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As the crisis with Iraq continues, Americans have questions. Is war really necessary? What can it accomplish? What broad vision of U.S. foreign policy underlies the determination to remove Saddam Hussein? What were the failures of the last couple of decades that brought us to a showdown with a dictator developing weapons of mass destruction? What is the relationship between war with Iraq and the events of 9-11? The answers to these questions are found in this timely book by two of America's leading foreign policy thinkers. Kristol and Kaplan lay out a detailed rationale for action against Iraq. But to understand why we must fight Saddam, the authors assert, it is necessary to go beyond the details of his weapons of mass destruction, his past genocidal actions against Iran and his own people, and the U.N. resolutions he has ignored. The explanation begins with how the dominant policy ideas of the last decade--Clintonian liberalism and Republican realpolitik--led American policymakers to turn a blind eye to the threat Iraq has posed for well over a decade. As Kristol and Kaplan make clear, the war over Iraq is in large part a war of competing ideas about America's role in the world. The authors provide the first comprehensive explanation of the strategy of "preemption" guiding the Bush Administration in dealing with this crisis. They show that American foreign policy for the 21st century is being forged in the crucible of our response to Saddam. The war over Iraq will presumably be the end of Saddam Hussein. But it will be the beginning of a new era in American foreign policy. William Kristol and Lawrence Kaplan are indispensable guides to the era that lies ahead.
An incisive account of the Persian Gulf War, Storm Over Iraq shows how the success of Operation Desert Storm was the product of two decades of profound changes in the American approach to defense, military doctrine, and combat operations. The first detailed analysis of why the Gulf War could be fought the way it was, the book examines the planning and preparation for war. Richard P. Hallion argues that the ascendancy of precision air power in warfare—which fulfilled the promise that air power had held for more than seventy-five years—reflects the revolutionary adaptation of a war strategy that targets things rather than people, allowing one to control an opposing nation without destroying it.
Current debate over the motives, ideological justifications, and outcomes of the war with Iraq have been strident and polarizing. A Matter of Principle is the first volume gathering critical voices from around the world to offer an alternative perspective on the prevailing pro-war and anti-war positions. The contribu-tors—political figures, public intellectuals, scholars, church leaders, and activists—represent the most powerful views of liberal internationalism. Offering alternative positions that challenge the status quo of both the left and the right, these essays claim that, in spite of the inconsistent justifications provided by the United States and its allies and the conflict-ridden process of social reconstruction, the war in Iraq has been morally justifiable on the grounds that Saddam Hussein was a brutal tyrant, a flagrant violator of human rights, a force of global instability and terror, and a threat to world peace. The authors discuss the limitations of the current system of global governance, which tolerates gross violations of human rights and which has failed to prevent genocide in places such as Bosnia and Rwanda. They also underscore the need for reform in international institutions and international law. At the same time, these essays do not necessarily attempt to apologize for the mistakes, errors, and deceptions in the way the Bush administration has handled the war. Disputing the idea that the only true liberal position on the war is to be against it, this volume charts an invaluable third course, a path determined by a strong liberal commitment to human rights, solidarity with the oppressed, and a firm stand against fascism, totalitarianism, and tyranny.
“Essential . . . one for the ages . . . a must read for all who care about presidential power.” —The Washington Post “Authoritative . . . The most comprehensive account yet of that smoldering wreck of foreign policy, one that haunts us today.” —LA Times One of BookPage's Best Books of 2020 To Start a War paints a vivid and indelible picture of a decision-making process that was fatally compromised by a combination of post-9/11 fear and paranoia, rank naïveté, craven groupthink, and a set of actors with idées fixes who gamed the process relentlessly. Everything was believed; nothing was true. Robert Draper’s fair-mindedness and deep understanding of the principal actors suffuse his account, as does a storytelling genius that is close to sorcery. There are no cheap shots here, which makes the ultimate conclusion all the more damning. In the spirit of Barbara W. Tuchman’s The Guns of August and Marc Bloch’s Strange Defeat, To Start A War will stand as the definitive account of a collective scurrying for evidence that would prove to be not just dubious but entirely false—evidence that was then used to justify a verdict that led to hundreds of thousands of deaths and a flood tide of chaos in the Middle East that shows no signs of ebbing.
In the autumn of 2002, Atlantic Monthly national correspondent James Fallows wrote an article predicting many of the problems America would face if it invaded Iraq. After events confirmed many of his predictions, Fallows went on to write some of the most acclaimed, award-winning journalism on the planning and execution of the war, much of which has been assigned as required reading within the U.S. military. In Blind Into Baghdad, Fallows takes us from the planning of the war through the struggles of reconstruction. With unparalleled access and incisive analysis, he shows us how many of the difficulties were anticipated by experts whom the administration ignored. Fallows examines how the war in Iraq undercut the larger ”war on terror” and why Iraq still had no army two years after the invasion. In a sobering conclusion, he interviews soldiers, spies, and diplomats to imagine how a war in Iran might play out. This is an important and essential book to understand where and how the war went wrong, and what it means for America.
A complete explanation of the U.S. decision to go to war in 2003.
Presents more than 250 photographs from different perspectives of the 2003 war in Iraq, gathered from international photographers, and includes pieces of Saddam Hussein's art and pictures from his personal photo album.
An on-the-ground commander describes his brigade's first year in Iraq after the U.S. forces seized Baghdad in the spring of 2003, and explains what went right and wrong as the U.S. military confronted an insurgency, in a firsthand analysis of success and failure in Iraq.
A high-ranking general's gripping insider account of the U.S. wars in Iraq and Afghanistan, and how it all went wrong. Over a thirty-five-year career, Daniel Bolger rose through the army infantry to become a three-star general, commanding in both theaters of the U.S. campaigns in Iraq and Afghanistan. He participated in meetings with top-level military and civilian players, where strategy was made and managed. At the same time, he regularly carried a rifle alongside rank-and-file soldiers in combat actions, unusual for a general. Now, as a witness to all levels of military command, Bolger offers a unique assessment of these wars, from 9/11 to the final withdrawal from the region. Writing with hard-won experience and unflinching honesty, Bolger makes the firm case that in Iraq and in Afghanistan, we lost -- but we didn't have to. Intelligence was garbled. Key decision makers were blinded by spreadsheets or theories. And, at the root of our failure, we never really understood our enemy. Why We Lost is a timely, forceful, and compulsively readable account of these wars from a fresh and authoritative perspective.
The authoritative account of America's most controversial war since Vietnam, a conflict in which "shock and awe" were not confined to the battlefield It was a war like no other the United States had ever fought. It began with the bombing of Saddam Hussein's bunker and ended with statues of the Iraqi dictator being toppled in downtown Baghdad, and it marked a turning point in America's relations with its enemies, its allies, and its sense of itself. Yet most Americans experienced the war as impressionistic and often confusing—the story of one battle here, one unit there, a report from one city, then another, without the larger context we so urgently needed. Each reporter had his "slice" of the war, it seemed, but no one had the whole story or the broad view. A Time of Our Choosing fills that gap brilliantly, drawing on the unparalleled resources and reportage of The New York Times. Todd S. Purdum, one of the paper's most gifted storytellers, traces the war in Iraq from the first rumblings after 9/11, to the diplomatic recriminations at the United Nations, to the battles themselves and their aftermath. He deftly rolls out the whole canvas before our eyes, showing how the individual "slices" fit together into a single, gripping drama. Purdum also explores the complex legacy of America's near-unilateral action. Since the 9/11 attacks, President George W. Bush has vowed that the United States would confront its enemies "at a time of our choosing," and Purdum shows in vivid terms what this choice has meant for our now transformed world.