Beyond Short Stories Back to God's Country (Wapi the Walrus) The Yellow-Back The Fiddling Man L'ange The Case of Beauvais The Other Man's Wife The Strength of Men The Match The Honor of Her People Bucky Severn His First Penitent Peter God The Mouse The First People Thomas Jefferson Brown Other Works The Great Lakes God's Country – The Trail to Happiness James Oliver Curwood (1878-1927) was an American action-adventure writer and conservationist. His adventure writing followed in the tradition of Jack London. Like London, Curwood set many of his works in the wilds of the Great White North. He often took trips to the Canadian northwest which provided the inspiration for his wilderness adventure stories. At least eighteen movies have been based on or inspired by Curwood's novels and short stories.
James Oliver Curwood's novel 'KAZAN' is a thrilling adventure story set in the wilds of the Canadian wilderness. Filled with vivid descriptions of nature and suspenseful plot twists, the book follows the journey of Kazan, a magnificent wolf-dog hybrid, as he navigates the challenges of his environment. Curwood's literary style is marked by his ability to transport readers into the heart of the wilderness, immersing them in the beauty and danger of the natural world. Originally published in 1914, 'KAZAN' is a classic example of early 20th-century adventure fiction that continues to captivate readers with its timeless tale. James Oliver Curwood, a conservationist and avid outdoorsman, drew inspiration for 'KAZAN' from his own experiences in the Canadian wilderness. His love for nature and wildlife shines through in the vivid depictions of the landscape and animal characters in the book. Curwood's passion for storytelling and wildlife conservation converge in this gripping tale that highlights the bond between humans and animals. I highly recommend 'KAZAN' to readers who enjoy immersive nature writing, thrilling adventure stories, and tales of loyalty and survival. Curwood's masterful storytelling and deep connection to the natural world make this novel a must-read for fans of classic outdoor literature.
Published in 1986, three years before the fall of the Berlin Wall, Wolf Hunt was the first novel to portray the human cost of Communist policies on Bulgarian villagers, forced by the government to abandon their land and traditional way of life. Darkly comic and tragic, the novel centers on an ill-fated winter hunting expedition of six neighbors whose history together is long and interwoven. The ensuing story takes the reader on a voyage of shifting perspectives that places the calamitous history of twentieth-century Bulgaria into a human context of helplessness and desperation.
Hunting was a major economic and leisure activity throughout the later European Middle Ages, but while aristocratic practices have featured in studies of romantic and narrative literature, hunting in its wider sense across the social spectrum and with attendant male and female roles - has largely been ignored by modern medieval historians. Richard Almond's study brings vividly to life the universality and centrality of hunting to medieval societies, both as an economic necessity and as an expression of medieval humanity's almost atavistic sense of oneness with nature. ' Medieval Hunting' dispels some of the myths and misunderstandings surrounding hunting, including the persistent views that it was exclusively an aristocratic, male pursuit. Using a wide variety of contemporary textual and art historical evidence, Richard Almond shows that hunting, including fishing and poaching, was enjoyed by women as well as men.