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Prepare to lose yourself in the heady, mythical expanse of The Vorrh, a daring debut that Alan Moore has called “a phosphorescent masterpiece” and “the current century's first landmark work of fantasy.” Next to the colonial town of Essenwald sits the Vorrh, a vast—perhaps endless—forest. It is a place of demons and angels, of warriors and priests. Sentient and magical, the Vorrh bends time and wipes memory. Legend has it that the Garden of Eden still exists at its heart. Now, a renegade English soldier aims to be the first human to traverse its expanse. Armed with only a strange bow, he begins his journey, but some fear the consequences of his mission, and a native marksman has been chosen to stop him. Around them swirl a remarkable cast of characters, including a Cyclops raised by robots and a young girl with tragic curiosity, as well as historical figures, such as writer Raymond Roussel and photographer and Edward Muybridge. While fact and fictional blend, and the hunter will become the hunted, and everyone’s fate hangs in the balance, under the will of the Vorrh.
From the acclaimed author of the Vorrh Trilogy comes an epic odyssey following a group of mercenaries hired to escort a divine oracle on a long journey amidst a war between the living and the dead. Sheltering beneath Das Kagel, the cloud-scraping structure rumored to be the Tower of Babel, the sacred Monastery of the Eastern Gate descends into bedlam. Their ancient oracle, Quite Testiyont--whose prophesies helped protect the church--has died, leaving the monks vulnerable to the war raging between the living and the dead. Tasked by the High Church to deliver a new oracle, Barry Follett and his group of hired mercenaries are forced to confront wicked giants and dangerous sirens on their mission, keeping the divine creature alive by feeding it marrow and confessing their darkest sins. But as Follett and his men carve their way through the treacherous landscape, the world around them spirals deeper into chaos. Dominic, a young monk who has mysteriously lost his voice, makes a pilgrimage to see surreal paintings, believing they reveal the empire's fate; a local woman called Mad Meg hopes to free and vindicate her jailed son and becomes the leader of the most unexpected revolution; and the abbott of the monastery, influential as he is, seeks to gain even more power in this world and the next. Rich with action and fantastic creatures, Hollow ushers the reader through a world of ruin where holy secrets are unearthed, art mirrors life through a glass darkly, and death looms over everything. It is B. Catling's most accomplished and gripping tale yet. A VINTAGE ORIGINAL
A brilliant, lost feminist classic that is equal parts domestic drama and international intrigue. Shirley and Coenraad’s affair has been going on for decades, but her longing for him is as desperate as ever. She is a Toronto housewife; he works for an international organization known only as the Agency. Their rendezvous take place in Tangier, in Hong Kong, in Rome and are arranged by an intricate code based on notes slipped into issues of National Geographic. He recognizes her by her costume: a respectable black dress and string of pearls; his appearance, however, is changeable. But something has happened, the code has been discovered, and Coenraad sends Shirley (who prefers to be known as “Lola Montez”) to Toronto, the last place she wants to go. There the trail leads her through the sites of her impoverished immigrant childhood and sends her, finally, to her own house, where she discards her pearls and trades in her basic black for a dress of vibrant multicolored silk. Helen Weinzweig published her first novel when she was fifty-eight. Basic Black with Pearls, her second, won the Toronto Book Award and has since come to be recognized as a feminist landmark. Here Weinzweig imbues the formal inventiveness of the nouveau roman with psychological poignancy and surprising humor to tell a story of simultaneous dissolution and discovery.
Slender like as stiletto... a book full of sadness, madness and badness - The Spectator ___________________________________________________________________________________ A standalone novel by iconic artist and author of cult bestseller, The Vorrh Not since Edgar Allan Poe and Bulgakov's The Master and Margarita has there been such a masterly tale of feline evil. Earwig got his nickname from his grandfather. At the start of this story he is employed to look after a strange little girl in a flat in Liege. He spies on her, listens to her by holding a glass up to the wall. But he never touches her except when, as part of his duties, he is required to is to make teeth of ice and insert them in her gums. Earwig takes a rare day off, which he spends drinking by himself in Au Metro, a seedy bar full of drunks, dancers and eccentrics. It is St Martin's day and in the evening as crowds parade through the street carrying lanterns through the snow, he is drawn reluctantly into a conversation with a sinister stranger called Tyre. As a result Earwig accidentally maims a waitress with a broken bottle. He understands that on some level Tyre meant this to happen. Shortly afterwards a black cat is delivered to the flat, unasked for. The girl forms an immediate bond with it, but Earwig identifies it as the enemy. Travelling across country by train, transporting the girl and her black cat, Earwig is increasingly caught up in a web of unfortunate and increasingly violent coincidences.
A Washington Post Best Book of Year Winner of the 2004 Latino Book Award This sweeping drama of intimately connected families-black, white, and Latino-boldly conjures up the ever-shifting cultural mosaic that is America. At its heart is Vidamia Farrell, half Puerto Rican, half Irish, who sets out in search of the father she has never known. Her journey takes her from her affluent suburban home to the Lower East Side of Manhattan, where her father Billy Farrell now lives with his second family. Once a gifted jazz pianist, Billy lost two fingers in the Vietnam War and has since shut himself off from jazz. While Billy's colorful new family draws Vidamia into their fold, so she determines to draw her father back into the world he left behind.
