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An archaeological dig uncovers the secret history of Toronto’s long-forgotten first immigrant neighbourhood. In early 2015, a team of archaeologists began digging test trenches on a non-descript parking lot next to Toronto City Hall -- a site designated to become a major new court house. What they discovered was the rich buried history of an enclave that was part of The Ward -- that dense, poor, but vibrant 'arrival city' that took shape between the 1840s and the 1950s. Home to waves of immigrants and refugees -- Irish, African-Americans, Italians, eastern European Jews, and Chinese -- The Ward was stigmatized for decades by Toronto's politicians and residents, and eventually razed to make way for New City Hall. The archaeologists who excavated the lot, led by co-editor Holly Martelle, discovered almost half a million artifacts -- a spectacular collection of household items, tools, toys, shoes, musical instruments, bottles, industrial objects, food scraps, luxury items, and even a pre-contact Indigenous projectile point. Martelle's team also unearthed the foundations of a nineteenth-century Black church, a Russian synagogue, early-twentieth-century factories, cisterns, privies, wooden drains, and even row houses built by formerly enslaved African Americans. Following on the heels of the immensely popular The Ward: The Life and Loss of Toronto's First Immigrant Neighbourhood, which told the stories of some of the people who lived there, The Ward Uncovered digs up the tales of things, using these well-preserved artifacts to tell a different set of stories about life in this long-forgotten and much-maligned neighbourhood.
From the 1870s to the 1950s, waves of immigrants to Toronto – Irish, Jewish, Chinese and Italian, among others – landed in ‘The Ward’ in the centre of downtown. Deemed a slum, the area was crammed with derelict housing and ‘ethnic’ businesses; it was razed in the 1950s to make way for a grand civic plaza and modern city hall. Archival photos and contributions from a wide variety of voices finally tell the story of this complex neighbourhood and the lessons it offers about immigration and poverty in big cities. Contributors include historians, politicians, architects and descendents of Ward res­idents on subjects such as playgrounds, tuberculosis, bootlegging and Chinese laundries. With essays by Howard Akler, Denise Balkissoon, Steve Bulger, Jim Burant, Arlene Chan, Alina Chatterjee, Cathy Crowe, Richard Dennis, Ruth Frager, Richard Harris, Gaetan Heroux, Edward Keenan, Bruce Kidd, Mark Kingwell, Jack Lipinsky, John Lorinc, Shawn Micallef, Howard Moscoe, Laurie Monsebraaten, Terry Murray, Ratna Omidvar, Stephen Otto, Vincenzo Pietropaolo, Michael Posner, Michael Redhill, Victor Russell, Ellen Scheinberg, Sandra Shaul, Myer Siemiatycki, Mariana Valverde, Thelma Wheatley, Kristyn Wong­-Tam and Paul Yee, among others.
Housing is increasingly unattainable in successful global cities, and Toronto is no exception -- in part because of zoning that protects “stable” residential neighborhoods with high property values. House Divided is a citizen’s guide for changing the way housing can work in big cities. Using Toronto as a case study, this anthology unpacks the affordability crisis and offers innovative ideas for creating housing for all ages and demographic groups. With charts, maps, data, and policy prescriptions, House Divided poses tough questions about the issue that will make or break the global city of the future.
Using Toronto as a case study, Subdivided asks how cities would function if decision-makers genuinely accounted for race, ethnicity, and class when confronting issues such as housing, policing, labor markets, and public space. With essays contributed by an array of city-builders, it proposes solutions for fully inclusive communities that respond to the complexities of a global city. Jay Pitter is a writer and professor based in Toronto. She holds a Masters in Environmental Studies from York University. John Lorinc is a Toronto-based journalist who writes about urban affairs, politics, and business. He co-edited The Ward: The Life and Loss of Toronto's First Immigrant Neighbourhood (Coach House, 2015).
Toronto is home to multiple and thriving queer communities that reflect the intense diversity of the city itself, and Any Other Way is an eclectic history of how these groups have transformed Toronto since the 1960s. From pioneering activists to show-stopping parades, Any Other Way looks at how queer communities have gone from existing in the shadows to shaping our streets.
