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A gentle, dreamlike tale about heading home in the night. A mother rabbit carries her young bunny home through the dark, quiet streets. The lights are on in many of the animal neighborsê windows, so the bunny can see, hear and smell whatês happening inside: a pie being pulled out of the oven, a party, a goodbye hug. When they reach home, the father rabbit tucks the bunny into bed. But the bunny continues to wonder about the neighborsê activities. –Are the party guests saying goodnight?” Will the one saying goodbye –take the last train home?” Until finally, the tired bunny falls asleep. The perfect story for the end of the day.
A gentle, dreamlike tale about heading home in the night. A mother rabbit carries her young bunny home through the dark, quiet streets. The lights are on in many of the animal neighborsê windows, so the bunny can see, hear and smell whatês happening inside: a pie being pulled out of the oven, a party, a goodbye hug. When they reach home, the father rabbit tucks the bunny into bed. But the bunny continues to wonder about the neighborsê activities. –Are the party guests saying goodnight?” Will the one saying goodbye –take the last train home?” Until finally, the tired bunny falls asleep. The perfect story for the end of the day.
An English art school Casanova wrestles with his personal demons in this jazzy, sexy and seemingly autobiographical first novel by the author of Get Carter Victor Graves is in his last year at Hull Art School. The handsome pianist for a jazz ensemble that plays the local pub circuit, Victor has a way with words and women, but struggles with personal demons—alcohol chief among them—that increasingly get the better of him. But Victor’s wildness meets its match in the gorgeous and sensitive Janet, whose hard-to-get routine awakens in Victor a desire to leave-off his rakish ways. But Victor’s caddish life as top man on campus comes screeching to a halt after graduation, when booze, lack of focus, and deep-seated insecurities slowly get the better of him. Jobless and increasingly alienated from Janet and his friends, Victor lets his misanthropic tendencies grow stronger, until they are unbearable. All the Way Home and All the Night Through is a stirring portrait of a young man inadvertently tearing down himself and those he holds dear.
From two-time Newbery Medalist Kate DiCamillo comes a story of discovering who you are — and deciding who you want to be. When Louisiana Elefante’s granny wakes her up in the middle of the night to tell her that the day of reckoning has arrived and they have to leave home immediately, Louisiana isn’t overly worried. After all, Granny has many middle-of-the-night ideas. But this time, things are different. This time, Granny intends for them never to return. Separated from her best friends, Raymie and Beverly, Louisiana struggles to oppose the winds of fate (and Granny) and find a way home. But as Louisiana’s life becomes entwined with the lives of the people of a small Georgia town — including a surly motel owner, a walrus-like minister, and a mysterious boy with a crow on his shoulder — she starts to worry that she is destined only for good-byes. (Which could be due to the curse on Louisiana's and Granny’s heads. But that is a story for another time.) Called “one of DiCamillo’s most singular and arresting creations” by The New York Times Book Review, the heartbreakingly irresistible Louisiana Elefante was introduced to readers in Raymie Nightingale — and now, with humor and tenderness, Kate DiCamillo returns to tell her story.
It was 11pm when I checked my email for the last time and turned off my phone for what I hoped would be forever. No running water, no car, no electricity or any of the things it powers: the internet, phone, washing machine, radio or light bulb. Just a wooden cabin, on a smallholding, by the edge of a stand of spruce. THE WAY HOME is a modern-day Walden -- an honest and lyrical account of a remarkable life lived in nature without modern technology. Mark Boyle, author of THE MONEYLESS MAN, explores the hard won joys of building a home with his bare hands, learning to make fire, collecting water from the stream, foraging and fishing. What he finds is an elemental life, one governed by the rhythms of the sun and seasons, where life and death dance in a primal landscape of blood, wood, muck, water, and fire - much the same life we have lived for most of our time on earth. Revisiting it brings a deep insight into what it means to be human at a time when the boundaries between man and machine are blurring.
