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Contains list of "Fictitious and pseudonymous names."
While the roots of the detective novel go back to the 19th century, the genre reached its height around 1925 to 1945. This work presents information on 21 British and American women who wrote during the 20th century. As a group they were largely responsible for the great popularity of the detective novel in the first half of the century. The British authors are Dora Turnbull (Patricia Wentworth), Agatha Christie, Dorothy L. Sayers, Elizabeth Mackintosh (Josephine Tey), Ngaio Marsh, Gladys Mitchell, Margery Allingham, Edith Pargeter (Ellis Peters), Phyllis Dorothy James White (P.D. James), Gwendoline Butler (Jennie Melville), and Ruth Rendell, and the Americans are Patricia Highsmith, Carolyn G. Heilbrun (Amanda Cross), Edna Buchanan, Kate Gallison, Sue Grafton, Sara Paretsky, Nevada Barr, Patricia Cornwell, Carol Higgins Clark, and Megan Mallory Rust. A flavor of each author's work is provided.
The British governess-turned-sleuth solves three of her most intriguing cases, in this “timelessly charming” series (Charlotte MacLeod). Retired governess and teacher Maud Silver has found a new calling: private detection. With her knitting needles and fondness for Tennyson, she may seem an unlikely sleuth, but Scotland Yard would be lost without her. “Patricia Wentworth has created a great detective in Miss Silver, the little old lady who nobody notices, but who in turn notices everything” (Paula Gosling, author of the Jack Stryker Mysteries). In the Balance: On a train back to London, Miss Silver meets a frightened new bride. Lisle Jerningham has fled her home after overhearing a seemingly sinister conversation. Her husband’s first wife died in an apparent accident, and the resultant infusion of cash saved his family home. Now he’s broke again. Will he attempt a second convenient mishap? The Chinese Shawl: Actress Tanis Lyle may lack professional training, but her natural charisma seems to hypnotize all who meet her. The rising star has just finished filming her first motion picture. Unfortunately, it will turn out to be her last. Who did Tanis fail to charm? The answer could lie with a distant cousin and a long-standing family feud. Miss Silver Deals with Death: In wartime London, the once grand Vandeleur House has been divided into flats, its glorious façade now concealing a nest of intrigue. When one inhabitant reports she’s being blackmailed by another, Miss Silver is brought in to sort out the suspects from the residents, which include a woman who lost her fiancé after their ship was struck by a Nazi torpedo and a sleepwalking maid with a curious past.
A family with secrets---is murder one of them? Membery Place has been the home of the Calvert family for over one hundred years. Below it, set in a forest clearing, is a modern, award-winning house designed by architect Mark Calvert, one of Alyssa Calvert's three sons. Mark's wife, Francesca, has been conscious of an intriguing element of mystery surrounding Bianca Morgan ever since Chip, the eldest Calvert brother, brought her and her child to live with him at Membery. No one, except possibly Chip, knows anything about her previous life. Bianca remains an enigma---and then one day her body is found in a pool beneath a waterfall on the estate. The three brothers have always been very close, but the subsequent inquiry now reveals that they all had their own secret connection with Bianca. Could one of them have had reason to kill her? Perhaps Jonathan, to save his career as an international cello soloist; Mark, to save his marriage---or even Chip? The focus of the inquiry shifts dramatically when Bianca's nine-year-old son goes missing. Has the child too been killed, or has he been abducted because he saw his mother's murder? The fruitless search for Bianca's killer and the kidnapper forces Francesca to take matters into her own hands, determined to resolve the mystery of the Calvert family.
Burial Plots in British Detective Fiction offers an overview of the ways in which the past is brought back to the surface and influences the present in British detective fiction written between 1920 and 2020. Exploring a range of authors including Agatha Christie, Patricia Wentworth, Val McDermid, Sarah Caudwell, Georgette Heyer, Dorothy Dunnett, Jonathan Stroud and Ben Aaronovitch, Lisa Hopkins argues that both the literal and literary disinterment of the past use elements of the national past to interrogate the present. As such, in the texts discussed, uncovering the truth about an individual crime is also typically an uncovering of a more general connection between the present and the past. Whether detective novels explore murders on archaeological digs, hauntings, cold crimes or killings at Christmas, Hopkins explores the underlying message that you cannot understand the present unless you understand the past.
This critical study explores late twentieth century novels by women writers--including Doris Lessing, May Sarton and Barbara Pym--that feature female protagonists over the age of sixty. These novels' discourses on aging contrast with those largely pejorative ones that dominate Western society. They break the silence that normally surrounds the lives of the aged, and this book investigates how older female protagonists are represented in relation to areas such as sexuality, dependence and everyday life. Beginning with an investigation of popular opinions about aging and a survey of hypotheses from disciplines including gerontology, psychology and feminism, the text reviews literary critical attitudes toward fictions of aging; analyzes representations of physically dependent characters, whose anger over their failing bodies is often eased by relationships with their female friends; discusses how paradigms of female sexuality exclude the possibility of older women being sexually desirable; examines characters that live a contented life, finding a more polemical side to them than is noted in more conventional literary critiques; and analyzes the aged sleuth in classical detective fiction.
A stirring saga of England in the late 19th century, as the Industrial Revolution takes hold, forever changing the landscape of England and her people.
Teacher, social worker, suffragist, housewife... and a mother: The World of An Insignificant Woman tells the story of Hilda Marjory Ingle (1882-1967). Written by her daughter Catherine, and drawn from Marjory's own writings and correspondence, this memoir presents a history of the Twentieth Century, as experienced by one formidable Cambridge woman. ISBN: 978-0-9571345-0-8 (Paperback)