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Warriors and Widows is a war novel. The time is from September of 1965 to February of 1966. The characters are from a platoon of the 1st Battalion, Sixteenth Infantry, 1st Infantry Division assimilated and trained at Fort Riley in Kansas, then sent to Vietnam to search out and destroy the enemy. Search and Destroy is their only mission. They typically roamed the jungles for twenty-five days at a time hunting the enemy, killing them and destroying all of their dwellings and supplies. As the story progresses and the men's experiences in combat grow, so do the costs of war. Costs are levied on all involved. Men kill and are killed. Women's husbands and sweethearts back home are wounded and killed. North and South Vietnamese are similarly affected by the battles. As time goes on, both searchers and destroyers realize that they are destroying not only their enemies, but also themselves and their loved ones.
A Crimean War widow, Ellen Coyler, learns her five-year-old son’s wealthy grandfather is attempting to prove her an unfit mother, so he can get custody of the child. To prevent this, she agrees to a marriage-in-name-only with her husband’s former commanding officer, Gerald Osborne. He promises to keep the marriage unconsummated until the threat from the grandfather goes away, and then get an annulment. As she lives in Gerald’s home and sees how he struggles to overcome the handicap of having a missing right arm, while he tries to build a business as a horse trainer, befriends her son, and shows her every consideration, she begins to wonder if she wants an annulment. But Gerald shows no interest in consummating their marriage, until he injures himself in a riding accident and Ellen nurses him in the privacy of his bedroom. Are his growing feelings just passion, or something deeper?
The latest from award-winning author John Wemlinger, The Widow and the Warrior is set in Frankfort, Michigan, along the shores of Lake Michigan. It tells the story of one wealthy family's tragic 130-year history. Anna Shane, national political editor for The Washington Post, is poised on the brink of turning her family's tragedies into triumph until a secret society and a greedy relative conspire to see her murdered. Shawn O'Toole, an ex-Special Forces operator, retired from the Army rather than face war crimes charges. For the last year he has lived in a self-imposed exile, until a call from his father calls him home to Frankfort and a chance to save Anna's life, using some of the very same vigilante tactics that cost him his military career.
Who says women don’t go to war? From Vikings and African queens to cross-dressing military doctors and WWII Russian fighter pilots, these are the stories of women for whom battle was not a metaphor. The woman warrior is always cast as an anomaly—Joan of Arc, not GI Jane. But women, it turns out, have always gone to war. In this fascinating and lively world history, Pamela Toler not only introduces us to women who took up arms, she also shows why they did it and what happened when they stepped out of their traditional female roles to take on other identities. These are the stories of women who fought because they wanted to, because they had to, or because they could. Among the warriors you’ll meet are: * Tomyris, ruler of the Massagetae, who killed Cyrus the Great of Persia when he sought to invade her lands * The West African ruler Amina of Hausa, who led her warriors in a campaign of territorial expansion for more than 30 years * Boudica, who led the Celtic tribes of Britain into a massive rebellion against the Roman Empire to avenge the rapes of her daughters * The Trung sisters, Trung Trac and Trung Nhi, who led an untrained army of 80,000 troops to drive the Chinese empire out of Vietnam * The Joshigun, a group of 30 combat-trained Japanese women who fought against the forces of the Meiji emperor in the late 19th century * Lakshmi Bai, Rani of Jhansi, who was regarded as the “bravest and best” military leader in the 1857 Indian Mutiny against British rule * Maria Bochkareva, who commanded Russia’s first all-female battalion—the First Women’s Battalion of Death—during WWII * Buffalo Calf Road Woman, the Cheyenne warrior who knocked General Custer off his horse at the Battle of Little Bighorn * Juana Azurduy de Padilla, a mestiza warrior who fought in at least 16 major battles against colonizers of Latin America and who is a national hero in Bolivia and Argentina today * And many more spanning from ancient times through the 20th century. By considering the ways in which their presence has been erased from history, Toler reveals that women have always fought—not in spite of being women but because they are women.
Instant New York Times No.1 Bestseller. A YA Pacific Rim meets the Handmaid’s Tale retelling of the rise of Wu Zetian, the only female emperor in Chinese history. I have no faith in love. Love cannot save me. I choose vengeance. The boys of Huaxia dream of pairing up with girls to pilot Chrysalises – giant transforming robots that battle aliens beyond the Great Wall. It doesn’t matter that their female co-pilots are expected to serve as concubines and often die from the mental strain. When 18-year-old Zetian offers herself up as a concubine-pilot, her plan is to assassinate the ace male pilot responsible for her sister’s death. But after miraculously surviving her first battle, Zetian sets her sights on a mightier goal. The time has come to stop more girls from being sacrificed. ‘This is the historical-inspired, futuristic sci-fi mash-up of my wildest dreams.’ Chloe Gong ‘Raging against the patriarchy in spectacular style.’ Observer, best books of the year ‘Zetian is unstoppable, and I dare you not to cheer her on.’ Elizabeth Lim, author of Spin the Dawn
During and especially after World War I, the millions of black-clad widows on the streets of Europe's cities were a constant reminder that war caused carnage on a vast scale. But widows were far more than just a reminder of the war's fallen soldiers; they were literal and figurative actresses in how nations crafted their identities in the interwar era. In this extremely original study, Erika Kuhlman compares the ways in which German and American widows experienced their post-war status, and how that played into the cultures of mourning in their two nations: one defeated, the other victorious. Each nation used widows and war dead as symbols to either uphold their victory or disengage from their defeat, but Kuhlman, parsing both German and U.S. primary sources, compares widows' lived experiences to public memory. For some widows, government compensation in the form of military-style awards sufficed. For others, their own deprivations, combined with those suffered by widows living in other nations, became the touchstone of a transnational awareness of the absurdity of war and the need to prevent it.
