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Focusing on films produced in Sweden for primarily Swedish audiences, Wright analyzes how the portrayal of the relatively small Jewish minority has evolved over the years. She also compares the images of Jews in Swedish film with those of other ethnic subcultures: long-term resident communities such as tattare ('travelers', an indigenous pariah group often confused with gypsies), Finns, the Sami, and recent immigrant populations such as Greeks, Italians, Turks, and Yugoslavians. She is also the first scholar to discuss Ingmar Bergman's presentation of Jewish characters. Wright confronts important - and exceedingly difficult - social questions. She deals head-on with xenophobia, anti-Semitism, immigration, assimilation, ethnicity, multiculturalism, and the national self-image of Swedes as reflected in their cinema. She also analyzes the manner in which Swedish film represents the persecution of Jews in Nazi-dominated Europe.
The Invisible Wall is one man's quest to understand the failure of the German-Jewish relationship and to explain the character and attitudes of Germany's assimilated Jews over a three hundred-year period. He found rich and remarkable stories in the lives of six Blumenthal ancestors--all of whom happened to be major figures in German-Jewish history. Jost Liebmann, an itinerant peddler of trinkets and cheap jewels who became court jeweler to the Brandenburg nobility; Rahel Varnhagen von Ense, whose Berlin salon was the meeting place of Prussia's intellectual elite; Giacomo Meyerbeer, a celebrated composer of grand opera who dealt with the antisemitism he encountered by ceaselessly striving for success; Louis Blumenthal, a respected businessman and founder of his town's bank; Arthur Eloesser, a scholar and literary critic in the heyday of Weimar; and Ewald Blumenthal, the author's father. Once a decorated soldier in the Kaiser's elite guards, he was later a prisoner at Buchenwald. By recounting the stories of these individuals within the historical context of three centuries, Blumenthal presents a portrait of German Jews from the birth of Christianity to the eve of the Holocaust, revealing how Jews of various generations tried but failed to pierce the prejudice that separated them from other Germans.
The evolution of literature is like the rushing of a river. It conveys different sounds due to the ups and downs of the terrain. The stream is silent at gentle places, and surging continuously at steep turns. A waterfall falls from the cliff, pearls and jade splash, the plains are endlessly rushing, and the snow waves rise higher and higher. , literature uses the human spirit to pass on the fire and remains fresh and true over time. A diachronic observation of the origins of literature, the ups and downs of writers from generation to generation, and the succession of several schools. A synchronic view of the mirror image of literature. Thousands of things are in different shapes, and countle
The Visible and the Invisible contains the unfinished manuscript and working notes of the book Merleau-Ponty was writing when he died. The text is devoted to a critical examination of Kantian, Husserlian, Bergsonian, and Sartrean method, followed by the extraordinary "The Intertwining--The Chiasm," that reveals the central pattern of Merleau-Ponty's own thought. The working notes for the book provide the reader with a truly exciting insight into the mind of the philosopher at work as he refines and develops new pivotal concepts.
"A quite ordinary middle-aged woman ... awakens to find she is the last living human being"--Back cover.
In the Lovecraftian universe there exists many terrible and horrifying things, from extraterrestrial gods and ancient secrets to zealous cults, supernatural beasts and beyond. Lovecraft's 1939 short story "In the Walls of Eryx" centres around the life and demise of a Venetian prospector who becomes lost in an invisible maze while mining on the planet Venus. Lovecraft's first and only science fiction story, this book is not to be missed by short story lovers and fans of Lovecraft's exceptional fiction. Other notable works by this author include: “At the Mountains of Madness”, “The Rats in the Walls”, and “The Shadow Over Innsmouth”. Howard Phillips Lovecraft (1890–1937) was an American writer of supernatural horror fiction. Though his works remained largely unknown and did not furnish him with a decent living, Lovecraft is today considered to be among the most significant writers of supernatural horror fiction of the twentieth century. Read & Co. is publishing this classic short story now as part of our “Fantasy and Horror Classics” imprint in a new edition with a dedication by George Henry Weiss.
A foolish knight is certain that his side of the wall is the safe side in this clever, amusingly meta picture book by the acclaimed creator of It's Only Stanley There's a wall in the middle of the book, and our hero--a young knight--is sure that the wall protects his side of the book from the dangers of the other side--like an angry tiger and giant rhino, and worst of all, an ogre who would gobble him up in a second! But our knight doesn't seem to notice the crocodile and growing sea of water that are emerging on his side. When he's almost over his head and calling for help, who will come to his rescue? An individual who isn't as dangerous as the knight thought--from a side of the book that might just have some positive things to offer after all!
This is the fourth volume in a series of final publications on the joint American-Greek archaeological excavations at Pseira in northeast Crete. The site is a seaport dating from the end of the Final Neolithic until the Late Minoan period. Pseira IV publishes the architecture and associated finds from 39 locations in Areas B, C, D, and F in the Minoan town of Pseira. The Bronze Age settlement is located on Pseira Island, off the coast of Crete in the Gulf of Mirabello. Pseira, IV
A haunting feminist sci-fi masterpiece and international bestseller that is “as absorbing as Robinson Crusoe” (Doris Lessing) While vacationing in a hunting lodge in the Austrian mountains, a middle-aged woman awakens one morning to find herself separated from the rest of the world by an invisible wall. With a cat, a dog, and a cow as her sole companions, she learns how to survive and cope with her loneliness. Allegorical yet deeply personal and absorbing, The Wall is at once a critique of modern civilization, a nuanced and loving portrait of a relationship between a woman and her animals, a thrilling survival story, a Cold War-era dystopian adventure, and a truly singular feminist classic.
This reappraisal of archaeology conducted at the Saige-McFarland site presents for the first time a substantial body of comparative data from a Mimbres period site in the Gila drainage. Lekson offers a new and controversial interpretation of the Mimbres sequence, reintroducing the concept of the Mangas phase first proposed by the Gila Pueblo investigations of the 1930s and demonstrating a more gradual shift from pithouse to pueblo occupance than has been suggested previously.