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"OKAY," Part One The pop-obsessed sensation starts its final arc. Yup, you read it right. We're rushing toward the climax. Are you really going to stop now? C'mon. Stay with us. We've got a five-years-in-the-making conclusion to be getting on with.
Ananke is dead. What do the gods do? Whatever they want. What can go wrong? Everything. Literally, everything. The bestselling, critically acclaimed comic by KIERON GILLEN, JAMIE McKELVIE, and MATTHEW WILSON reaches its Imperial Phase, with copious "making of" material and extensive director's commentary. Collects THE WICKED + THE DIVINE #23-33
Modernist poets, Godly Romantics, what really happened during the fall of Rome, and the Lucifer who was a medieval nun Also includes the delights of the WicDiv Christmas Annual and the Comedy Special. Collects all six of THE WICKED + THE DIVINE's essential Specials including the CHRISTMAS ANNUAL and THE FUNNIES!
Every ninety years, twelve gods incarnate as humans. They are loved. They are hated. In two years, they are dead. The team behind critical tongue-attractors like Young Avengers and PHONOGRAM reunite to create a world where gods are the ultimate pop stars and pop stars are the ultimate gods. But remember: just because you're immortal, doesn't mean you're going to live forever. Collects THE WICKED + THE DIVINE #1-5.
After five years, we reach the final volume. We go not gentle into that good night, but go driving a converted tank, covered in glitter and spangles, with a soundsystem audible from Mars blaring nothing but bangers. Gods, pop stars, an ending. We'll miss you. Collects THE WICKED +THE DIVINE #40-45
"OKAY," Part Five There's one "i" in "decide" but two in "deicide." I'm not sure if that tells you anything, but it sounds pretty enigmatic, right?
"OKAY," Conclusion Thanks for reading. WeÕll miss you.
How should we understand biblical texts where God is depicted as acting irrationally, violently, or destructively? If we distance ourselves from disturbing portrayals of God, how should we understand the authority of Scripture? How does the often wrathful God portrayed in the Old Testament relate to the God of love proclaimed in the New Testament? Is that contrast even accurate? Disturbing Divine Behavior addresses these perennially vexing questions for the student of the Bible. Eric A. Seibert calls for an engaged and discerning reading of the Old Testament that distinguishes the particular literary and theological goals achieved through narrative characterizations of God from the rich understanding of the divine to which the Old Testament as a whole points. Providing illuminating reflections on theological reading as well, this book will be a welcome resource for any readers who puzzle over disturbing representations of God in the Bible.
In the past: awful stuff. In the present: awful stuff. But, increasingly: answers. Collects THE WICKED + THE DIVINE #34-39
The New York Times bestseller and basis for the Tony-winning hit musical, soon to be a major motion picture starring Cynthia Erivo and Ariana Grande With millions of copies in print around the world, Gregory Maguire’s Wicked is established not only as a commentary on our time but as a novel to revisit for years to come. Wicked relishes the inspired inventions of L. Frank Baum’s 1900 novel, The Wonderful Wizard of Oz, while playing sleight of hand with our collective memories of the 1939 MGM film starring Margaret Hamilton (and Judy Garland). In this fast-paced, fantastically real, and supremely entertaining novel, Maguire has populated the largely unknown world of Oz with the power of his own imagination. Years before Dorothy and her dog crash-land, another little girl makes her presence known in Oz. This girl, Elphaba, is born with emerald-green skin—no easy burden in a land as mean and poor as Oz, where superstition and magic are not strong enough to explain or overcome the natural disasters of flood and famine. Still, Elphaba is smart, and by the time she enters Shiz University, she becomes a member of a charmed circle of Oz’s most promising young citizens. But Elphaba’s Oz is no utopia. The Wizard’s secret police are everywhere. Animals—those creatures with voices, souls, and minds—are threatened with exile. Young Elphaba, green and wild and misunderstood, is determined to protect the Animals—even if it means combating the mysterious Wizard, even if it means risking her single chance at romance. Ever wiser in guilt and sorrow, she can find herself grateful when the world declares her a witch. And she can even make herself glad for that young girl from Kansas. Recognized as an iconoclastic tour de force on its initial publication, the novel has inspired the blockbuster musical of the same name—one of the longest-running plays in Broadway history. Popular, indeed. But while the novel’s distant cousins hail from the traditions of magical realism, mythopoeic fantasy, and sprawling nineteenth-century sagas of moral urgency, Maguire’s Wicked is as unique as its green-skinned witch.