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A brief foray into a moral thicket, exploring why we should protect nature despite tsunamis, malaria, bird flu, cancer, killer asteroids, and tofu. Most of us think that in order to be environmentalists, we have to love nature. Essentially, we should be tree huggers—embracing majestic redwoods, mighty oaks, graceful birches, etc. We ought to eat granola, drive hybrids, cook tofu, and write our appointments in Sierra Club calendars. Nature's splendor, in other words, justifies our protection of it. But, asks Benjamin Hale in this provocative book, what about tsunamis, earthquakes, cancer, bird flu, killer asteroids? They are nature, too. For years, environmentalists have insisted that nature is fundamentally good. In The Wild and the Wicked, Benjamin Hale adopts the opposite position—that much of the time nature can be bad—in order to show that even if nature is cruel, we still need to be environmentally conscientious. Hale argues that environmentalists needn't feel compelled to defend the value of nature, or even to adopt the attitudes of tree-hugging nature lovers. We can acknowledge nature's indifference and periodic hostility. Deftly weaving anecdote and philosophy, he shows that we don't need to love nature to be green. What really ought to be driving our environmentalism is our humanity, not nature's value. Hale argues that our unique burden as human beings is that we can act for reasons, good or bad. He claims that we should be environmentalists because environmentalism is right, because we humans have the capacity to be better than nature. As humans, we fail to live up to our moral potential if we act as brutally as nature. Hale argues that despite nature's indifference to the plight of humanity, humanity cannot be indifferent to the plight of nature.
A brief foray into a moral thicket, exploring why we should protect nature despite tsunamis, malaria, bird flu, cancer, killer asteroids, and tofu. Most of us think that in order to be environmentalists, we have to love nature. Essentially, we should be tree huggers—embracing majestic redwoods, mighty oaks, graceful birches, etc. We ought to eat granola, drive hybrids, cook tofu, and write our appointments in Sierra Club calendars. Nature's splendor, in other words, justifies our protection of it. But, asks Benjamin Hale in this provocative book, what about tsunamis, earthquakes, cancer, bird flu, killer asteroids? They are nature, too. For years, environmentalists have insisted that nature is fundamentally good. In The Wild and the Wicked, Benjamin Hale adopts the opposite position—that much of the time nature can be bad—in order to show that even if nature is cruel, we still need to be environmentally conscientious. Hale argues that environmentalists needn't feel compelled to defend the value of nature, or even to adopt the attitudes of tree-hugging nature lovers. We can acknowledge nature's indifference and periodic hostility. Deftly weaving anecdote and philosophy, he shows that we don't need to love nature to be green. What really ought to be driving our environmentalism is our humanity, not nature's value. Hale argues that our unique burden as human beings is that we can act for reasons, good or bad. He claims that we should be environmentalists because environmentalism is right, because we humans have the capacity to be better than nature. As humans, we fail to live up to our moral potential if we act as brutally as nature. Hale argues that despite nature's indifference to the plight of humanity, humanity cannot be indifferent to the plight of nature.
She was wicked… Everyone knew that Valerie Storm was the baddest bit—um, witch on the block. She might look like Snow White, but she had the heart of a wicked queen. She turned her enemies to ash, she danced on their graves, and she had to be stopped. But who could stand up to someone so wicked? He was wild. Griffin Bastien was the most powerful shifter to ever walk the earth. His claws had sent plenty of his foes to the grave. Bloodlust burned fast and hard within him, and when his beast took over, there was no stopping him. Then Wicked met Wild. Neither of them believed in love. And neither of them ever expected the firestorm that ignited when they kissed. But some things—some people—can’t be controlled. The need that Valerie and Griffin feel for each other, the white-hot lust, will change their world. Even hell doesn’t burn this hot. Too bad that Griffin has been keeping secrets. Too bad that he is the original assassin sent to destroy Valerie. Because when she finds out the truth, there will be no greater fury than a wicked witch betrayed. Even the biggest, baddest beast might discover that he’s absolutely lost when a witch casts her spell, and he will be willing to do anything to reclaim the mate he never expected. Buckle up, it’s gonna be a wild ride. Author's Note: WICKED AND WILD is a complete, stand-alone story that is set in the world of my "Bad Things" paranormal books. Expect a sexy alpha, a very fierce heroine, and hot times ahead.
