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DigiCat Publishing presents to you this special edition of "The White Morning" (A Novel of the Power of the German Women in Wartime) by Gertrude Franklin Horn Atherton. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Countess Gisela Niebuhr sat in the long dusk of Munich staring over at the beautiful park that in happier days had been famous in the world as the Englischer Garten, and deliberately recalled on what might be the last night of her life the successive causes that had led to her profound dissatisfaction with her country as a woman. She was so thoroughly disgusted with it as a German that personal grievances were far from necessary to fortify her for the momentous rôle she was to play with the dawn; but in this rare hour of leisure it amused her naturally introspective mind to rehearse certain episodes whose sum had made her what she was. When she was fourteen and her sisters Lili and Elsa sixteen and eighteen they had met in the attic of their home in Berlin one afternoon when their father was automatically at his club and their mother taking her prescribed hour of rest, and solemnly pledged one another never to marry. The causes of this vital conclave were both cumulative and immediate. Their father, the Herr Graf, a fine looking junker of sixty odd, with a roving eye and a martial air despite a corpulence which annoyed him excessively, had transferred his lost authority over his regiment to his household. The boys were in their own regiments and rid of parental discipline, but the countess and the girls received the full benefit of his military, and Prussian, relish for despotism. In his essence a kind man and fond of his women, he balked their every individual wish and allowed them practically no liberty. They never left the house unattended, like the American girls and those fortunate beings of the student class. Lili had a charming voice and was consumed with ambition to be an operatic star. She had summoned her courage upon one memorable occasion and broached the subject to her father. All the terrified family had expected his instant dissolution from apoplexy, and in spite of his petty tyrannies they loved him. The best instructor in Berlin continued to give her lessons, as nothing gave the Graf more pleasure of an evening than her warblings. The household, quite apart from the Frau Gräfin's admirable management, ran with military precision, and no one dared to be the fraction of a minute late for meals or social engagements. They attended the theater, the opera, court functions, dinners, balls, on stated nights, and unless the Kaiser took a whim and altered a date, there was no deviation from this routine year in and out. They walked at the same hour, drove in the Tiergarten with the rest of fashionable Berlin, started for their castle in the Saxon Alps not only upon the same day but on the same train every summer, and the electric lights went out at precisely the same moment every night; the count's faithful steward manipulated a central stop. They were encouraged to read and study, but not—oh, by no means—to have individual opinions. The men of Germany were there to do the thinking and they did it.
Born on October 30, 1857, in San Francisco, Gertrude Franklin Horn Atherton was fortunate enough to be raised by her grandfather after her parents divorced when she was two. Her grandfather was Stephen Franklin, a relative of Benjamin Franklin, was deeply committed to her education. After completing school, she ended up eloping with her mother's suitor, George H. B. Atherton, and moved to live with him and his family in Fair Oaks, California. Life was difficult, because of the constricting role of womanhood, Atherton found herself in. Sadly, her husband and son died as a result of two different tragedies. Left alone to care for their daughter, Muriel, Atherton turned to writing. She quickly gained notoriety after her first book, The Randolphs of Redwood: A Romance was published. Her family was very disappointed because of the nature of the publication, so she traveled to New York and Paris, where her writing began to be embraced. She wrote under psuedonyms, including male ones such as Frank Lin, especially early in her career. She was an extraordinarily prolific writer, writing dozens of books in addition to writing for newspapers and magazines, along with plays and films. She was a feminist, and in this work, The White Morning, Atherton imagines the world as led by women.
For years, critics have acclaimed the power of James Lee Burke's writing, the luminosity of his prose, the psychological complexity of his characters, the richness of his landscapes. Over the course of twenty novels and one collection of short stories, he has developed a loyal and dedicated following among both critics and general readers. His thrillers, featuring either Louisiana cop Dave Robicheaux or Billy Bob Holland, a hardened Texas-based lawyer, have consistently appeared on national bestseller lists, making Burke one of America's most celebrated authors of crime fiction. Now, in a startling and brilliantly successful departure, Burke has written a historical novel -- an epic story of love, hate, and survival set against the tumultuous background of the Civil War and Reconstruction. At the center of the novel are James Lee Burke's own ancestors, Robert Perry, who comes from a slave-owning family of wealth and privilege, and Willie Burke, born of Irish immigrants, a poor boy who is as irreverent as he is brave and decent. Despite their personal and political conflicts with the issues of the time, both men join the Confederate Army, choosing to face ordeal by fire, yet determined not to back down in their commitment to their moral beliefs, to their friends, and to the abolitionist woman with whom both have become infatuated. One of the most compelling characters in the story, and the catalyst for much of its drama, is Flower Jamison, a beautiful young black slave befriended, at great risk to himself, by Willie and owned by -- and fathered by, although he will not admit it -- Ira Jamison. Owner of Angola Plantation, Ira Jamison is a true son of the Old South and also a ruthless businessman, who, after the war, returns to the plantation and re-energizes it by transforming it into a penal colony, which houses prisoners he rents out as laborers to replace the slaves who have been emancipated. Against all local law and customs, Flower learns from Willie to read and write, and receives the help and protection of Abigail Dowling, a Massachusetts abolitionist who had come south several years prior to help fight yellow fever and never left, and who has attracted the eye of both Willie and Robert Perry. These love affairs are not only fraught with danger, but compromised by the great and grim events of the Civil War and its aftermath. As in all of Burke's writings, White Doves at Morning is full of wonderful, colorful, unforgettable villains. Some, like Clay Hatcher, are pure "white trash" (considered the lowest of the low, they were despised by the white ruling class and feared by former slaves). From their ranks came the most notorious of the vigilante groups, such as the Ku Klux Klan, the White League and the Knights of the White Camellia. Most villainous of all, though, are the petty and mean-minded Todd McCain, owner of New Iberia's hardware store, and the diabolically evil Rufus Atkins, former overseer of Angola Plantation and the man Jamison has placed in charge of his convict labor crews. Rounding out this unforgettable cast of characters are Carrie LaRose, madam of New Iberia's house of ill repute, and her ship's-captain brother Jean-Jacques LaRose, Cajuns who assist Flower and Abigail in their struggle to help the blacks of the town. With battle scenes at Shiloh and in the Shenandoah Valley of Virginia that no reader will ever forget, and set in a time of upheaval that affected all men and all women at all levels of society, White Doves at Morning is an epic worthy of America's most tragic conflict, as well as a book of substance, importance, and genuine originality, one that will undoubtedly come to be regarded as a masterpiece of historical fiction.
‘I don’t like killing, but I’m good at it. Murder isn’t so bad from a distance, just shapes popping up in my scope. Close-up work though – a garrotte around a target’s neck or a knife in their heart – it’s not for me. Too much empathy, that’s my problem. Usually. But not today. Today is different . . . ‘ The year is 1955 and something is very wrong with the world. It is fourteen years since Churchill died and the Second World War ended. In occupied Europe, Britain fights a cold war against a nuclear-armed Nazi Germany. In Berlin the Gestapo is on the trail of a beautiful young resistance fighter, and the head of the SS is plotting to dispose of an ailing Adolf Hitler and restart the war against Britain and her empire. Meanwhile, in a secret bunker hidden deep beneath the German countryside, scientists are experimenting with a force far beyond their understanding. Into this arena steps a nameless British assassin, on the run from a sinister cabal within his own government, and planning a private war against the Nazis. And now the fate of the world rests on a single kill in the morning . . .
"Containing the public messages, speeches, and statements of the President", 1956-1992.
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