From a ghostly Civil War battlefield to a combat theme park in Vietnam, from the omnipotent brain of an autistic boy to a shocking story of psychic vampires, journey into a world of fear and mystery, a chilling twilight zone of the mind. A woman returns from the dead with disastrous results for the family who loves her. . . . An old-fashioned barbershop is the site of a medieval ritual of bloody terror. . . . During a post-apocalyptic Christmas celebration, a messenger from the South brings tidings of great horror. . . . Includes the following stories: “The River Styx Runs Upstream” “Eyes I Dare Not Meet in Dreams” “Vanni Fucci Is Alive and Well and Living in Hell” “Vexed to Nightmare by a Rocking Cradle” “Remembering Siri” “Metastasis” “The Offering” “E-Ticket to 'Namland” “Iverson's Pits” “Shave and a Haircut, Two Bites” “The Death of the Centaur” “Two Minutes and Forty-Five Seconds” “Carrion Comfort”
The Rosewater Insurrection continues the award-winning science fiction trilogy by one of science fiction's most engaging voices. All is quiet in the city of Rosewater as it expands on the back of the gargantuan alien Wormwood. Those who know the truth of the invasion keep the secret. The government agent Aminat, the lover of the retired sensitive Kaaro, is at the forefront of the cold, silent conflict. She must capture a woman who is the key to the survival of the human race. But Aminat is stymied by the machinations of the Mayor of Rosewater and the emergence of an old enemy of Wormwood. Innovative and genre-bending, Tade Thompson's ambitious Afrofuturist series is perfect for fans of Jeff Vandermeer, N. K. Jemisin, and Ann Leckie. Praise for The Wormwood Trilogy: "Smart. Gripping. Fabulous!" —Ann Leckie, award winning-author of Ancillary Justice "Mesmerising. There are echoes of Neuromancer and Arrival in here, but this astonishing debut is beholden to no one." —M. R. Carey, bestselling author of The Girl with All the Gifts "A magnificent tour de force, skillfully written and full of original and disturbing ideas." —Adrian Tchaikovsky, Arthur C. Clarke Award-winning author of Children of Time The Wormwood Trilogy Rosewater The Rosewater Insurrection The Rosewater Redemption
In this tightly plotted debut novel, an unlikely detective, armed only with an umbrella and a singular handbook, must untangle a string of crimes committed in and through people's dreams.
Beasts of the Forest: Denizens of the Dark Woods offers its readers an in-depth and interdisciplinary engagement with the forest and its monstrous inhabitants; through critical readings of folklore, fiction, film, music video and animation. Within the text there are a multitude of convergent critical perspectives used to engage and explore fictional and real monsters of the forest in media and folklore. The collection features chapters from a variety of academic perspectives: film and media studies, cultural studies, queer theory, Tolkien studies, mythology and popular music are featured. Under examination are a wide range of narratives and media forms that represent, reimagine and create the werewolves, witches and weird apparitions that inhabit the forest, along with the forest as a monstrous entity in itself. Whether they be our shelter and safe-haven or the domain of malevolent spirits and sprites, forests have the capacity to horrify and threaten those that venture into them without permission. Human interference has continually threatened forests across the world, yet this threat is reversed in myth, folklore and more recent cultural forms. This collection ranges widely to analyse how forests figure in contemporary culture, as well as the wider contexts in which such representations are inserted.
Nicola Griffith, winner of the Tiptree Award and the Lambda Award for her widely acclaimed first novel Ammonite, now turns her attention closer to the present in Slow River, the dark and intensely involving story of a young woman's struggle for survival and independence on the gritty underside of a near-future Europe. She awoke in an alley to the splash of rain. She was naked, a foot-long gash in her back was still bleeding, and her identity implant was gone. Lore Van de Oest was the daughter of one of the world's most powerful families...and now she was nobody. Then out of the rain walked Spanner, an expert data pirate who took her in, cared for her wounds, and gave her the freedom to reinvent herself again and again. No one could find Lore if she didn't want to be found: not the police, not her family, and not the kidnappers who had left her in that alley to die. She had escaped...but she paid for her newfound freedom in crime, deception, and degradation--over and over again. Lore had a choice: She could stay in the shadows, stay with Spanner...and risk losing herself forever. Or she could leave Spanner and find herself again by becoming someone else: stealing the identity implant of a dead woman, taking over her life, and inventing her future. But to start again, Lore required Spanner's talents--Spanner, who needed her and hated her, and who always had a price. And even as Lore agreed to play Spanner's games one final time, she found that there was still the price of being a Van de Oest to be paid. Only by confronting her past, her family, and her own demons could Lore meld together who she had once been, who she had become, and the person she intended to be.... In Slow River, Nicola Griffith skillfully takes us deep into the mind and heart of her complex protagonist, where the past must be reconciled with the present if the future is ever to offer solid ground. Slow River poses a question we all hope never to need to answer: Who are you when you have nothing left?