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Analyses East Asian economic development strategy with reference to trade and investment policies from the 1950s to 1990 and measures for improving competitiveness in the manufacturing sector. Includes a section on the promotion of small amd medium-sized enterprises in Japan. Examines industrial restructuring in Latin America during the 1980s and presents a study of small scale enterprises in Brazil and Mexico. Examines the applicability of East Asian policies to Latin America.
Looking at musical globalization and vocal music, this collection of essays studies the complex relationship between the human voice and cultural identity in 20th- and 21st-century music in both East Asian and Western music. The authors approach musical meaning in specific case studies against the background of general trends of cultural globalization and the construction/deconstruction of identity produced by human (and artificial) voices. The essays proceed from different angles, notably sociocultural and historical contexts, philosophical and literary aesthetics, vocal technique, analysis of vocal microstructures, text/phonetics-music-relationships, historical vocal sources or models for contemporary art and pop music, and areas of conflict between vocalization, "ethnicity," and cultural identity. They pinpoint crucial topical features that have shaped identity-discourses in art and popular musical situations since the1950s, with a special focus on the past two decades. The volume thus offers a unique compilation of texts on the human voice in a period of heightened cultural globalization by utilizing systematic methodological research and firsthand accounts on compositional practice by current Asian and Western authors.
The emergence of modernity has typically focused on Western male actors and privileged politics and economy over culture. The contributors to this volume successfully unsettle such perspectives by emphasizing the social history, artistic practices, and symbolic meanings of female performers in popular music of Asia. Women surfaced as popular icons in different guises in different Asian countries through different routes of circulation. Often, these women established prominent careers within colonial conditions, which saw Asian societies in rapid transition and the vernacular and familiar articulated with the novel and the foreign. These female performers were not merely symbols of times that were rapidly changing. Nor were they simply the personification of global historical changes. Female entertainers, positioned at the margins of intersecting fields of activities, created something hitherto unknown: they were artistic pioneers of new music, new cinema, new forms of dance and theater, and new behavior, lifestyles, and morals. They were active agents in the creation of local performance cultures, of a newly emerging mass culture, and the rise of a region-wide and globally oriented entertainment industry. Vamping the Stage is the first book-length study of women, modernity, and popular music in Asia, showcasing cutting-edge research conducted by scholars whose methods and perspectives draw from such diverse fields as anthropology, Asian studies, cultural studies, ethnomusicology, and film studies. Led by an impressive introduction written by Weintraub and Barendregt, fourteen contributors analyze the many ways that women performers supported, challenged, and transgressed representations of existing gendered norms in the entertainment industries of China, Japan, India, Indonesia, Iran, Korea, Malaysia, and the Philippines. Placing women’s voices in social and historical contexts, the essays explore salient discourses, representations, meanings, and politics of “voice” in Asian popular music. Historicizing the artistic sounds, lyrical texts, and visual images of female performers, the essays reveal how women used popular music to shape the ideas, practices, and meanings of modernity in various Asian contexts and time frames. The ascendency of women as performers paralleled, and in some cases generated, developments in wider society such as suffrage, social and sexual liberation, women as business entrepreneurs and independent income earners, and particularly as models for new life styles. Women’s voices, mediated through new technologies of film and the phonograph, changed the soundscape of global popular music and resonate today in all spheres of modern life.
'A dazzling and joyous celebration' i-D 'Dazzling . . . East Side Voices is a thoughtful, painful reminder of the grand narratives that get buried under belittling stereotypes' Bidisha, Observer In this bold, first-of-its kind collection, East Side Voices invites us to explore a dazzling spectrum of experience from the East and Southeast Asian diaspora living in Britain today. Showcasing original essays and poetry from well-known celebrities, prize-winning literary stars and exciting new writers, East Side Voices takes us many places: from the frontlines of the NHS in the midst of the Covid pandemic, to the set of a Harry Potter film, from a bustling London restaurant to a spirit festival in Myanmar. In the process we navigate the legacies of family history, racial identity, assimilation and difference. Edited by Helena Lee, founder of the East Side Voices cultural salon and Acting Deputy Editor of Harper's Bazaar. Featuring writing from: Romalyn Ante, Tash Aw, June Bellebono, Gemma Chan, Mary Jean Chan, Catherine Cho, Tuyen Do, Will Harris, Rowan Hisayo Buchanan, Claire Kohda, Katie Leung, Amy Poon, Naomi Shimada, Anna Sulan Masing, Sharlene Teo, Zing Tsjeng and Andrew Wong. 'Invaluable and delightful' Esquire
Analyses modern tendencies in the development of regional economic cooperation in East Asia which is considered by regional countries as their response to growing challenges of globalization.
East Asia is normally identified as a group of countries lying along the western edge of the Pacific Ocean, but scholars have begun thinking about a East Asia that is a community rather than a set of sovereign states. This book looks at East Asia from a Northeast Asian perspective.
Maria Stepanova is one of the most powerful and distinctive voices of Russia’s first post-Soviet literary generation. An award-winning poet and prose writer, she has also founded a major platform for independent journalism. Her verse blends formal mastery with a keen ear for the evolution of spoken language. As Russia’s political climate has turned increasingly repressive, Stepanova has responded with engaged writing that grapples with the persistence of violence in her country’s past and present. Some of her most remarkable recent work as a poet and essayist considers the conflict in Ukraine and the debasement of language that has always accompanied war. The Voice Over brings together two decades of Stepanova’s work, showcasing her range, virtuosity, and creative evolution. Stepanova’s poetic voice constantly sets out in search of new bodies to inhabit, taking established forms and styles and rendering them into something unexpected and strange. Recognizable patterns of ballads, elegies, and war songs are transposed into a new key, infused with foreign strains, and juxtaposed with unlikely neighbors. As an essayist, Stepanova engages deeply with writers who bore witness to devastation and dramatic social change, as seen in searching pieces on W. G. Sebald, Marina Tsvetaeva, and Susan Sontag. Including contributions from ten translators, The Voice Over shows English-speaking readers why Stepanova is one of Russia’s most acclaimed contemporary writers.
This is the first single volume guide ever devoted to the eastern Asian avifauna. The eastern Asian region, centring especially on the major islands off the continental coast (including Japan and Taiwan) and the immediately adjacent areas of the Asian continent from Kamchatka in the north and including the Korean Peninsula are an important centre of endemism. Birds endemic to this region include representatives of many of the major families, from the world's largest eagle - Steller's Sea Eagle - to the tiny Formosan Firecrest. The east Asian continental coast and the offshore islands also form one of the world's major international bird migration routes, especially for waterfowl, shorebirds and raptors, while the east Asian continental mainland itself is home to a wide range of species little known to western ornithologists such as Scaly-sided Merganser, Oriental Stork and Mugimaki Flycatcher. The guide features the most up-to-date text available, which, in conjunction with extensive colour plates throughout, facilitates the field identification of all of the species known from the region. Colour distribution maps enhance the text by providing a visual analysis of the summer, winter and migratory ranges of all species.
Titled for the influential singer left almost voiceless by a terrible syndrome, the poems bring sweet melodies and rhythms as the voices blend and become multitudinous. There’s an honoring of not only survival, but of persistence, as this part research-based, pensive collection contemplates what it takes to move forward when the unimaginable holds you back.