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“The Werewolf – Lycanthropy” is a vintage treatise on the subject of werewolves written by Montague Summers, exploring evidence for their existence found in historical records, literature, folklore, etc. This fascinating volume is highly recommended for those with an interest in the supernatural and occult, and it is not to be missed by collectors of Summers' famous work. Also included is the essay, “The Origin of the Werewolf Superstition” by Caroline Taylor Stewart. Augustus Montague Summers (1880 – 1948) was an English clergyman and author most famous for his studies on vampires, witches and werewolves—all of which he believed to be very much real. He also wrote the first English translation of the infamous 15th-century witch hunter's manual, the “Malleus Maleficarum”, in 1928. Other notable works by this author include: “A Popular History of Witchcraft” (1937), “Witchcraft and Black Magic” (1946), and “The Physical Phenomena of Mysticism” (1947). Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new biography of the author.
Finding themselves suddenly possessed of uncanny visionary powers, David Lydard and Gabriel Gill are gradually drawn into a deadly contest between forces of godlike power and must seek help from a renegade werewolf
This vintage book contains a treatise on the subject of werewolves written by Montague Summers, exploring evidence for their existence found in British historical records, literature, and folklore. This fascinating volume is highly recommended for those with an interest in the supernatural and occult, and it is not to be missed by collectors of Summers' famous work. Augustus Montague Summers (1880 – 1948) was an English clergyman and author most famous for his studies on vampires, witches and werewolves—all of which he believed to be very much real. He also wrote the first English translation of the infamous 15th-century witch hunter's manual, the “Malleus Maleficarum”, in 1928. Other notable works by this author include: “A Popular History of Witchcraft” (1937), “Witchcraft and Black Magic” (1946), and “The Physical Phenomena of Mysticism” (1947). Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new biography of the author.
“Emotional, thoughtful, and a true testament to the power of friendship”—Locus Magazine Teen Wolf meets Emergency Contact in this sharply observed, hilarious, and heartwarming debut young adult novel about friendship, chronic illness, and . . . werewolves. Priya worked hard to pursue her premed dreams at Stanford, but the fallout from undiagnosed Lyme disease sends her back to her childhood home in New Jersey during her sophomore year—and leaves her wondering if she’ll ever be able to return to the way things were. Thankfully she has her online pen pal, Brigid, and the rest of the members of “oof ouch my bones,” a virtual support group that meets on Discord to crack jokes and vent about their own chronic illnesses. When Brigid suddenly goes offline, Priya does something out of character: she steals the family car and drives to Pennsylvania to check on Brigid. Priya isn’t sure what to expect, but it isn’t the horrifying creature that's shut in the basement. With Brigid nowhere to be found, Priya begins to puzzle together an impossible but obvious truth: the creature might be a werewolf—and the werewolf might be Brigid. As Brigid's unique condition worsens, their friendship will be deepened and challenged in unexpected ways, forcing them to reckon with their own ideas of what it means to be normal.
"Robinson Crusoe is one of the most enduring adventures of the past four centuries and one of the most well-known works in the English language. Or is it? Recently discovered amidst the papers of the 20th century writer and historian H. P. Lovecraft is what claims to be the true story of Robinson Crusoe. Taken from the castaway's own journals and memoirs, and fact-checked by Lovecraft himself, it is free from many of Defoe's edits and alterations. From Lovecraft's work a much smoother, simpler tale emerges--but also a far more disturbing one. Here Crusoe is revealed as a man bearing the terrible curse of the werewolf and the guilt that comes with it--a man with no real incentive to leave his island prison. The cannibals who terrorized Crusoe are revealed to be less human than ever before hinted at--worshippers of a malevolent octopus-headed god. And the island itself is a place of ancient, evil mysteries that threaten Crusoe's sanity--and his very soul. This version of the classic tale, assembled by two legends of English literature and abridged by Peter Clines, is the terrifying supernatural true story of Robinson Crusoe as it has never been told before."--Page 4 of cover.
Transformation of the werewolf in literature made its greatest strides in the 19th century when the shape-shifting monster leapt from poetry to the short story. It happened when this shorter form of literature was morphing into darker shapes thanks in no small part to Edgar Allan Poe, Honore de Balzac, E. T. A. Hoffmann, Nathaniel Hawthorne, Prosper Merimee, James Hogg, and so many others in Europe and the United States.The fifty year period between 1800 and 1849 is truly the cradle of all werewolf short stories. For the first time in one anthology, Andrew Barger has compiled the best werewolf stories from this period. The stories are "Hugues the Wer-Wolf: A Kentish Legend of the Middle Ages," "The Man-Wolf," "A Story of a Weir-Wolf," "The Wehr-Wolf: A Legend of the Limousin," and "The White Wolf of the Hartz Mountains." It is believed that two of these fine stories have never been republished in over one hundred and fifty years since their original printing. Read "The Best Werewolf Short Stories 1800-1849" tonight, just make sure it is not by the light of a full moon "
A literary landmark—the original, suppressed draft of the classic novel! Little Women is a timeless classic. But Louisa May Alcott’s first draft—before her editor sunk his teeth into it—was even better. Now the original text has at last been exhumed. In this uncensored version, the March girls learn some biting lessons, transforming from wild girls into little women—just as their friends and neighbors transform into vicious, bloodthirsty werewolves! Here are tomboy Jo, quiet Beth, ladylike Amy, and good-hearted Meg, plus lovable neighbor Laurie Laurence, now doomed to prowl the night on all fours, maiming and devouring the locals. As the Civil War rages, the girls learn the value of being kind, the merits of patience and grace, and the benefits of knowing a werewolf who can disembowel your teacher. By turns heartwarming and blood-curdling, this rejuvenated classic will be cherished and treasured by those who love a lesson in virtue almost as much as they enjoy a good old-fashioned dismemberment. Includes the original letter from Alcott’s editor, telling her not to even think about it!
A collection of thirty-five short stores featuring werewolves and shapeshifters.
In 2002 ADR, the Empire of Argens is still reeling from the usurpation of its centuries-old throne by a landless adventurer. A ferocious dwarven warrior named Yula and his sorcerous human allies not only defeated the flower of elvish knighthood, but exposed the former dynasty as nothing less than demons in disguise. Now a young captain, ruined by his loyalty to the old regime, has one last chance to redeem his family name in the officer training corps being established by the hated new emperor. Captain Justin gets much more than he bargained for, however, as he is sent on a secret mission to the North Mark, hotbed of disloyalty even in the old days and now on a trip-wire for revolt. Given only days to assemble a company, march north and defuse the conspiracy, the new captain will be tested too often, too hard and far too soon.
They are the fearful images that have stalked humanity’s nightmares for centuries, supernatural creatures that feast on flesh and haunt the soul, macabre and uncanny beings that frighten and fascinate the imagination. Vampires, Zombies, Werewolves, and Ghosts collects classic stories from literary masters inspired by folklore and mythology who dared to explore the darker side of human nature and crafted tales that defied convention, stirred up controversy, and gave life to a storytelling genre that has endured for generations. With stories by Charles Dickens, Rudyard Kipling, Henry James, Anne Sexton, Oscar Wilde, Yvonne Navarro, Fritz Leiber, Ramsey Campbell, Chelsea Quinn Yarbro, Angela Carter, and others…