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A journey to Alaska’s remote roadless villages, during a time of great historical transition, brings us this enduring portrait of a place and its people. Alutiiq, Yup’ik, Inupiaq, and Athabascan subjects reveal themselves as entirely contemporary individuals with deep longings and connection to the land and to their past. Tom Kizzia’s account of his travels off the Alaska road system, first published in 1991, has endured with a sterling reputation for its thoughtful, poetic, unflinching engagement with the complexity of Alaska’s rural communities. Wake of the Unseen Object is now considered some of the finest nonfiction writing about Alaska. This new edition includes an updated introduction by the author, looking at what remains the same after thirty years and what is different—both in Alaska, and in the expectations placed on a reporter visiting from another world.
Into the Wild meets Helter Skelter in this riveting true story of a modern-day homesteading family in the deepest reaches of the Alaskan wilderness—and of the chilling secrets of its maniacal, spellbinding patriarch. When Papa Pilgrim, his wife, and their fifteen children appeared in the Alaska frontier outpost of McCarthy, their new neighbors saw them as a shining example of the homespun Christian ideal. But behind the family's proud piety and beautiful old-timey music lay Pilgrim's dark past: his strange connection to the Kennedy assassination and a trail of chaos and anguish that followed him from Dallas and New Mexico. Pilgrim soon sparked a tense confrontation with the National Park Service fiercely dividing the community over where a citizen’s rights end and the government’s power begins. As the battle grew more intense, the turmoil in his brood made it increasingly difficult to tell whether his children were messianic followers or hostages in desperate need of rescue. In this powerful piece of Americana, written with uncommon grace and high drama, veteran Alaska journalist, Tom Kizzia uses his unparalleled access to capture an era-defining clash between environmentalists and pioneers ignited by a mesmerizing sociopath who held a town and a family captive.
We all have ghost towns. Impermanent places we dream of returning to. Here was Alaska's. In 1938, the last copper train left the Wrangell Mountains. But the spirit of the old days-free-wheeling, self-reliant, bounty-blessed-lived on in the remote town of McCarthy. The valley's few holdouts were joined over time by a gallery of prospectors, grifters, back-to-the-landers, dreamers, escape artists, hippies, speculators, preachers, and outlaws. While the rest of Alaska boomed in the new oil age, an old and makeshift way of life persisted against the quiet undertow of the past, that ebbing toward the wilderness that was here before us. Then the modern world found its way back in. A road, a bridge, a national park. A mass shooting that left six dead. Cold Mountain Path is a deeply American saga of renunciation and renewal--a rollicking local history that is also a lyrical exploration of time, loss, and change. . . and a pulsating account of the morning that brought Alaska's ghost town decades to an end. Tom Kizzia's previous book, Pilgrim's Wilderness, was an Amazon Top-Ten Book of the Year and was named Alaska's best True Crime book by the New York Times. Kizzia has written for The New Yorker and was a longtime reporter for the Anchorage Daily News. He has a place of his own near McCarthy.
LEGENDS OF THE NORTHERN ESKIMO.
In Powers of Horror, Julia Kristeva offers an extensive and profound consideration of the nature of abjection. Drawing on Freud and Lacan, she analyzes the nature of attitudes toward repulsive subjects and examines the function of these topics in the writings of Louis-Ferdinand Céline, Marcel Proust, James Joyce, and other authors. Kristeva identifies the abject with the eruption of the real and the presence of death. She explores how art and religion each offer ways of purifying the abject, arguing that amid abjection, boundaries between subject and object break down.
Paranormal investigator Katya Sokolov is called in to save a documentary film after divers are inexplicably dying while working on the film.
This collection of Alaskan adventures begins with a newspaper article written by John Muir during his first visit to Alaska in 1879, when the sole U.S. government representative in all the territory's 586,412 square miles was a lone customs official in Sitka. It closes with accounts of the gold rush and the 1909 Alaska-Yukon-Pacific Exposition in Seattle. Jean Meaux has gathered a superb collection of articles and stories that captivated American readers when they were first published and that will continue to entertain us today. The authors range from Charles Hallock (the founder of Forest and Stream, a precursor of Field and Stream) to New York society woman Mary Hitchcock, who traveled with china, silver, and a 2,800 square foot tent. After explorer Henry Allen wore out his boots, he marched barefoot as he continued mapping the Tanana River, and Episcopal Archdeacon Hudson Stuck mushed by dog sled in Arctic winters across a territory encompassing 250,000 miles of the northern interior. Although the United States acquired Alaska in 1867, it took more than a decade for American writers and explorers to focus attention on a territory so removed from their ordinary lives. These writers-adventurers, tourists, and gold seekers-would help define the nation's perception of Alaska and would contribute to an image of the state that persists today. This collection unearths early writings that offer a broad view of American encounters with Alaska accompanied by Meaux's lively and concise introductions. The present-day adventurer will find much to inspire exploration, while students of the American West can gain new access to this valuable trove of pre-Gold Rush Alaska archives. For more information go to: http://www.inpursuitofalaska.com
The impassioned love of two teenagers leaves a path of destruction in its perilous wake Seventeen-year-old David Axelrod is consumed with his love for Jade Butterfield. So when Jade’s father exiles him from their home, David does the only thing he thinks is rational: He burns down their house. Sentenced to a psychiatric institution, David’s obsession metastasizes, and upon his release, he sets out to win the Butterfields back by any means necessary. Brilliantly written and intensely sexual, Endless Love is the deeply moving story of a first love so powerful that it becomes dangerous—not only for the young lovers, but for their families as well. This ebook features an illustrated biography of Scott Spencer, including rare photos from the author’s personal collection.
Travel writer and nature photographer Don Pitcher covers the best of Alaska, from fine dining in Anchorage to backpacking in Denali National Park. Pitcher also includes various travel strategies such as The Best of Alaska and Along the AlCan. Complete with details on where to view wildlife at the Yukon Delta National Wildlife Refuge and the best spots to kayak in Prince William Sound, Moon Alaska gives travelers the tools they need to create a more personal and memorable experience.
One hundred members of NatChat, an electronic mail discussion group concerned with Native American issues, responded to the recent Disney release Pocahontas by calling on parents to boycott the movie, citing its historical inaccuracies and saying that "Disney has let us down in a cruel, irresponsible manner." Their anger was rooted in the fact that, although Disney had claimed that the film's portrayal of American Indians would be "authentic," the Pocahontas story the movie told was really white cultural myth. The actual histories of the characters were replaced by mythic narratives depicting the crucial moments when aid was given to the white settlers. As reconstructed, the story serves to reassert for whites their right to be here, easing any lingering guilt about the displacement of the native inhabitants. To understand current imagery, it is essential to understand the history of its making, and these essays mesh to create a powerful, interconnected account of image creation over the past 150 years. The contributors, who represent a range of disciplines and specialties, reveal the distortions and fabrications white culture has imposed on significant historical and current events, as represented by treasured artifacts such as photographic images taken of Sitting Bull following his surrender, the national monument at the battlefield of Little Bighorn, nineteenth-century advertising, the television phenomenon Northern Exposure, and the film Dances with Wolves. Well illustrated, this volume demonstrates the complacency of white culture in its representation of its troubled relationship with American Indians.