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Joarr Enge never believed in the powers of the chalice he was tasked to guard—but he sure as hell wasn't going to let the captivating witch who'd robbed him escape. Now, a century after her betrayal, Joarr commandeered Amma's body and blocked her magic. She would spend every moment by his side until the chalice could be found. Amma had risked everything to uncover the secrets in her past—even the rage of her powerful and mysterious dragon lover. But as Joarr's passionate fire tempted her to dream of a future with him, could their magic unite two separate worlds for the most precious thing of all…their son?
To save her sister’s life, Julia Grey seeks a spell hidden somewhere within Merriweather Manor. Her position as a lady's companion affords her the freedom to search the house. But time is running out. The necromancer she's bargained with is growing impatient. And an unexpected appearance of a man from her past makes matters worse in an already complicated situation. Basil Merriweather returns to England after ten years abroad to discover his childhood sweetheart living in his home. But, he's no longer the carefree man of his youth and she's hiding something--deadly secrets Basil vows to uncover even as he hides a dark secret of his own. While neither Basil nor Julia will trust in the other, their hearts speak a truer language. In a grand attempt to save Julia's sister and Basil's life, the two must finally confess sinister truths. Will their admissions help or hinder any future they may have together? Or will the necromancer destroy all in a vile attempt at revenge.
Syn is a womanizer and a rogue. Her name fits her perfectly for she is indeed a sinner, flawed and unrepentant. She also happens to be the best thief in all of Arianthem, a career that would be most lucrative without her inconvenient attacks of conscience. She stays one step ahead of the Guild of Thieves, a shadowy organization that seeks to recruit her, and failing that, to stop her permanently. Syn enters into a contract with Raine and her dragon lover to steal a series of enchanted stones, but before she can even begin her spree she runs headlong into the roadblock that is the Lady Jorden. Jorden, a noblewoman far above Syn's station in life, pursues Syn like no other. And Syn, who has run from everything in her life, finds herself wanting to give in to those blue-green eyes and that wicked smile.
The great Kenyan writer and Nobel Prize nominee’s novel that he wrote in secret, on toilet paper, while in prison—featuring an introduction by Namwali Serpell, the author of the novel The Old Drift One of the cornerstones of Ngũgĩ wa Thiong’o’s fame, Devil on the Cross is a powerful fictional critique of capitalism. It tells the tragic story of Wariinga, a young woman who moves from a rural Kenyan town to the capital, Nairobi, only to be exploited by her boss and later by a corrupt businessman. As she struggles to survive, Wariinga begins to realize that her problems are only symptoms of a larger societal malaise and that much of the misfortune stems from the Western, capitalist influences on her country. An impassioned cry for a Kenya free of dictatorship and for African writers to work in their own local dialects, Devil on the Cross has had a profound influence on Africa and on post-colonial African literature. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
The excellent reader offers a selection of the best historical writing on witchcraft, exploring how belief in witchcraft began, and the social and context in which this belief flourished.
This collection of Newfoundland folk narratives, first published in 1996, grew out of extensive fieldwork in folk culture in the province. The intention was to collect as broad a spectrum of traditional material as possible, and Folktales of Newfoundland is notable not only for the number and quality of its narratives, but also for the format in which they are presented. A special transcription system conveys to the reader the accents and rhythms of each performance, and the endnote to each tale features an analysis of the narrator’s language. In addition, Newfoundland has preserved many aspects of English and Irish folk tradition, some of which are no longer active in the countries of their origin. Working from the premise that traditions virtually unknown in England might still survive in active form in Newfoundland, the researchers set out to discover if this was in fact the case.
Women, especially leaders, holding tête-à-têtes with men to address political impasses have been recognized as shrewd, double headed, or witchlike distinctions that link them with juju or extraordinary, survivalist powers. Juju Fission: Women's Alternative Fictions from the Sahara, the Kalahari, and the Oases In-Between is a theoretical and analytical book on African women writers that focuses on seven representative novels from different parts of Africa: Bessie Head's Maru (South Africa/Botswana); Nawal El Saadawi's Woman at Point Zero (Egypt); Ama Ata Aidoo's Our Sister Killjoy; or Reflections from a Black-Eyed Squint and Changes (Ghana); Assia Djebar's A Sister to Scheherazade (Algeria); Calixthe Beyala's The Sun Hath Looked Upon Me (Cameroon); and Yvonne Vera's Nehanda (Zimbabwe). In her analysis, Chikwenye Okonjo Ogunyemi demonstrates how women are viewed and how they operate in critical times. Ogunyemi explains how the heritage is passed on, in spite of dire situations emanating from colonialism, postcolonialism, ethnicism, sexism, and grinding poverty. An important contribution to many fields, Juju Fission is excellent background material for courses on African studies, women's studies, African Diaspora studies, black studies, global studies, and general literature studies.
Stealing from a dragon’s hoard is never a bright idea, but stealing from a baby dragon’s hoard can lead to tears, sniffles, and smoke in the middle of a busy marketplace. Jerney, a witch who does work for a well-known thieves’ guild, knows exactly who’s to blame for the brazen theft. With no other choice in the matter, he quickly becomes entangled in trying to help the baby dragon. What he doesn’t expect is his own heart might get stolen in the process.