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From the stories of wives and their lovers to those of kings and their conquests, to the overarching story of Shahrazad and Shahryar, the tales of the Arabian Nights have offered countless audiences entertainment and enjoyment as well as serving as cautionary stories. An outstanding piece of world literature, the Arabian Nights provide a lively and interesting way of exploring aspects of sexuality, romance, gender, culture, wealth, and politics. Looking at a wide range of the tales, David Ghanim offers a rigorous exploration of their profound sexuality: looking at both the context in which they were written and organised, as well as their legacy. By including accounts of heterosexuality, homosexuality, cuckoldry, insatiable lust, promiscuity, rape, incest, bestiality, demonic sexuality, and erotica, Ghanim highlights the complexity and dynamism of medieval sexuality, the active role of women in sexual activities, and the prevailing positive outlook on sexual liaison and gender mixing.
Johann Georg von Hahn - a nineteenth-century Austrian diplomat and explorer - is generally considered to be the founder of Albanian Studies as a scholarly discipline. It was he who first studied the Balkan country and its people, and who brought them to the attention of the academic world. Despite this acclaim, his work has not been widely available in English until now. In this volume, Robert Elsie has translated Hahn's most important works relating to his travels and studies in Albania during the mid-nineteenth century. Hahn's interests were broad, but he was especially interested in the tribes of Albania and Kosovo and made several ethnographic studies of the cultures and traditions of the tribes he encountered on his travels - including the Kelmendi, Hoti and Kastrati tribes. This volume will be invaluable readers for scholars of Balkan history and anthropology.
The first book-length study of the oriental tale in England since 1908, Fabulous Orients is an original work of criticism which illustrates the centrality of narratives of and from the eastern territories of Turkey, Persia, China, and India in the formation of the novel and constructions of western identity in a culture on the threshold of empire.
Set back in time to kidnap Sheherazade, narrator of the "Arabian Nights," the hero snatches a lovely lady from the sultan's harem only to discover that he has stolen the wrong woman, Sheherazade's little sister
A luminous translation of Arabic tales of enchantment and wonder Known to us only through North African manuscripts, and translated into English for the first time, A Hundred and One Nights is a marvelous example of the rich tradition of popular Arabic storytelling. Like its more famous sibling, the Thousand and One Nights, this collection opens with the frame story of Shahrazad, the gifted vizier’s daughter who recounts imaginative tales night after night in an effort to distract the murderous king from taking her life. A Hundred and One Nights features an almost entirely different set of stories, however, each one more thrilling, amusing, and disturbing than the last. In them, we encounter tales of epic warriors, buried treasures, disappearing brides, cannibal demon women, fatal shipwrecks, and clever ruses, where human strength and ingenuity play out against a backdrop of inexorable, inscrutable fate. Although these tales draw on motifs and story elements that circulated across cultures, A Hundred and One Nights is distinctly rooted in Arabic literary culture and the Islamic tradition. It is also likely much older than Thousand and One Nights, drawing on Indian and Chinese antecedents. This careful edition and vibrant translation of A Hundred and One Nights promises to transport readers, new and veteran alike, into its fantastical realms of magic and wonder. A bilingual Arabic-English edition.
Religion plays a central role in nearly every aspect in people's life of most pre-modern cultures. Especially the interconnection between religion and politics is a common fact but the details of this relation and interacting processes behind this are not substantially studied. Therefore, this volume does not aim to confirm the linkage of religion and politics in general but to investigate its functionalities in political processes. A focus is placed on the political role of religious personnel beyond their religious and cultic tasks and their influence in pre-modern societies from a cross-cultural perspective. Specialists from various disciplines present their research based on case studies. Thereby this interdisciplinary volume covers a wide geographical and chronological range from ancient Egypt in the Bronze Age until medieval England. These papers are organised according to core functions questioning the instrumentalisation of religious personnel.
The Ottoman court of the late 16th century produced an unprecedented number of sumptuously illustrated chronicles. While usually dismissed as imperial eulogies, Emine Fetvacı demonstrates that these books commented on contemporary events, promoted the political agendas of courtiers as well as the sultan, and presented their patrons and creators in ways that helped shape the perspectives of their elite audience. Picturing History at the Ottoman Court traces the simultaneous crafting of political power, the codification of a historical record, and the unfolding of cultural change.
Peter Phillips, the time-traveller from Saving the Dinosaurs, now 13, is sent back 5,000 years to Ancient Egypt at the time of the Fourth Dynasty. There he finds a world where the wheel has not yet been invented, where only the prayers of the Pharaoh guarantee that the Nile will provide sufficient water for the crops, and where the Sun God, has to travel by boat through the Underworld each night in order to rise in the morning. Shortly after his arrival he is befriended by the Pharaoh’s daughter Mer-tio-tess, who believes he is a Spirit sent to help her. While increasingly attracted towards the Princess he finds himself drawn into a web of power struggles and rivalry. And things get worse when Peter, by accident, brings her back to present-day London, a cold place filled with sad-looking people which, she believes, must be the Underworld.