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How our stone-age brains made modern society, and why it matters for relationships between men and women As countless love songs, movies, and self-help books attest, men and women have long sought different things. The result? Seemingly inevitable conflict. Yet we belong to the most cooperative species on the planet. Isn't there a way we can use this capacity to achieve greater harmony and equality between the sexes? In The War of the Sexes, Paul Seabright argues that there is—but first we must understand how the tension between conflict and cooperation developed in our remote evolutionary past, how it shaped the modern world, and how it still holds us back, both at home and at work. Drawing on biology, sociology, anthropology, and economics, Seabright shows that conflict between the sexes is, paradoxically, the product of cooperation. The evolutionary niche—the long dependent childhood—carved out by our ancestors requires the highest level of cooperative talent. But it also gives couples more to fight about. Men and women became experts at influencing one another to achieve their cooperative ends, but also became trapped in strategies of manipulation and deception in pursuit of sex and partnership. In early societies, economic conditions moved the balance of power in favor of men, as they cornered scarce resources for use in the sexual bargain. Today, conditions have changed beyond recognition, yet inequalities between men and women persist, as the brains, talents, and preferences we inherited from our ancestors struggle to deal with the unpredictable forces unleashed by the modern information economy. Men and women today have an unprecedented opportunity to achieve equal power and respect. But we need to understand the mixed inheritance of conflict and cooperation left to us by our primate ancestors if we are finally to escape their legacy.
There is no other book on the market today that explains why men and women act and react to each other the way they do. Control is why there is so much conflict between the two genders. Who will control the other. The War Between Men and Women presents proof of man's authority over woman and woman control over man. Within these pages is why man was given authority over woman, as well as, why woman was given control over man. This book reveals to men their obligations and responsibilities that come with authority and how to properly govern his family using compassion and understanding. This book shall reveal to women their real power and control over man to keep man from abusing his authority. Secrets that were forgotten or deliberately hidden from women to reduce or remove her control over man. This book explores the diversions and other interest that man and woman have that interferes with men and women relationships and causes both of them to seek companionship in other arenas, and to ponder the question of whether or not a person is better off living alone in this society instead of living in conflict and chaos with a mate. This book discusses the different outside influences that affect men and women relationships with each other, that causes men and women to be violent towards each other. The book examines the deep psychological reasons behind, why certain women do not want certain men, and the hate that they have for themselves and everybody that looks like them. This book also gives information on how each gender can improve themselves to become appealing to the opposite sex. In all, this book gives men and women real weapons to fight with in this war between men and women. Weapons that each gender can use to " win " this eternal battle between the sexes and completely dominate or control their mate. It reveal to men, what they need to have the authority over women and, what women needs to control their men. But that's not all. This book presents a third course of action, that have not been explored by the genders, in a long time, that offers a possible solution to the eternal battle between man and woman. A solution that can finally end, the war between men and women. This book, The War Between Men and Women, is thee most thought provoking and provocative book in America today.
The three medieval texts that make up Jankyn's Book of Wikked Wyves have formed a vital part of Chaucerian research for more than half a century. Integrated here for the first time, these texts now form a cornerstone volume of the Chaucer Library series. Near the end of her prologue, Chaucer's Wife of Bath tells how her fifth husband, Jankyn, a clerk of Oxford, taunted her by reading from a collection of antifeminist tracts. The contents of Jankyn's book include three texts that enjoyed wide distribution in the later Middle Ages: Walter Map's "Dissuasio Valerii," Theophrastus's "De Nuptiis," and Jerome's "Adversus Jovinianum." The first two are reproduced in their entirety in this volume, with selections from the third. The editors examine Jankyn's book from many angles, including the extensive manuscript sources from which it may be reconstructed, background information for its literary appreciation, and Chaucer's use of the materials. The publication of this volume, the fourth in the Chaucer Library, represents a major event for medievalists.
The past fifty years are conventionally understood to have witnessed an uninterrupted expansion of sexual rights and liberties in the United States. This state-of-the-art collection tells a different story: while progress has been made in marriage equality, reproductive rights, access to birth control, and other areas, government and civil society are waging a war on stigmatized sex by means of law, surveillance, and social control. The contributors document the history and operation of sex offender registries and the criminalization of HIV, as well as highly punitive measures against sex work that do more to harm women than to combat human trafficking. They reveal that sex crimes are punished more harshly than other crimes, while new legal and administrative regulations drastically restrict who is permitted to have sex. By examining how the ever-intensifying war on sex affects both privileged and marginalized communities, the essays collected here show why sexual liberation is indispensable to social justice and human rights. Contributors. Alexis Agathocleous, Elizabeth Bernstein, J. Wallace Borchert, Mary Anne Case, Owen Daniel-McCarter, Scott De Orio, David M. Halperin, Amber Hollibaugh, Trevor Hoppe, Hans Tao-Ming Huang, Regina Kunzel, Roger N. Lancaster, Judith Levine, Laura Mansnerus, Erica R. Meiners, R. Noll, Melissa Petro, Carol Queen, Penelope Saunders, Sean Strub, Maurice Tomlinson, Gregory Tomso
How women and feminism helped to shape science fiction in America. Runner-up for the Hugo Best Related Book Award (2003) The Battle of the Sexes in Science Fiction is a lively account of the role of women and feminism in the development of American science fiction during its formative years, the mid-20th century. Beginning in 1926, with the publication of the first issue of Amazing Stories, Justine Larbalestier examines science fiction's engagement with questions of femininity, masculinity, sex and sexuality. She traces the debates over the place of women and feminism in science fiction as it emerged in stories, letters and articles in science fiction magazines and fanzines. The book culminates in the story of James Tiptree, Jr. and the eponymous Award. Tiptree was a successful science fiction writer of the 1970s who was later discovered to be a woman. Tiptree's easy acceptance by the male-dominated publishing arena of the time proved that there was no necessary difference in the way men and women wrote, but that there was a real difference in the way they were read.