Wetherall lived in fifteen houses and five countries by the time she was nine. She didn't think this was strange until Scotland Yard showed up, and she discovered her father was a fugitive and their family name was an alias. In 1983, the year she was born, her parents went on the run with three young children, traveling across Europe, their expenses paid for with drug money. It was over the summers spent visiting her dad in prison in California that he told her the truth: he had been a pot smuggler in the seventies, and his organization had bought in marijuana worth nearly a half billion dollars from Thailand. Here Wetherall pieces together the story of her parents' past, which ultimately helps her understand her own. -- adapted from publisher info.
How far would you go just to get asked to the prom? A: Throw yourself at any guy who would take you? B: Spend your college fund on the world’s hottest dress? C: Spread nasty rumors about your rivals? D: All of the above . . . and all the way? Carmen Salgado is in Senior Hell. She just moved to town—meaning new school, no friends, and worst of all, no date for the prom. Desperation is setting in when she suddenly gets some attention from the most popular jock in the school, Joey Perrone . . . attention that takes a bad turn when Carmen refuses to go all the way with him. But thanks to Joey, the whole school thinks she did. Being invisible was bad, but being a laughingstock is worse. Her only hope is to get into the school play, and into the arms of Tyler North, her crush. But things may not go as she plans—and this year’s prom might have a brand new theme: Carmen’s Revenge. The dresses. The hair. The makeup. The hookups. It all happens on Prom Night.
This hip, hilarious travelogue, which takes the author on the Sixties hippie trail — from the UK to Australia without flying — will strike a chord with all those travelers who have stood where Moore stood, and entertain and alarm lovers of off-the-beaten-track travel adventures with his characteristically quirky descriptions of places and people.
'So good I read it twice' - Hilary McKay, author of The Skylarks' War 'This thrilling time-slip adventure oozes magic and heart' - Bookseller EDITOR'S CHOICE When Charlie's longed-for brother is born with a serious heart condition, Charlie's world is turned upside down. Upset and afraid, Charlie flees the hospital and makes for the ancient forest on the edge of town. There Charlie finds a boy floating face-down in the stream, injured, but alive. But when Charlie sets off back to the hospital to fetch help, it seems the forest has changed. It's become a place as strange and wild as the boy dressed in deerskins. For Charlie has unwittingly fled into the Stone Age, with no way to help the boy or return to the present day. Or is there? What follows is a wild, big-hearted adventure as Charlie and the Stone Age boy set out together to find what they have lost – their courage, their hope, their family and their way home. Fans of Piers Torday and Stig of the Dump will love this wild, wise and heartfelt debut adventure.
Eugene O’Neill wrote his most enduring and important plays after he won international acclaim as the first and only American playwright to receive the Nobel Prize in Literature in 1936. In the midst of the Great Depression, with his health failing and spirits sunk, he and his third wife, former actress Carlotta Monterey, moved to California to escape the materialism and commercialism of a declining “West,” and they built a new home called Tao House. A reasonably good translation of tao is “the way,” and in this house, which was largely the creation of Carlotta, he found the way to his most famous play, Long Day’s Journey Into Night. As an unusually explicit autobiographical drama, this play returns to 1912, the outset of O’Neill’s writing career, when he confronted tragedy in his family story and found a way to dramatize his mother, father, brother, and himself in a way that has resonated with audiences since its publication and production in 1956. But this book argues that the play originates as much in the moment of its creation, 1939–1941—in the family relationships, the historical circumstances, and the fact that this work would represent a moment of closure of his great career. Key to this heroic story of creation is the intervention of his wife, Carlotta, whose diaries enable a day-to-day observation of how the play was written. She was the driving force behind the design of Tao House, and she managed the rhythms and patterns of life within its architecture. It was her masterpiece, just as Long Day’s Journey was his. This book develops a close reading of their house and marriage and also uses many of O’Neill’s previous plays to illuminate the breakthrough of Long Day’s Journey. This book is the most granular and at the same time the most far-reaching inquiry into how this quintessential play was written (and almost not written) and how it came into the world.