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Safiyya loves her charlatan parents, but after years of watching the heartbroken and grieving come to them for fake and futile spiritual aid, she has had enough. So she leaves the Water Village to stay with her mother's people at the longhouse in the jungle, where she learns traditional medicine, meets an enigmatic linguist and finds herself caring for an orphaned newborn. Along the way, Safiyya must discover what she truly wants from life.
The story of a Haitian witch doctor's family that comes to trust Christ as their Savior.
When the authorities concur for the king’s daughter to meet her future husband and ruler, Miroreka Fakusha rebels. Believing she can lead the Aykotah tribe better than an outsider, Fakusha entertains the plot of sabotaging her engagement. She’d much rather explore the jungle or fight alongside her brothers than serve a foreign prince—she may even go so far as to use her powerful fists and her strong will to change her fate. Her betrothed, Borrego Ni’guah guah is unaffected by her strength and stubbornness. This royal doesn’t need to use his charm to get what he wants—even if it’s Lady Fakusha. But for Fakusha, the struggle increases between what she wants and what is wanted of her, especially when her closest friend, Ridwiqu’Mar, cannot hide his desire for her any longer. Ridwiqu’Mar, the king’s personal guard, secretly meets her with a scheme of his own ... but that isn’t the only secret the jungle holds. As tension grows between them, will Ni’guah guah be able to defend his position, when others seek the Aykotah throne? And with the island tribes waging war with each other, will Fakusha conform to her role before it's too late?
Tamar Myers returns to Africa in The Headhunter’s Daughter, the second book in her wonderful mystery series set in the Belgian Congo in the mid-twentieth century—a riveting and atmospheric follow-up to The Witchdoctor’s Wife. Raised in the Congo herself, the child of missionaries, Myers uses her intimate knowledge of the people, the culture, and the landscape to add richness to this stunning story of an abandoned infant raised by a tribe of headhunters—a masterful mystery that fans of Alexander McCall Smith and The #1 Ladies’ Detective Agency will adore.
Hangman Jakob Kuisl is called upon to investigate whether witchcraft is being practiced in the small town of Schongau in 1659 after a dying boy is pulled from the river with a mark crudely tattooed on his shoulder.
Examines the ways in which the inclusion of African diasporic religious practices serves as a transgressive tool in narrative discourses in the Americas. Oshun’s Daughters examines representations of African diasporic religions from novels and poems written by women in the United States, the Spanish Caribbean, and Brazil. In spite of differences in age, language, and nationality, these women writers all turn to variations of traditional Yoruba religion (Santería/Regla de Ocha and Candomblé) as a source of inspiration for creating portraits of womanhood. Within these religious systems, binaries that dominate European thought—man/woman, mind/body, light/dark, good/evil—do not function in the same way, as the emphasis is not on extremes but on balancing or reconciling these radical differences. Involvement with these African diasporic religions thus provides alternative models of womanhood that differ substantially from those found in dominant Western patriarchal culture, namely, that of virgin, asexual wife/mother, and whore. Instead we find images of the sexual woman, who enjoys her body without any sense of shame; the mother, who nurtures her children without sacrificing herself; and the warrior woman, who actively resists demands that she conform to one-dimensional stereotypes of womanhood.
Within the glittering Hapsburg court in Prague lurks a darkness that no one dares mention... In 1606, the city of Prague shines as a golden mecca of art and culture carefully cultivated by Emperor Rudolf II. But the emperor hides an ugly secret: His bastard son, Don Julius, is afflicted with a madness that pushes the young prince to unspeakable depravity. Desperate to stem his son's growing number of scandals, the emperor exiles Don Julius to a remote corner of Bohemia, where the young man is placed in the care of a bloodletter named Pichler. The bloodletter's task: cure Don Julius of his madness by purging the vicious humors coursing through his veins. When Pichler brings his daughter Marketa to assist him, she becomes the object of Don Julius's frenzied--and dangerous--obsession. To him, she embodies the women pictured in the Coded Book of Wonder, a priceless manuscript from the imperial library that was his only link to sanity. As the prince descends further into the darkness of his mind, his acts become ever more desperate, as Marketa, both frightened and fascinated, can't stay away. Inspired by a real-life murder that threatened to topple the powerful Hapsburg dynasty, The Bloodletter's Daughter is a dark and richly detailed saga of passion and revenge.
"You could say I had an unconventional upbringing. At the age of four, I was sharing my bedroom with Bob Dylan, and by the time I was fifteen, I had been taken out of school to go traveling and was smoking joints with my mother." Some may be shocked at the adventures mother and daughter share, but everyone will admire Niema’s celebration of travel, motherhood, and life itself, as this honest and often humourous account describes how she copes with: The overwhelming desire to travel, which conflicts with the responsibilites of motherhood. Finding the confidence to believe in herself and her instincts. Being a single mother in the sixties while mixing with some of the most talented poets and musicians of our time, including Bob Dylan, Leonard Cohen, Irving Layton, Seamus Heaney, and Joni Mitchell. Developing a unique mother-daughter bond that many only dream about. This book will touch a hidden nerve in everyone who reads it as it turns a world of convention and protocol upside-down!
Paula Brackston's debut novel, The Witch's Daughter, was the little book that could--with a captivating story, remarkable heroine, and eye-catching package, it has now netted over 200,000 copies in all formats. Now Paula returns with its sequel The Return of the Witch, another bewitching tale of love and magic, featuring her signature blend of gorgeous writing, a fabulous and intriguing historical backdrop, and a headstrong and relatable heroine readers will cheer for. After five years in the Summerlands, Gideon has gained his freedom. Elizabeth knows he will go straight for Tegan, and that she must protect the girl she had come to regard as her own daughter. In the time since she the dramatic night in Batchcombe woods, Tegan has traveled the world learning from all manner of witches, and she is no longer the awkward teenager and novice spellcaster she once was. However, her skills are no match for Gideon's dark, vengeful power, and he succeeds in capturing her. Will Elizabeth be able to find her? Will they be able to defeat their nemesis once and for all? In a breathless journey that takes them through history to the 17th and 19th centuries, witch pursues warlock. Three people steeped in magic weave a new story, but not all will survive until the end.
This new volume repositions narrative medicine and trauma studies in a global context with a particular focus on ethics. Trauma is a rapidly growing field of especially literary and cultural studies, and the ways in which trauma has asserted its relevance across disciplines, which intersect with narrative medicine, and how it has come to widen the scope of narrative research and medical practice constitute the principal concerns of this volume. This collection brings together contributions from established and emerging scholars coming from a wide range of academic fields within the faculty of humanities that include literary and media studies, psychology, philosophy, history, anthropology as well as medical education and health care studies. This crossing of disciplines is also represented by the collaboration between the two editors. Most of the authors in the volume use narrative medicine to refer to the methodology pioneered by Rita Charon and her colleagues at Columbia University, but in some chapters, the authors use it to refer to other methodologies and pedagogies utilizing that descriptor. Trauma is today understood both in the restricted sense in which it is used in the mental health field and in its more widespread, popular usage in literature. This collection aspires to prolong, deepen, and advance the field of narrative medicine in two important aspects: by bringing together both the cultural and the clinical side of trauma and by opening the investigation to a truly global horizon.