As a coping mechanism after severe childhood trauma, Ken developed 5 strong female and 5 strong male multiple personalities. The outcome was an eventual take-over by the girl personalities. This led to his transition from male to female and the resulting story of that lifelong struggle. He/She shares his/her unique lessons learned along the way from living in both the man and the woman's world.
Ideas of masculinity and femininity become sharply defined in war-reliant societies, resulting in a presumed enmity between men and women. This so-called "battle of the sexes" is intensified by the use of misogyny to encourage men and boys to conform to the demands of masculinity. These are among Tom Digby's fascinating insights shared in Love and War, which describes the making and manipulation of gender in militaristic societies and the sweeping consequences for men and women in their personal, romantic, sexual, and professional lives. Drawing on cross-cultural comparisons and examples from popular media, including sports culture, the rise of "gonzo" and "bangbus" pornography, and "internet trolls," Digby describes how the hatred of women and the suppression of empathy are used to define masculinity, thereby undermining relations between women and men—sometimes even to the extent of violence. Employing diverse philosophical methodologies, he identifies the cultural elements that contribute to heterosexual antagonism, such as an enduring faith in male force to solve problems, the glorification of violent men who suppress caring emotions, the devaluation of men's physical and emotional lives, an imaginary gender binary, male privilege premised on the subordination of women, and the use of misogyny to encourage masculine behavior. Digby tracks the "collateral damage" of this disabling misogyny in the lives of both men and women, but ends on a hopeful note. He ultimately finds the link between war and gender to be dissolving in many societies: war is becoming slowly de-gendered, and gender is becoming slowly de-militarized.
Featuring a selection of 140 works, including paintings, sculptures, graphic art, photography, and film, this book traces the artistic investigations of ever-changing gender roles from the mid-19th century to the end of World War II. Traditional gender norms codifying males and females as active vs. passive and rational vs. emotional were heavily debated in modern art. While many artists adhered to stereotypes, others sought to subvert them. Drawing from the considerable holdings of the Städel Museum in Frankfurt, Germany, and including works from artists such as Édouard Manet, Auguste Rodin, Gustav Klimt, Man Ray, Otto Dix, Claude Cahun, Meret Oppenheim, and Frida Kahlo, this sweeping examination explores the artistic representations of sexuality and gender. Scholarly essays cover such topics as Adam and Eve, the Femme Fatale in 19th century art, or sexual murder in the works of the Weimar Republic, while others provide perceptive analyses of the battle of the sexes in the oeuvres of Franz von Stuck, Edvard Munch, Lee Miller, and Jeanne Mammen. Dazzling reproductions and brief texts on the works, an extensive bibliography and chronology offer contextual background. This comprehensive book offers insights into the complexity of gender issues and sheds light on the art-historical dimension of an eminently relevant subject.
As news of war and terror dominates the headlines, scientist Malcolm Potts and veteran journalist Thomas Hayden take a step back to explain it all. In the spirit of Guns, Germs and Steel, Sex and War asks the basic questions: Why is war so fundamental to our species? And what can we do about it? Malcolm Potts explores these questions from the frontlines, as a witness to war-torn countries around the world. As a scientist and obstetrician, Potts has worked with governments and aid organizations globally, and in the trenches with women who have been raped and brutalized in the course of war. Combining their own experience with scientific findings in primatology, genetics, and anthropology, Potts and Hayden explain war's pivotal position in the human experience and how men in particular evolved under conditions that favored gang behavior, rape, and organized aggression. Drawing on these new insights, they propose a rational plan for making warfare less frequent and less brutal in the future. Anyone interested in understanding human nature, warfare, and terrorism at their most fundamental levels will find Sex and War to be an illuminating work, and one that might change the way they see the world.
Linked to a BBC1 television series, this is an account of sexual reproduction in the animal world, culminating in the question of why there should be sex in the first place - the ultimate driving force of evolution, but also selfish, aggressive, competitive, and sometimes fatal. The meeting of mates, the sexual act, and the consequences of producing offspring, forge an alliance between males and females that is rife with tension and distrust. The two sexes tactically play games with each other to get the best return from mating: at stake is the greatest reward for any animal on earth - the generation and survival of their progeny. The drive to succeed in this gives rise to a violent, beautiful and spectacular show of animal behaviour, captured here through the book's colour photographs.