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In May 1915, Italy declared war on the Habsburg Empire. Nearly 750,000 Italian troops were killed in savage, hopeless fighting on the stony hills north of Trieste and in the snows of the Dolomites. To maintain discipline, General Luigi Cadorna restored the Roman practice of decimation, executing random members of units that retreated or rebelled. With elegance and pathos, historian Mark Thompson relates the saga of the Italian front, the nationalist frenzy and political intrigues that preceded the conflict, and the towering personalities of the statesmen, generals, and writers drawn into the heart of the chaos. A work of epic scale, The White War does full justice to the brutal and heart-wrenching war that inspired Hemingway's A Farewell to Arms.
In Italy in the Era of the Great War, Vanda Wilcox brings together nineteen Italian and international scholars to analyse the political, military, social and cultural history of Italy in the country’s decade of conflict from 1911 to 1922. Starting with the invasion of Libya in 1911 and concluding with the rise of post-war social and political unrest, the volume traces domestic and foreign policy, the economics of the war effort, the history of military innovation, and social changes including the war’s impact on religion and women, along with major cultural and artistic developments of the period. Each chapter provides a concise and effective overview of the field as it currently stands as well as introducing readers to the latest research. Contributors are Giulia Albanese, Claudia Baldoli, Allison Scardino Belzer, Francesco Caccamo, Filippo Cappellano, Selena Daly, Fabio Degli Esposti, Spencer Di Scala, Douglas J. Forsyth, Irene Guerrini, Oliver Janz, Irene Lottini, Stefano Marcuzzi, Valerie McGuire, Marco Pluviano, Paul O’Brien, Carlo Stiaccini, Andrea Ungari, and Bruce Vandervort. See inside the book.
The culmination of decades of nationalist aspiration and cynical Realpolitik, the Second War of Italian Unification saw Italy transformed from a patchwork of minor states dominated by the Habsburg Austrians into a unified kingdom under the Piedmontese House of Savoy. Unlike many existing accounts, which approach the events of 1859–61 from a predominantly French perspective, this study draws upon a huge breadth of sources to examine the conflict as a critical event in Italian history. A concise explanation of the origins of the war is followed by a wide-ranging survey of the forces deployed and the nature and course of the fighting – on land and at sea – and the consequences for those involved are investigated. This is a groundbreaking study of a conflict that was of critical significance not only for Italian history but also for the development of 19th-century warfare.
Italian performance in the First World War has been generally disparaged or ignored compared to that of the armies on the Western Front, and troop morale in particular has been seen as a major weakness of the Italian army. In this first book-length study of Italian morale in any language, Vanda Wilcox reassesses Italian policy and performance from the perspective both of the army as an institution and of the ordinary soldiers who found themselves fighting a brutally hard war. Wilcox analyses and contextualises Italy's notoriously hard military discipline along with leadership, training methods and logistics before considering the reactions of the troops and tracing the interactions between institutions and individuals. Restoring historical agency to soldiers often considered passive and indifferent, Wilcox illustrates how and why Italians complied, endured or resisted the army's demands through balancing their civilian and military identities.
A remarkable new history evoking the centrality of Italy to World War II, outlining the brief rise and triumph of the Fascists, followed by the disastrous fall of the Italian military campaign. While staying closely aligned with Hitler, Mussolini remained carefully neutral until the summer of 1940. At that moment, with the wholly unexpected and sudden collapse of the French and British armies, Mussolini declared war on the Allies in the hope of making territorial gains in southern France and Africa. This decision proved a horrifying miscalculation, dooming Italy to its own prolonged and unwinnable war, immense casualties, and an Allied invasion in 1943 that ushered in a terrible new era for the country. John Gooch's new history is the definitive account of Italy's war experience. Beginning with the invasion of Abyssinia and ending with Mussolini's arrest, Gooch brilliantly portrays the nightmare of a country with too small an industrial sector, too incompetent a leadership and too many fronts on which to fight. Everywhere—whether in the USSR, the Western Desert, or the Balkans—Italian troops found themselves against either better-equipped or more motivated enemies. The result was a war entirely at odds with the dreams of pre-war Italian planners—a series of desperate improvisations against an allied force who could draw on global resources, and against whom Italy proved helpless.
In 1987, Roy Orbison crowned his critical rehabilitation with this concert in Los Angeles, where he runs through his greatest hits with the help of some famous friends. Those joining the Big O for such classics as 'Only the Lonely', 'Crying', 'It's Over' and 'Oh, Pretty Woman' include Jackson Browne, T-Bone Burnett, Elvis Costello, k.d. lang, Bonnie Raitt, Steven Soles, J.D. Souther, Bruce Springsteen, Tom Waits and Jennifer Warnes.
There is a popular notion that the Italian armed forces of the Second World War were an inferior fighting force. Despite the vast numbers taken prisoner, detailed studies of the experiences of these soldiers remain relatively uncommon and the value of this group to furthering our understanding of the Italian experience of war under Fascism is also rarely acknowledged. The existence in the National Archives of hundreds of pages of transcripts of covert British surveillance of Italian POWs has made it possible to engage with their experiences and opinions in much greater depth. The euphemistically termed ‘Special Reports’ present historians with a unique insight into how all levels of Italian soldiery viewed Fascist Italy’s experience of war, 1940-1943. This book examines reactions to Italian political leadership, the progress of the war, as well as Italian soldiers’ ‘everyday’ views on sex, war, the enemy, death, food, their allies, bravery, race, and killing. These fascinating documents reveal the complexity of the outlook of these men, which persistent – and influential – national stereotypes and historiographical trends fail to acknowledge.
Merriam Press World War II Memoir. As school children, most Americans learned about World War II and the attack on Pearl Harbor, the D-Day invasion of Normandy, the raising of the flag on Iwo Jima. But few people know much about the Italian Campaign during that war. Of all the western fronts in World War II, the Italian campaign cost the most lives. One of its survivors, Albert DeFazio, didn't like to talk about his experiences as an American soldier in World War II, but he was also concerned that so little was known about the suffering and death in Italy. It took Albert decades to be able to describe his experiences in World War II - memories that still haunt him. Now, after seventy years, Albert DeFazio has told his story of the war he cannot forget. This new, expanded edition, brings Albert's story to life with new material and images of Scenes from a Forgotten War. 72 photographs and illustrations, 1 map.
It is quite impossible to attach importance to material possessions now. All that one still clings to is a few vital affections' Iris Origo, October 1943. Marchesa Iris Origo and her husband had been settled at their rural estate of La Foce since 1924. When the Second World War broke out Origo, an Englishwoman married to an Italian landowner, had divided loyalties. But as the war dragged on and the hostilities escalated, the small community of Val d'Orcia found themselves helping evacuees, orphans, refugees, prisoners of war and soldiers from both sides, concerned less with who was fighting whom than caring for those who needed their aid. Origo kept her diary throughout this time, when the risk of betrayal was a fact of life and the penalty for helping the enemy would result in death. Even with German troops occupying her manor house, she wrote at night about her valiant attempts to shelter refugees, burying her diary in the garden each morning. The result is a book which has become a classic, an affirmation in itself of courage and resistance, and an unsentimental, compelling story of the trials and tragedies of wartime.