During and especially after World War I, the millions of black-clad widows on the streets of Europe’s cities were a constant reminder that war caused carnage on a vast scale. But widows were far more than just a reminder of the war’s fallen soldiers; they were literal and figurative actresses in how nations crafted their identities in the interwar era. In this extremely original study, Erika Kuhlman compares the ways in which German and American widows experienced their postwar status, and how that played into the cultures of mourning in their two nations: one defeated, the other victorious. Each nation used widows and war dead as symbols to either uphold their victory or disengage from their defeat, but Kuhlman, parsing both German and U.S. primary sources, compares widows’ lived experiences to public memory. For some widows, government compensation in the form of military-style awards sufficed. For others, their own deprivations, combined with those suffered by widows living in other nations, became the touchstone of a transnational awareness of the absurdity of war and the need to prevent it.
The "superb" New York Times bestselling author delivers a sweeping epic set during the early days of the Civil War. In 1853, Carolyn Vinton is left alone and pregnant after her fiancé, abolitionist doctor William Saylor, disappears. After his stepbrother convinces her that William is dead, Carolyn accepts his offer of marriage, not realizing that she is being drawn into an elaborate ruse by her new husband and his father, a pro-slavery senator--and that William is still alive. Their passionate reunion takes place in the midst of the violent Civil War, as abolitionists and pro-slavers battle over the Kansas Territory. Now only their willingness to sacrifice their lives for their beliefs--and for each other--can save them.
A stunning portrait of the complicated woman who becomes Ernest Hemingway's fourth wife, tracing her adventures before she meets Ernest, exploring the tumultuous years of their marriage, and evoking her merry widowhood as she shapes Hemingway's literary legacy. Mary Welsh, a celebrated wartime journalist during the London Blitz and the liberation of Paris, meets Ernest Hemingway in May 1944. He becomes so infatuated with Mary that he asks her to marry him the third time they meet—although they are married to other people. Eventually, she succumbs to Ernest's campaign, and in the last days of the war joined him at his estate in Cuba. Through Mary's eyes, we see Ernest Hemingway in a fresh light. Their turbulent marriage survives his cruelty and abuse, perhaps because of their sexual compatibility and her essential contribution to his writing. She reads and types his work each day—and makes plot suggestions. She becomes crucial to his work and he depends upon her critical reading of his work to know if he has it right. We watch the Hemingways as they travel to the ski country of the Dolomites, commute to Harry's Bar in Venice; attend bullfights in Pamplona and Madrid; go on safari in Kenya in the thick of the Mau Mau Rebellion; and fish the blue waters of the gulf stream off Cuba in Ernest's beloved boat Pilar. We see Ernest fall in love with a teenaged Italian countess and wonder at Mary's tolerance of the affair. We witness Ernest's sad decline and Mary's efforts to avoid the stigma of suicide by claiming his death was an accident. In the years following Ernest's death, Mary devotes herself to his literary legacy, negotiating with Castro to reclaim Ernest's manuscripts from Cuba, publishing one-third of his work posthumously. She supervises Carlos Baker's biography of Ernest, sues A. E. Hotchner to try and prevent him from telling the story of Ernest's mental decline, and spends years writing her memoir in her penthouse overlooking the New York skyline. Her story is one of an opinionated woman who smokes Camels, drinks gin, swears like a man, sings like Edith Piaf, loves passionately, and experiments with gender fluidity in her extraordinary life with Ernest. This true story reads like a novel—and the reader will be hard pressed not to fall for Mary.
From Wall Street Journal bestselling author Jeff Wheeler... Sent on an impossible mission by Kingfountain's ruler into the heart of the enemy's capital as two mighty kingdoms prepare for war, Ankarette Tryneowy must divine the location of a magical sword, perhaps their key to victory. What she finds is the truth-one she could never have foreseen. Searching for Firebos, the sword of ancient kings, is no simple task. It disappeared after one of the most powerful Fountain-blessed figures, the Maid of Donremy, used it in battle, and no one-except perhaps the Maid's dearest friend, the Duke of La Marche-knows its whereabouts. But when Ankarette finds the aging duke in his prison cell and hears the mystery he unveils, her mission becomes more perilous than she could have possibly imagined.