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"The custom of illuminating the traditional Jewish marriage contract, the ketubbah, developed over the last four centuries into a rich and varied form of Jewish folk art. This book offers a broad selection from one of the outstanding collections of ketubbot, representing Jewish communities from the Near East to Northern Europe. It focuses particularly on the ketubbot of Italy, where the art of the illuminated ketubbah found its most beautiful expression during the seventeenth and eighteenth centuries, under the influence of Renaissance and Baroque art." "Co-produced with the Israel Museum, Jerusalem, home to one of the largest collections of ketubbot, this book also offers a fascinating account of Jewish marriage customs and a vivid picture of diverse Jewish communities." --Book Jacket.
Marriage Contract Party of the First Part: Jake McClellan I promise to hold Laura when she cries at silly movies, pour tea for Molly and her friends at tea parties and be the official family mistletoe hanger. From this day forward Molly is my daughter…and Laura is my wife, friend and…lover. Party of the Second Part: Laura Halstead I promise to laugh at Jake's jokes, ride shotgun on his tandem bicycle and eat the fish he catches (though I refuse to clean them…). I gladly welcome him into my house, into my bed and into my…life. Both Parties do hereby decree that this contract is based solely on convenience, and not on matters of the heart… A most convenient arrangement…until they fell in love.
Princess Nadia believes offering her virginity to King Zayed, a long-standing, hostile enemy of her country, is the best way to forge peace between their countries. And so Nadia disguises herself as a dancer and infiltrates the king’s chambers. Here she will seduce the king, who is rumored to be a vulgar man. As pure Nadia trembles in his bed, the king finally appears, but he’s dignified and good-looking—completely different from his terrible reputation! Now what will become of Nadia’s plan? What will become of Nadia?
It is often said that marriage in Islamic law is a civil contract, not a sacrament. If this is so, this means that the marriage contract is largely governed by the same rules as other contracts, such as sale or hire. But at the same time marriage is a profound concern of the Islamic scriptures of Qur’an and Sunna, and thus at the very core of the law and morality of Islam and of the individual, familial, and social life of Muslims. This volume collects papers from many disciplines examining the Muslim marriage contract. Articles cover doctrines as to marriage contracts (e.g., may a wife stipulate monogamy?); historical instances (e.g., legal advice from thirteenth-century Spain); comparisons with Jewish and canon law; contemporary legal and social practice; and projects of activists for women worldwide. Demonstrating a new and powerful focus for comparative and historical inquiries into Islamic law and social practices, this book marks a fresh point of departure for the study of Muslim women.
Little John lives a lifetime of adventure—from humble ferryman to legendary outlaw John Little is strong enough to be a knight, but he knows he is destined to life as a thief. He spends his days on the river, poling nobles back and forth on a wooden ferry, the master of which robs the passengers blind. When an arrogant knight draws his sword to protect his purse, John defends his unscrupulous boss. The struggle leaves the knight dead, and John becomes an outlaw who must flee into the forest to hide from the king’s justice. John thinks his life is over, but his adventure has just begun. In shadowy Sherwood Forest, John meets a mysterious bandit dressed in green, who goes by the name Robin Hood. At Robin Hood’s side, John Little becomes “Little John”—friend of the poor, defender of the weak, and scourge of evil men across Nottinghamshire.