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This record of Elgar's intimate friendship with Alice Stuart Wortley--daughter of the painter Millais and wife of an MP--and her family chronicles a period of great artistic accomplishment set against a brilliant background of Edwardian theater, Royal Academy dinners, and private concerts. Containing some of Elgar's finest letters, many never before published, the volume also draws on diaries, manuscript notes, and personal recollections to fill gaps in the correspondence, creating a rich and full portrait of a fascinating society and a great artist at the height of his powers.
This record of Elgar's intimate friendship with Alice Stuart Wortley--daughter of the painter Millais and wife of an MP--and her family chronicles a period of great artistic accomplishment set against a brilliant background of Edwardian theater, Royal Academy dinners, and private concerts. Containing some of Elgar's finest letters, many never before published, the volume also draws on diaries, manuscript notes, and personal recollections to fill gaps in the correspondence, creating a rich and full portrait of a fascinating society and a great artist at the height of his powers.
An account of the relationship between Sir Edward Elgar and Alice Stuart Worsley, his 'Windflower', as told through the letters he wrote to her, supplemented with material from other contemporary sources and a linking commentary by the editor.
The wide-ranging and lively essays in Reading Thomas Hardy will appeal to anyone interested in Hardy. Specialists and Hardy enthusiasts will find a showcase for the work of many of the world's leading Hardy scholars. Subjects covered include Hardy the writer and Hardy the man, individual texts and wider themes, and Hardy's relationships to other artists. Whether presenting new research, embodying the best of traditional approaches, or challenging the reader with new interpretations, all the papers are authoritative and accessible.
This important new biography of Elgar draws on letters and documents which have become available in the last twenty-five years. Michael Kennedy, a leading scholar of British music and a distinguished musical biographer, uses this new material, which includes Elgar's own vast correspondence, in an attempt to get to the centre of the composer's complex personality. Elgar's letters reveal his unpredictable swings of mood, from gaiety and a fondness for puns to morose self-pity and a feeling that he was 'not wanted'.
On the heels of the successful Lifetime TV version of Flowers in the Attic comes the TV movie tie-in edition of Petals On the Wind, the second book in the captivating Dollanganger saga. Forbidden love comes into full bloom. For three years they were kept hidden in the eaves of Foxworth Hall, their existence all but denied by a mother who schemed to inherit a fortune. For three years their fate was in the hands of their righteous, merciless grandmother. They had to stay strong...but in their hopeless world, Cathy and her brother Christopher discovered blossoming desires that tumbled into a powerful obsession. Now, with their frail sister Carrie, they have broken free and scraped enough together for three bus tickets and a chance at a new life. The horrors of the attic are behind them...but they will carry its legacy of dark secrets forever.
Shaw, now in its twenty-second year, publishes general articles on Shaw and his milieu, reviews, notes, and the authoritative Continuing Checklist of Shaviana, the bibliography of Shaw studies.
Edward Elgar (1857-1934) is undoubtedly one of the most fascinating, important, and influential figures in the history of British music. He rose from humble beginnings and achieved fame with music that to this day is beloved by audiences in England, and his work has secured an enduring legacy worldwide. Leading scholars examine the composer's life in Edward Elgar and His World, presenting a comprehensive portrait of both the man and the age in which he lived. Elgar's achievement is remarkably varied and wide-ranging, from immensely popular works like the famous Pomp and Circumstance March no. 1--a standard feature of American graduations--to sweeping masterpieces like his great oratorio The Dream of Gerontius. The contributors explore Elgar's Catholicism, which put him at odds with the prejudices of Protestant Britain; his glorification of British colonialism; his populist tendencies; his inner life as an inspired autodidact; the aristocratic London drawing rooms where his reputation was made; the class prejudice with which he contended throughout his career; and his anguished reaction to World War I. Published in conjunction with the 2007 Bard Music Festival and the 150th anniversary of Elgar's birth, this elegant and thought-provoking volume illuminates the greatness of this accomplished English composer and brings vividly to life the rich panorama of Victorian and Edwardian Britain. The contributors are Byron Adams, Leon Botstein, Rachel Cowgill, Sophie Fuller, Daniel M. Grimley, Nalini Ghuman Gwynne, Deborah Heckert, Charles Edward McGuire, Matthew Riley, Alison I. Shiel, and Aidan J. Thomson. Some images inside the book are unavailable due to digital copyright restrictions.
Despite several recent monographs, editions and recordings devoted to the reassessment of British music in the late nineteenth and early twentieth century, some negative perceptions still remain--particularly a sense that British composers in this period somehow lacked literary credentials. British Music and Literary Context counters this perception by showing that these composers displayed a real confidence and assurance in refiguring literary texts in their music. The book explores how a literary context might offer modern audiences and listeners a 'way in' to appreciate specific works that have traditionally been viewed as problematic. Each chapter of this interdisciplinary study juxtaposes a British composer with a particular literary counterpart or genre. Issues highlighted in the book include the vexed relationship between words and music, the refiguring of literary narratives as musical structures, and the ways in which musical settings or representations of literary texts might be seen as critical 'readings' of those texts. Anyone interested in nineteenth-century British music, literature and Victorian studies will enjoy this thought-provoking and perceptive book.