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Out of Australia’s total population of around nine million, an estimated seven million people turned out to catch a glimpse of the newly crowned Queen Elizabeth II in 1954. Sixty years later, in April 2014, television news bulletins, newspapers and social media were awash with stories of the royal visit of Prince William, his wife Catherine and their baby son George. The frequent, whirlwind royal tours of today are a far cry from those to Australia between 1867 and 1954. These stretched over months, bursting with events such as civic receptions, state banquets, military reviews, cricket matches, agricultural shows, processions, schoolchildren’s pageants and the laying of foundation stones. Occasionally shambolic, quarrelsome and raucous affairs, they were always intensely patriotic. While most of the visits described in this book are from the British Royal Family, royals from other countries appear too, including ‘Our Mary’ of the Danish Royal Family, proudly claimed by Australians as their own. Royal Visits to Australia provides a fascinating glimpse into the evolving Australian psyche and cultural identity. Although our enthusiasm for the Royal Family has waxed and waned over the decades, it is tempting to attribute the fervour of today’s young people to modern celebrity culture. Royal Visits to Australia uncovers an affection that runs much deeper than a passing crush. The book is richly illustrated with stunning full page and double-page black-and-white photos from the early years to magnificent colour photos of more recent years. Also included is a vast array of drawings, lithographs, illuminated addresses, magazine articles, programs, menus and invitation cards and other souvenirs. Royal Visits to Australia is packed with fascinating stories and firsthand accounts. Read about an assassination attempt on Prince Alfred, the first royal visitor, in 1867; the weeping and hysteria of hundreds of thousands of people at Fremantle at the departure of the Duke and Duchess of Cornwall and York, in 1901; the unprecedented scenes of wild welcome at the 1954 visit of Queen Elizabeth II, the first reigning monarch to visit Australia; allegations of the Irish Republican Army (IRA) attempting to assassinate Prince Philip in Sydney in 1973; media obsession with discerning romantic gestures and stories of cracks in the marriage of Prince Charles and Princess Diana, in the 1980s; and, in 2014, William and Kate’s visit, with baby George in tow, the first royal tour since the social media revolution.
P. 178-182 : describes in detail physical characteristics of Western Australian Aborigines; belief in sorcery; marriage customs; division of labour; nomadism; habitation; indolence; hunting, gathering and fishing, cannibalism; weapons; fighting; body decorations; clothing; mortuary customs; corroborees; Social welfare provided by the Aborigines Dept; Collection of Aboriginal implements and weapons for sale to the public and free distribution to museums; encouragement of Aborigines to make artefacts to provide an income; Work of Henry C. Prinsep, Chief Protector of Aborigines; Includes photographs of Aboriginal women from Northam, Coolgardie; Ashburton; men from Beagle Bay, Derby, Broome, Yalgoo, Fitzroy River; photos depict scarring, clay headdress for mourning; hair belts; shell necklaces; nose sticks.
Canada in the Frame explores a photographic collection held at the British Library that offers a unique view of late nineteenth-century and early twentieth-century Canada. The collection, which contains in excess of 4,500 images, taken between 1895 and 1923, covers a dynamic period in Canada’s national history and provides a variety of views of its landscapes, developing urban areas and peoples. Colonial Copyright Law was the driver by which these photographs were acquired; unmediated by curators, but rather by the eye of the photographer who created the image, they showcase a grass-roots view of Canada during its early history as a Confederation. Canada in the Frame describes this little-known collection and includes over 100 images from it. The author asks key questions about what it shows contemporary viewers of Canada and its photographic history, and about the peculiar view these photographs offer of a former part of the British Empire in a post-colonial age, viewed from the old ‘Heart of Empire’. Case studies are included on subjects such as urban centres, railroads and migration, which analyse the complex ways in which photographers approached their subjects, in the context of the relationship between Canada, the British Empire and photography.