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'I have struggled to find words to describe this book. It was breath-taking.' NetGalley Reviewer, 5 stars With war looming, can they lift the spirits of the troops? It's 1914 and the effects of war are reaching London. Sick and injured servicemen are returning home and Lizzie Kellaway and her godmother Margaret Penrose are determined to do their bit to help them. With Lizzie's beautiful singing voice and Margaret's talent for the piano, concerts in hospitals and convalescent homes offer the perfect opportunity to lift the spirits of men who have suffered so much. When Polly Meadows's fiancé rejects her and leaves for the war, she doesn't hesitate before travelling to London to be with her childhood friend, Lizzie. It isn't long before she's persuaded to join their efforts to entertain the troops. At least while performing Polly can forget her troubles and open her soul to the joy of singing. But the ongoing war brings even more heartache. With all three women facing struggles, one thing is certain: these wartime singers will need each other more than ever before... A heartwarming and gritty wartime saga, perfect for fans of Nancy Revell, Molly Green and Elaine Everest. Readers love The Wartime Singers! 'BRILLIANT.' NetGalley Reviewer, 5 stars 'Loved it, especially the twist at the end!' NetGalley Reviewer, 5 stars 'Gorgeously written with thoughtfulness, this story captured my heart. Historical Fiction, Women's Fiction and General Fiction lovers ought to pick up this winner of a book, both gentle and powerful.' NetGalley Reviewer, 5 stars 'I hated to put it down and go back to my daily life!' NetGalley Reviewer, 4 stars 'Fantastic... I would recommend.' NetGalley Reviewer, 5 stars 'Such an EPIC MEET-CUTE. It was so unique & sudden. I loved it... I had so much fun! I almost want to break out into applause every time, courtesy of such succinct yet picturesque writing.' NetGalley Reviewer, 4 stars 'A breath of fresh air.' NetGalley Reviewer, 5 stars 'Loved reading every single page of this heart-warming saga and five stars from me.' NetGalley Reviewer, 5 stars 'So enjoyed reading every page, saga readers will get pulled into this book right to the end.' NetGalley Reviewer, 5 stars 'Such a beautiful and poignant tale. I have nothing but praise for this outstanding book and can highly recommend.' NetGalley Reviewer, 5 stars
The Wartime Singers follows the lives of three women who strive to bring joy to the troops while battling their own hardships and heartaches.
On Saturday, November 14, 1944, radio listeners heard an enthusiastic broadcast announcer describe something they had never heard before: Women singing the "Marines' Hymn" instead of the traditional all-male United States Marine Band. The singers were actually members of its sister organization, The Marine Corps Women's Reserve Band of Camp Lejeune, North Carolina. Today, few remember these all-female military bands because only a small number of their performances were broadcast or pressed to vinyl. But, as Jill Sullivan argues in Bands of Sisters: U.S. Women's Military Bands during World War II, these gaps in the historical record can hardly be treated as the measure of their success. The novelty of these bands—initially employed by the U.S. military to support bond drives—drew enough spectators for the bands to be placed on tour, raising money for the war and boosting morale. The women, once discharged at the war's end, refused to fade into post-war domesticity. Instead, the strong bond fostered by youthful enthusiasm and the rare opportunity to serve in the military while making professional caliber music would come to last some 60 years. Based on interviews with over 70 surviving band members, Bands of Sisters tells the tale of this remarkable period in the history of American women. Sullivan covers the history of these ensembles, tracing accounts such as the female music teachers who would leave their positions to become professional musicians—no easy matter for female instrumentalists of the pre-war era. Sullivan further traces how some band members would later be among the first post-war music therapists based on their experience working with medical personnel in hospitals to treat injured soldiers. The opportunities presented by military service inevitably promoted new perspectives on what women could accomplish outside of the home, resulting in a lifetime of lasting relationships that would inspire future generations of musicians.
An unputdownable saga about love and family, guaranteed to warm your heart this winter... London, 1910. Lily is ten years old when she realises her grandmother, a washerwoman in the backstreets of London's Bermondsey, is seriously ill. She's determined to do what can she can to help and keep her grandmother's illness a secret – even from her beloved twin, Artie. But Gran isn't getting any better, and there's only so much Lily can do... When tragedy strikes and the twins are faced with the prospect of a workhouse or an orphanage, a benefactor offers to take Artie in and educate him. All Artie's needs will be taken care of – but the gentleman has no use for a girl. The twins have lost everything they knew and loved, but they never thought they'd lose each other. As the orphan twins grow up and take different paths, their new lives are beyond anything they could have imagined. Will they ever find a way to be together again? Set against the backdrop of the First World War, The Orphan Twins is the heart-wrenching new saga from Lesley Eames, bestselling author of The Brighton Guest House Girls and two-time RNA Romantic Saga award nominee.
