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AD 9, Germania, among the brown and auburn leaves lie thousands of Rome's soldiers. Domitius is not yet dead. He flees the barbarian ambush and wanders the forest. There, among the dead timbers is a hut and Domitius takes refuge to tend his grievous wounds after days of fighting. The hunter returns and fights Domitius. He succumbs to his wounds and collapses. The hunter, a witch, pulls her hood back and looks over the man. She goes back to her door, opens it, sniffs the air for savages and listens, nothing. She returns to the Roman, drags him to a corner, and lashes his arms. Then, she sets her cauldron over the fire and stokes the flames. She casts root, flower petals, and other plants into the boiling brown stew. She dips a rotted wooden cup into the potion, scoops a mouthful, and forces it down the Roman's throat.Domitius recovers and admires the witch for her healing skills. She draws her fingers over his wounds and takes to this man who, unlike the barbarians who use her at will, is bound to her. Passions rise. She thinks to run away with him, but her dark past with its secrets stops her thoughts of freedom.Domitius, well enough to travel, flees the Germania for Rome where the witch would not be worthy to hold his water cup. His heart though, with thoughts of Fior, drives him to go back to her. Together, they flee Germania for Rome.From Fior's hut, the walk is months long through the heart of barbarian lands to the mountains. The perilous journey will challenge their love, attack their flaws, and seek to destroy their quest for freedom and happiness.
In 1996 Decker was one of the first of a small group of scholars allowed access. Originally published as Die Papste und die Hexen, Witchcraft and the Papacy is based on these newly available materials and traces the role of the papacy in witchcraft prosecutions from medieval times to the eighteenth century. Decker found that although the medieval church did lay the foundation for witch hunts of the sixteenth to eighteenth centuries, the postmedieval papacy, and the Roman and Spanish Inquisitions, played the same kind of skeptical, restraining role during the height of the witch-hunting frenzy in Germany and elsewhere in Europe as it had in the trial that was the initial focus of his research.
In a culture where the supernatural possessed an immediacy now strange to us, magic was of great importance both in the literary mythic tradition and in ritual practice. In this book, Daniel Ogden presents 300 texts in new translations, along with brief but explicit commentaries. Authors include the well known (Sophocles, Herodotus, Plato, Aristotle, Virgil, Pliny) and the less familiar, and extend across the whole of Graeco-Roman antiquity.
Canidia is one of the most well-attested witches in Latin literature. She appears in no fewer than six of Horace's poems, three of which she has a prominent role in. Throughout Horace's Epodes and Satires she perpetrates acts of grave desecration, kidnapping, murder, magical torture and poisoning. She invades the gardens of Horace's literary patron Maecenas, rips apart a lamb with her teeth, starves a Roman child to death, and threatens to unnaturally prolong Horace's life to keep him in a state of perpetual torment. She can be seen as an anti-muse: Horace repeatedly sets her in opposition to his literary patron, casts her as the personification of his iambic poetry, and gives her the surprising honor of concluding not only his Epodes but also his second book of Satires. This volume is the first comprehensive treatment of Canidia. It offers translations of each of the three poems which feature Canidia as a main character as well as the relevant portions from the other three poems in which Canidia plays a minor role. These translations are accompanied by extensive analysis of Canidia's part in each piece that takes into account not only the poems' literary contexts but their magico-religious details.
The culmination of a project aimed at showcasing, in a systematic way, the potential of applying anthropological perspectives to classical studies, this volume highlights the fundamental contribution this approach has to make to our understanding of ancient Roman culture. Through the close study of themes such as myth, polytheism, sacrifice, magic, space, kinship, the gift, friendship, economics, animals, plants, riddles, metaphors, and images in Roman society (often in comparison with Greece) - where the texts of ancient culture are allowed to speak in their own terms and where the experience of the natives (rather than the horizon of the observer) is privileged - a rich panorama emerges of the worldview, beliefs, and deep structures that shaped and guided this culture.
The witches of Salem, Massachusetts, share their favorite spells, incantations, aphrodisiacs, and love potion recipes, some dating back to the 15th century.
Spanning a thousand years, and following the shifting fortunes of two families though the ages, this is the epic saga of Rome, the city and its people. Weaving history, legend, and new archaeological discoveries into a spellbinding narrative, critically acclaimed novelist Steven Saylor gives new life to the drama of the city's first thousand years — from the founding of the city by the ill-fated twins Romulus and Remus, through Rome's astonishing ascent to become the capitol of the most powerful empire in history. Roma recounts the tragedy of the hero-traitor Coriolanus, the capture of the city by the Gauls, the invasion of Hannibal, the bitter political struggles of the patricians and plebeians, and the ultimate death of Rome's republic with the triumph, and assassination, of Julius Caesar. Witnessing this history, and sometimes playing key roles, are the descendents of two of Rome's first families, the Potitius and Pinarius clans: One is the confidant of Romulus. One is born a slave and tempts a Vestal virgin to break her vows. One becomes a mass murderer. And one becomes the heir of Julius Caesar. Linking the generations is a mysterious talisman as ancient as the city itself. Epic in every sense of the word, Roma is a panoramic historical saga and Saylor's finest achievement to date.
Jonathan goes on a secret quest to Rome, and Flavia, Nubia and Lupus set out to find him. Their dangerous mission takes them to the Golden House of Nero where a deadly assassin is rumoured to be at work - and they learn what happened to Jonathan's family during the terrible destruction of Jerusalem nine years earlier.