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This quartet of aphoristic philosophy continues the author's quest for Social Transcendentalist perfection through texts as diverse as the aforementioned 'The Virtuous Circles', which opens the volume, 'The Struggle for Ultimate Freedom', 'Apotheosis of the Gnosis' and 'Eschatology or Scatology', the latter of which would suggest a choice between Heaven and, in effect, Hell, though Mr O'Loughlin has definite ideological alternatives in mind.
Besides the book entitled 'Apocalypso - The New Revelation', this project also includes 'At the Crossroads of Axial Divergence', 'Opti-mystic Projections' and 'Unflattering Conclusions', all of which do further justice to the ideological philosophy of Social Transcendentalism and its Social Theocratic antipathy to Social Democracy.
This quartet of books of aphoristic philosophy with a Social Theocratic dimension is comprised of 'Yang and Anti-Yin', 'Lamb and Anti-Lion', 'Celestial City and Anti-Vanity Fair' and, last but by no means least, 'Jesus - A Summing Up!', the title of which is a kind of oblique tribute to Arthur Koestler's estimable 'Janus - A Summing Up', which, however, would not have much bearing on the aforementioned works in terms of thematic structure, as germane, by and large, to the noumenal distinction between metaphysics and antimetachemistry, as explained in the texts.
As suggested by the title, THE ETHNIC UNIVERSALITY QUARTET is comprised of four books of numbered aphorisms that loosely cycle in metaphysical spirals towards an ideological summit, the titles being 'Ethnic Universality', 'No Man-oeuvre', 'The High-way of Truth', and 'The End of Evolution', all of which are germane to the ideological philosophy of Social Transcendentalism, with its eschatological promise.
Acclaimed writer Jeffrey Lewis is known for his deft portrayals of relatable figures from all walks of life. In The Meritocracy Quartet, his four interlinking novels—Meritocracy: A Love Story, The Conference of the Birds, Theme Song for an Old Show, and Adam the King—have been brought together for the first time into a single volume. Set against the backdrop of the changing American landscape over four decades, The Meritocracy Quartet is a testament to the country’s evolving personality. The quartet follows Louie, a Yale graduate from a modest background with a gift for forging connections in high and low places. Beginning in the 1960s, as he documents a going-away party for a fellow Yalie on his way to Vietnam, and continuing through his spiritual encounters with a 1970s group of city misfits, his turn to television writing in the 1980s, and a tragic love story between two of his close friends in the 1990s, Louie chronicles not only his own personal struggles—his silent love for his best friend’s girl, his delicate relationship with an at-times absent father—but also the attitudes, events, and people that marked his generation. From the Vietnam War to George W. Bush, from television trends to the divide between the haves and have-nots, The Meritocracy Quartet is a moving witness to everything America had to offer in the latter portion of the twentieth century.
The Apollo Academy, a musical club founded in 1731 by Maurice Greene and his friend Michael Christian Festing, was the performance location of various oratorios, odes and masques produced by composers in Greene's circle of friends, colleagues and pupils. Many of the works performed both in and outside the academy meetings are based on subjects such as Jephtha, Deborah and the choice of Hercules which were well known in eighteenth-century England and also attracted the attention of Handel. This long-overdue study explores these works in terms of their intellectual contexts (political, religious, social and cultural), comparing them to Handel's compositions on the same or similar subjects. Additionally, detailed source information and musical analysis of the works is included as well as a discussion of the competition between Handel and his English contemporaries in order to provide a fuller picture of the diverse musical and cultural life in London during the first half of the eighteenth century.
Discusses the unifying themes and structures of Haydn's major string quartets, offering analyses of 45 of Haydn's 60-odd string quartets with the aim of providing interpretive clues for performers.