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"Haunting, immersive, and seething with dark magic."―Alexis Henderson Oprah Daily Top 25 Fantasy Book of 2022! In the 1920s, a lush, decadent gothic tale unfolds as a young woman slips into a glamorous world filled with illicit magic, tantalizing romance, and murder. On Crow Island, people whisper that real magic lurks just below the surface. But magic doesn’t interest Annie Mason. Not after it stole her future. She’s on the island only to settle her late father’s estate and, hopefully, reconnect with her long-absent best friend, Beatrice, who fled their dreary lives for a more glamorous one. Yet Crow Island is brimming with temptation, and the most mesmerizing may be her enigmatic new neighbor. Mysterious and alluring, Emmeline Delacroix is a figure shadowed by rumors of witchcraft. Soon, Annie is drawn into a glittering, haunted world. A world where the boundaries of wickedness are tested, and the cost of illicit magic might be death. To those who are bright and young; to those who are wild and wicked; welcome to Crow Island. Praise for Wild and Wicked Things: “A deep, sensuous exploration of the bonds between three very different, complex women that readers won't soon forget." —Gwenda Bond, New York Times bestselling author "Brimming with romance and gilded with danger, Wild and Wicked Things is a heady, lyrical gem of a book."—Hannah Whitten, New York Times bestselling author
London Hughes is very content to surf daily, tend bar, hang out with her group of friends, and slowly orient herself in the years after college. When a wave knocks her for a loop one morning, then Luke Sutter's flirtatious smile knocks her for another that evening, she veers slightly off course-- and into his path. Why not-- it's only one night. As much as she enjoys her fling with Luke, when London learns about his past-- more specifically, who's in it-- everything becomes the brand of complicated she strives to avoid. Can Luke manage things so he's not something she'll outright avoid as well?
Tucked away in the northwestern frontier, Portland offered all the best vices: opium dreams, gambling, cheap prostitutes, and drunken brawling. In its early days, Portland was a "combination rough-and-ready logging camp and gritty, hard-punching deep-water port town," and as a young city (established in the late 1840s) it developed an international reputation for lawlessness and violence. In the early 1900s, the British and French governments filed formal complaints about Portland to the US state department, and Congressional testimony from the time cites Portland as the worst place in the world for crimping. Today, tours of the alleged Shanghai Tunnels offer Portland visitors a taste of that seedy past.
The first in a wickedly seductive new Scottish historical romance series from New York Times bestselling author Suzanne Enoch! “It’s time to fall in love with Suzanne Enoch.” — Lisa Kleypas HAPPILY-EVER-AFTER London socialite Amelia-Rose Baxter is nobody’s fool. Her parents may want her to catch a title, but she will never change who she is for the promise of marriage. Her husband will be a man who can appreciate her sharp mind as well as her body. A sophisticated man who loves life in London. A man who considers her his equal—and won’t try to tame her wild heart... IN THE HIGHLANDS Rough, rugged Highlander Niall MacTaggert and his brothers know the rules: the eldest must marry or lose the ancestral estate, period. But Niall’s eldest brother just isn’t interested in the lady his mother selected. Is it because Amelia-Rose is just too. . . Free-spirited? Yes. Brazen? Aye. Surely Niall can find a way to soften up the whip-smart lass and make her the perfect match for his brother for the sake of the family. JUST GOT A WHOLE LOT HOTTER. Instead it’s Niall who tempts Amelia-Rose, despite her reservations about barbarian Highlanders. Niall finds the lass nigh irresistible as well, but he won’t make the mistake his father did in marrying an Englishwoman who doesn’t like the Highlands. Does he have what it takes to win her heart? There is only one way to find out...
After brilliantly reimagining the worlds of Oz, Wonderland, Dickensian London, and the Nutcracker, the New York Times bestselling author of Wicked turns his unconventional genius to Hans Christian Andersen's "The Wild Swans," transforming this classic tale into an Italian-American girl's poignant coming-of-age story, set amid the magic of Christmas in 1960s New York. Following her brother's death and her mother's emotional breakdown, Laura now lives on the Upper East Side of Manhattan, in a lonely townhouse she shares with her old-world, strict, often querulous grandparents. But the arrangement may be temporary. The quiet, awkward teenager has been getting into trouble at home and has been expelled from her high school for throwing a record album at a popular girl who bullied her. When Christmas is over and the new year begins, Laura may find herself at boarding school in Montreal. Nearly unmoored from reality through her panic and submerged grief, Laura is startled when a handsome swan boy with only one wing lands on her roof. Hiding him from her ever-bickering grandparents, Laura tries to build the swan boy a wing so he can fly home. But the task is too difficult to accomplish herself. Little does Laura know that her struggle to find help for her new friend parallels that of her grandparents, who are desperate for a distant relative’s financial aid to save the family store. As he explores themes of class, isolation, family, and the dangerous yearning to be saved by a power greater than ourselves, Gregory Maguire conjures a haunting, beautiful tale of magical realism that illuminates one young woman’s heartbreak and hope as she begins the inevitable journey to adulthood.
The witch has always been a figure electric with possibility and, sometimes, with menace. A legendary shapeshifter, she has recast her image to fulfil the dreams and nightmares of each passing century. She is the devouring mother, the vengeful wife, the possessed devil worshipper, the resentful old hag and the high priestess. Yet throughout her proud and painful history, she has remained shrouded in mystery.