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This is a political, cultural and intellectual biography of the neglected but important figure, Henry Redhead Yorke. A West Indian of African/British descent, born into a slave society but educated in Georgian England, he developed a complex identity to which politics was key. The most revolutionary radical in Britain between 1793-5, Yorke then recanted his radicalism and died a loyalist gentleman. This book raises important issues about the impact of "outsider" politics in England and the complexities of politicization and identity construction in the Atlantic World. It restores a forgotten black writer to his due place in history.
Growth of interest in the periodical literature of the past has emphasized increasingly the need for specialized hand lists, a need which the American Union List of Serials, the British Union Catalogue of the Periodical Publications in the University Libraries of the British Isles, and other existing indexes cannot answer. To satisfy one area of this need, William S. Ward has compiled a near-definitive index and finding list of periodicals and newspapers of the English Romantic period. In it are reflected the holdings of almost eleven hundred American, Canadian, and British libraries and newspaper offices. The volume is also the first to list titles and library locations of all the newspapers, magazines, and other serials published in the British Isles during the years between the French Revolution and the Great Reform Bill.
What would it mean to be 'conservative' in Britain before such terminology was even used? What is the relationship between the Jacobitism or Toryism of the early eighteenth century and the ideology of loyalist Englishmen of the latter Georgian period. This 1993 book confronts these questions in discussing an evolving right-wing mentalité.
The Visual Life of Romantic Theater examines the dynamism and vibrancy of stage spectacle and its impact in an era of momentous social upheaval and aesthetic change. Situating theatrical production as key to understanding visuality ca. 1780-1830, this book places the stage front and center in Romantic scholarship by re-envisioning traditional approaches to artistic and social creation in the period. How, it asks, did dramaturgy and stagecraft influence aesthetic and sociopolitical concerns? How does a focus on visuality expand our understanding of the historical experience of theatergoing? In what ways did stage performance converge with visual culture beyond the theater? How did extratheatrical genres engage with theatrical sight and spectacle? Finally, how does a focus on dramatic vision change the way we conceive of Romanticism itself? The volume’s essays by emerging and established scholars provide exciting and suggestive answers to these questions, along with a more capacious conception of Romantic theater as a locus of visual culture that reached well beyond playhouse walls.