"Listening to the Beat of the Bomb" UPK author Charles Wolfe discusses his work and his new book Country Music Goes to War in the NEW YORK TIMES. While Toby Keith suggests that Americans should unite in support of the president, the Dixie Chicks assert their right to criticize the current administration and its military pursuits. Country songs about war are nearly as old as the genre itself, and the first gold record in country music went to the 1942 war song "There's a Star Spangled Banner Waving Somewhere" by Elton Britt. The essays in Country Music Goes to War demonstrate that country musicians' engagement with significant political and military issues is not strictly a twenty-first-century phenomenon. The contributors examine the output of country musicians responding to America's large-scale confrontation in recent history: World War II, the Korean War, Vietnam, the cold war, September 11, and both conflicts in the Persian Gulf. They address the ways in which country songs and artists have energized public discourse, captured hearts, and inspired millions of minds. Charles K. Wolfe, professor of English and folklore at Middle Tennessee State University, is the author of numerous books and articles on music. James E. Akenson, professor of curriculum and instruction at Tennessee Technological University, is the founder of the International Country Music Conference. Together they have edited the collections The Women of Country Music, Country Music Annual 2000, Country Music Annual 2001, and Country Music Annual 2002.
“[Singer's] enthusiasm becomes infectious . . . Wired for War is a book of its time: this is strategy for the Facebook generation.” —Foreign Affairs “An engrossing picture of a new class of weapon that may revolutionize future wars. . .” —Kirkus Reviews P. W. Singer explores the great­est revolution in military affairs since the atom bomb: the dawn of robotic warfare We are on the cusp of a massive shift in military technology that threatens to make real the stuff of I, Robot and The Terminator. Blending historical evidence with interviews of an amaz­ing cast of characters, Singer shows how technology is changing not just how wars are fought, but also the politics, economics, laws, and the ethics that surround war itself. Travelling from the battlefields of Iraq and Afghanistan to modern-day "skunk works" in the midst of suburbia, Wired for War will tantalise a wide readership, from military buffs to policy wonks to gearheads.
A collection of essays examining the roles played by music in American and European society during the Second World War. Global conflicts of the twentieth century fundamentally transformed not only national boundaries, power relations, and global economies, but also the arts and culture of every nation involved. An important, unacknowledged aspect of these conflicts is that they have unique musical soundtracks. Music in World War II explores how music and sound took on radically different dimensions in the United States and Europe before, during, and after World War II. Additionally, the collection examines the impact of radio and film as the disseminators of the war’s musical soundtrack. Contributors contend that the European and American soundtrack of World War II was largely one of escapism rather than the lofty, solemn, heroic, and celebratory mode of “war music” in the past. Furthermore, they explore the variety of experiences of populations forced from their homes and interned in civilian and POW camps in Europe and the United States, examining how music in these environments played a crucial role in maintaining ties to an idealized “home” and constructing politicized notions of national and ethnic identity. This fascinating, well-constructed volume of essays builds understanding of the role and importance of music during periods of conflict and highlights the unique aspects of music during World War II. “A collection that offers deeply informed, interdisciplinary, and original views on a myriad of musical practices in Europe, Great Britain, and the United States during the period.” —Gayle Magee, co-editor of Over Here, Over There: Transatlantic Conversations on the Music of World War I
divdivIn the two decades prior to the Civil War, the Hutchinson Family Singers of New Hampshire became America’s most popular musical act. Out of a Baptist revival upbringing, John, Asa, Judson, and Abby Hutchinson transformed themselves in the 1840s into national icons, taking up the reform issues of their age and singing out especially for temperance and antislavery reform. This engaging book is the first to tell the full story of the Hutchinsons, how they contributed to the transformation of American culture, and how they originated the marketable American protest song. /DIVdivThrough concerts, writings, sheet music publications, and books of lyrics, the Hutchinson Family Singers established a new space for civic action, a place at the intersection of culture, reform, religion, and politics. The book documents the Hutchinsons’ impact on abolition and other reform projects and offers an original conception of the rising importance of popular culture in antebellum America./DIV/DIV
"Political power," says Howard Zinn, "is controlled by the corporate elite, and the arts are the locale for a kind of guerilla warfare in the sense that guerillas look for apertures and opportunities where they can have an effect." In Artists in Times of War, Zinn looks at the possibilities to create such apertures through art, film, activism, publishing and through our everyday lives. In this collection of four essays, the author of A People's History of the United States writes about why "To criticize the government is the highest act of patriotism." Filled with quotes and examples from the likes of Bob Dylan, Mark Twain, e. e. cummings, Thomas Paine, Joseph Heller, and Emma Goldman, Zinn's essays discuss America's rich cultural counternarratives to war, so needed in these days of unchallenged U.S. militarism.
At the end of WWII, themes in music shifted from soldiers' experiences at war to coming home, marrying their sweethearts, and returning to civilian life. The music itself also shifted, with crooners such as Bing Crosby and Frank Sinatra replacing the Big Bands of years past. Country music, jazz, and gospel continued to evolve, and rhythm and blues and the new rock and roll were also popular during this time. Music is not created without being influenced by the political events and societal changes of its time, and the Music of the Postwar Era is no exception. *includes combined musical charts for the years 1945-1959 *approximately 20 black and white images of the singers and musicians who represent the era's music