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The richness and the range of Native American spirituality has long been noted, but it has never been examined so thoroughly, nor with such an eye for the amazing interconnectedness of Indian tribal ceremonies and practices, as in An Archaeology of the Soul. In this monumental work, destined to become a classic in its field, Robert Hall traces the genetic and historical relationships of the tribes of the Midwest and Plains--including roots that extend back as far as 3,000 years. Looking beyond regional barriers, An Archaeology of the Soul offers new depths of insight into American Indian ethnography. Hall uncovers the lineage and kinship shared by Native North Americans through the perspectives of history, archaeology, archaeoastronomy, biological anthropology, linguistics, and mythology. The wholeness and panoramic complexity of American Indian belief has never been so fully explored--or more deeply understood.
This text describes Ojibway, Sauk, and Winnebago (Ho Chunk) Creation Legends, Indian Mounds, and artifacts to describe an east-west trade theory that reflects the development of the Sauk Tribe in America, China, and India. It also describes the use of Indian Mounds as astronomical clocks that physically describe their legends.
Case studies combine archaeological data and oral tradition to illustrate how the archaeological expression of beliefs and meanings passed down in the oral tradition may be interpreted. Explanations in Iconography: Ancient American Indian Art, Symbol, and Meaning is a significant contribution to the field of archaeology – a contribution in iconography studies that has gradually been coming into its own. Iconography is a rich and fascinating field, as applied to the complex, and heretofore enigmatic, imagery on many ancient Pre-Columbian artifacts. When viewed through the lens of early ethnographic records and American Indian oral traditions, as well as information from knowledgeable American Indian elders, it opens a world of understanding and clarity until recently unknown in the field of anthropological archaeology. It brings us closer to the people who created the artifacts and offers a glimpse into the symbols and beliefs that were important to them. Chapters cover a wide variety of artifacts and imagery from several ancient American Indian cultures. These artifacts include petroglyphs and pictographs (rock art), mounds, engraved shell cups and gorgets, burial architecture and grave furniture, pottery, copper repoussé, and other media. Ancient graphics, engravings, mounds, and all were created to deliver a message to the viewer – and many of those messages are finally coming to light. The artifacts included are from a variety of regions, mainly in the Midwest and Eastern United States. We hope that this volume will encourage others to look more deeply into the meaning behind the ancient imagery and arts and give the past a chance to be known.
Lankford's volume focuses on the ancient North Americans and the ways they identified, patterned, ordered, and used the stars to light their culture and illuminate their traditions.
"List of publications of the Bureau of American Ethnology (comp. by Frederick Webb Hodge)":
The myth of the Trickster—ambiguous creator and destroyer, cheater and cheated, subhuman and superhuman—is one of the earliest and most universal expressions of mankind. Nowhere does it survive in more starkly archaic form than in the voraciously uninhibited episodes of the Winnebago Trickster Cycle, recorded here in full. Anthropological and psychological analyses by Radin, Kerényi, and Jung reveal the Trickster as filling a twofold role: on the one hand he is “an archetypal psychic structure” that harks back to “an absolutely undifferentiated human consciousness, corresponding to a psyche that has hardly left the animal level” (Jung); on the other hand, his myth is a present-day outlet for the most unashamed and liberating satire of the onerous obligations of social order, religion, and ritual.