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This easy-reading autobiography of bear hunting and Indian fighting — written in 1834, two years before Crockett met his fate at the Alamo — popularized tall tales of the frontier.
The real story of the ordeal experienced by both settlers and Indians during the Europeans' great migration west across America, from the colonies to California, has been almost completely eliminated from the histories we now read. In truth, it was a horrifying and appalling experience. Nothing like it had ever happened anywhere else in the world. In The Wild Frontier, William M. Osborn discusses the changing settler attitude toward the Indians over several centuries, as well as Indian and settler characteristics—the Indian love of warfare, for instance (more than 400 inter-tribal wars were fought even after the threatening settlers arrived), and the settlers' irresistible desire for the land occupied by the Indians. The atrocities described in The Wild Frontier led to the death of more than 9,000 settlers and 7,000 Indians. Most of these events were not only horrible but bizarre. Notoriously, the British use of Indians to terrorize the settlers during the American Revolution left bitter feelings, which in turn contributed to atrocious conduct on the part of the settlers. Osborn also discusses other controversial subjects, such as the treaties with the Indians, matters relating to the occupation of land, the major part disease played in the war, and the statements by both settlers and Indians each arguing for the extermination of the other. He details the disgraceful American government policy toward the Indians, which continues even today, and speculates about the uncertain future of the Indians themselves. Thousands of eyewitness accounts are the raw material of The Wild Frontier, in which we learn that many Indians tortured and killed prisoners, and some even engaged in cannibalism; and that though numerous settlers came to the New World for religious reasons, or to escape English oppression, many others were convicted of crimes and came to avoid being hanged. The Wild Frontier tells a story that helps us understand our history, and how as the settlers moved west, they often brutally expelled the Indians by force while themselves suffering torture and kidnapping.
In 1826 an undersized sixteen-year-old apprentice ran away from a saddle maker in Franklin, Missouri, to join one of the first wagon trains crossing the prairie on the Santa Fe Trail. Kit Carson (1809-68) wanted to be a mountain man, and he spent his next sixteen years learning the paths of the West, the ways of its Native inhabitants, and the habits of the beaver, becoming the most successful and respected fur trapper of his time. From 1842 to 1848 he guided John C. Frémont's mapping expeditions through the Rockies and was instrumental in the U.S. military conquest of California during the Mexican War. In 1853 he was appointed Indian agent at Taos, and later he helped negotiate treaties with the Apaches, Kiowas, Comanches, Arapahos, Cheyennes, and Utes that finally brought peace to the southwestern frontier. Ralph Moody's biography of Kit Carson, appropriate for readers young and old, is a testament to the judgment and loyalty of the man who had perhaps more influence than any other on the history and development of the American West.
Generously illustrated with archival prints and photos of Catlin's own paintings, this accessible biography of one of America's best-known painters weaves a well-researched history with stories of Catlin's travels and adventures.
Canada’s wild frontier—a land unsettled and unknown, a land of appalling obstacles and haunting beauty—comes to life through seven remarkable individuals, including John Jewitt, the young British seaman who became a slave to the Nootka Indians; Dr. Wilfred Grenfell, the eccentric missionary; Sam Steele, the most famous of all Mounted Policemen; and Isaac Jorges, the 17th-century priest who courted martyrdom. Many of the stories of these figures read like the wildest of fiction: Cariboo Cameron, who, after striking it rich in B.C., pickled his wife’s body in alcohol and gave her three funerals; Mina Hubbard, the young widow who trekked across the unexplored heart of Labrador as an act of revenge; and Almighty Voice, the renegade Cree, who was the key figure in the last battle between white men and Aboriginals in North America. Spanning more than two centuries and four thousand miles, this book demonstrates how our frontier resembles no other and how for better and for worse it has shaped our distinctive sense of Canada.
Briefly tells the story of this nineteenth-century painter and naturalist who is most famous for his detailed paintings of birds.
Cooperation, not conflict, is emphasized in a study that casts America's frontier history as a place in which local people helped develop the legal framework that tamed the West.
His friendship with Peter Cartwright, a Methodist circuit-rider evangelist, enables thirteen-year-old Gil to pursue his dream of locating his mother who was kidnapped by the Sauk Indians during the War of 1812.
A “hugely entertaining” history of the 1980s New Wave music scene told through new interviews with its biggest artists (Rolling Stone). Mad World is a compelling oral history that celebrates the New Wave music phenomenon of the 1980s via new interviews with 35 of the most notable artists of the period. Each chapter begins with a discussion of their most popular song and leads to stories of their history and place in the scene, ultimately painting a vivid picture of this colorful, idiosyncratic time. Mixtape suggestions, fashion sidebars, and quotes from famous contemporary admirers help fill out the fun. Participants include members of Duran Duran, New Order, The Smiths, Tears for Fears, Adam Ant, Echo, and the Bunnymen, Devo, ABC, Spandau Ballet, A Flock of Seagulls, Thompson Twins, INXS, and more. “One addictive chapter after another.” —Rob Sheffield, author of Talking to Girls About Duran Duran “Tells the tale of some of the decade’s most unforgettable songs . . . in fascinating detail, letting the architects of these memorable records shine a light on how the sound of a generation came to be.” —The Hollywood Reporter “The new wave era is often dismissed for its one-hit wonders and silly haircuts, but [Mad World] examines the period with a great deal of love and reverence.” —Buzzfeed “A really informative and insightful read.” —People