NEW YORK TIMES BESTSELLER • REESE’S BOOK CLUB PICK • Named One of the Best Beach Reads of the Year by Parade, O: The Oprah Magazine, and Good Housekeeping “The exuberant activity aboard the Splendido Marveloso is no match for the fireworks set off as the lies explode. Full of wicked humor and delicious destination details.”—People (Book of the Week) NAMED ONE OF THE BEST BOOKS OF THE YEAR BY ESQUIRE When seventy-year-old Charlotte Perkins submits a sexy essay to the Become a Jetsetter contest, she dreams of reuniting her estranged children: Lee, an almost-famous actress; Cord, a handsome Manhattan venture capitalist who can’t seem to find a partner; and Regan, a harried mother who took it all wrong when Charlotte bought her a Weight Watchers gift certificate for her birthday. Charlotte yearns for the years when her children were young, when she was a single mother who meant everything to them. When she wins the contest, the family packs their baggage—both literal and figurative—and spends ten days traveling from sun-drenched Athens through glorious Rome to tapas-laden Barcelona on an over-the-top cruise ship, the Splendido Marveloso. As lovers new and old join the adventure, long-buried secrets are revealed and old wounds are reopened, forcing the Perkins family to confront the forces that drove them apart and the defining choices of their lives. Can four lost adults find the peace they’ve been seeking by reconciling their childhood aches and coming back together? In the vein of The Nest and The Vacationers, The Jetsetters is a delicious and intelligent novel about the courage it takes to reveal our true selves, the pleasures and perils of family, and how we navigate the seas of adulthood.
For over half a century, scholars have laboured to show that C. S. Lewis's famed but apparently disorganised Chronicles of Narnia have an underlying symbolic coherence, pointing to such possible unifying themes as the seven sacraments, the seven deadly sins, and the seven books of Spenser's Faerie Queene. None of these explanations has won general acceptance and the structure of Narnia's symbolism has remained a mystery. Michael Ward has finally solved the enigma. In Planet Narnia he demonstrates that medieval cosmology, a subject which fascinated Lewis throughout his life, provides the imaginative key to the seven novels. Drawing on the whole range of Lewis's writings (including previously unpublished drafts of the Chronicles), Ward reveals how the Narnia stories were designed to express the characteristics of the seven medieval planets - - Jupiter, Mars, Sol, Luna, Mercury, Venus, and Saturn - - planets which Lewis described as "spiritual symbols of permanent value" and "especially worthwhile in our own generation". Using these seven symbols, Lewis secretly constructed the Chronicles so that in each book the plot-line, the ornamental details, and, most important, the portrayal of the Christ-figure of Aslan, all serve to communicate the governing planetary personality. The cosmological theme of each Chronicle is what Lewis called 'the kappa element in romance', the atmospheric essence of a story, everywhere present but nowhere explicit. The reader inhabits this atmosphere and thus imaginatively gains connaître knowledge of the spiritual character which the tale was created to embody. Planet Narnia is a ground-breaking study that will provoke a major revaluation not only of the Chronicles, but of Lewis's whole literary and theological outlook. Ward uncovers a much subtler writer and thinker than has previously been recognized, whose central interests were hiddenness, immanence, and knowledge by acquaintance.
1. What Is E-Learning? 2. Developing an e-Learning Strategy 3. Managing an e-Learning Project 4. Tools of the Trade 5. The Analysis Phase 6. The Design Phase: Broad Strategies 7. The Design Phase: Course Features and Functions 8. The Development Phase: Writing the Course 9. The Development Phase: Putting the Course Together 10. The Implementation Phase 11. The Evaluation Phase 12. Preparing Yourself for the Future
Finalist for the 2013 Montaigne Medal presented by Hopewell Publications What's it like to spend sixteen months in hiding, crouching in a tiny cellar, during the dark years of World War II? To know that many of your friends and relatives have either been shot or sent to concentration camps? To have your life depend on the humanity of an elderly Christian couple who lets you hide under their floor? What if you knew it had been your mother crouching under that floor? Wouldn't you wonder how she stood it? How it felt? What it did to her? And how it all affected you? In Hiding Places, Diane Wyshogrod traces the process of discovery and self-discovery as she researched the experiences of her mother, Helen Rosenberg, who as a teenager hid in just such a cellar, in Zółkiew, Poland. The narrative, which moves between New York, pre-war and wartime Poland, and Jerusalem, is based on many hours of recorded interviews and covers Helen's life before, during, and after World War II. Although Wyshogrod's original intention was simply to record her mother's experiences, piecing the narrative together proved difficult: there were numerous gaps, things her mother could (or would) no longer remember, and other things her daughter just couldn't comprehend. To fill in these gaps, Wyshogrod draws from all the facets of her identity—writer, clinical psychologist, daughter, mother—in an attempt not only to understand her mother's experiences, but to find out why it is so important for her (and for us) to make that attempt in the first place.
A quest to understand the secret history of ecocide in Utah.