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What drives terrorists to glorify violence? In The Revolutionary Mystique and Terrorism in Contemporary Italy, Richard Drake seeks to explain the origins of Italian terrorism and the role that intellectuals played in valorizing the use of violence for political or social ends. Drake argues that a combination of socioeconomic factors and the influence of intellectual elites led to a sanctioning of violence by revolutionary political groups in Italy between 1969 and 1988. Drake explores what motivated Italian terrorists on both the Left and the Right during some of the most violent decades in modern Italian history and how these terrorists perceived the modern world as something to be destroyed rather than reformed. In 1989, The Revolutionary Mystique and Terrorism in Contemporary Italy received the Howard R. Marraro Prize from the Society for Italian Historical Studies. It was awarded for the best book that year on Italian history. The book is reissued now with a new introduction for the light it might shed on current terrorist challenges. The Italians had success in combating terrorism. We might learn something from their example. The section of the book dealing with the Italian "superfascist" philosopher, Julius Evola, holds special interest today. Drake's original work takes on new significance in the light of Evola's recent surge of popularity for members of America's alt-right movement.
Although they account for only ten percent of all murders, those attributed to women seem especially likely to captivate the public. This absorbing book examines why that is true and how some women, literally, get away with murder. Combining compelling storytelling with insightful observations, the book invites readers to take a close look at ten high-profile killings committed by American women. The work exposes the forces that underlie the public's fascination with female killers and determine why these women so often become instant celebrities. Cases are paired by motive—love, money, revenge, self-defense, and psychopathology. Through them, the authors examine the appeal of women who commit murders and show how perceptions of their crimes are shaped. The book details both the crimes and the criminals as it explores how pop culture treats stereotypes of female murderers in film and print. True crime aficionados will be fascinated by the minute descriptions of what happened and why, while pop culture enthusiasts will appreciate the lens of societal norms through which these cases are examined.
Has evolution made men promiscuous skirt chasers? Pop-Darwinian claims about men's irrepressible heterosexuality have become increasingly common, and increasingly common excuses for men's sexual aggression. The Caveman Mystique traces such claims about the hairier sex through evolutionary science and popular culture. After outlining the social and historical context of the rise of pop-Darwinism's assertions about male sexuality and their appeal to many men, Martha McCaughey shows how evolutionary discourse can get lived out as the biological truth of male sexuality. Although evolutionary scientists want to use their theories to solve social problems, evolutionary narratives get invoked by men looking for a Darwinian defense of bad-boy behaviors. McCaughey argues that evolution has nearly replaced religion as a moral guide for understanding who we are and what we must overcome to be good people. Bringing together insights from the fields of science studies, body studies, feminist theory and queer theory, The Caveman Mystique offers a fresh understanding of science, science popularization, and the impact of science on men's identities making a convincing case for deconstructing, rather than defending, the caveman.
A tantalizing tale of a legendary knight and a headstrong lady whose daring quest for a mysterious crystal will draw them into a whirlwind of treachery–and desire. When the fearsome knight called Hugh the Relentless swept into Lingwood Manor like a storm, everyone cowered–except Lady Alice. Sharp-tongued and unrepentant, the flame haired beauty believed Sir Hugh was not someone to dread but the answer to her dreams. She knew he had come for the dazzling green crystal, knew he would be displeased to find that it was no longer in her possession. Yet Alice had a proposition for the dark and forbidding knight: In return for a dowry that would free Alice and her brother from their uncle's grasp, she would lend her powers of detection to his warrior's skills and together they would recover his treasured stone. But even as Hugh accepted her terms, he added a condition of his own: Lady Alice must agree to a temporary betrothal–one that would soon draw her deep into Hugh's great stone fortress, and into a battle that could threaten their lives...and their only chance at love.
Presents an analysis of the phenomenon of the aesthetics of sexual and political violence, a central theme in European culture of the early 20th century.
An examination of the development of Betty Friedan's feminist outlook. Horowitz (American studies, Smith College) looks at Friedan's life from her childhood in Peoria, Illinois through her wartime years at Smith College and Berkeley, to her decade-long career as a writer for two radical labor journals, the Federated Press and the United Electrical Workers' UE News. He argues that this history, combined with the fact that Friedan continued to work on behalf of many social causes after her marriage, contradicts Friedan's claim that her commitment to women's rights grew solely out of her experience as an alienated suburban housewife. Annotation copyrighted by Book News, Inc., Portland, OR
“Tells how America, since the end of World War II, has turned away from its ideals and goodness to become a match setting the world on fire” (Seymour Hersh, investigative journalist and national security correspondent). World War II marked the apogee of industrialized “total war.” Great powers savaged one another. Hostilities engulfed the globe. Mobilization extended to virtually every sector of every nation. Air war, including the terror bombing of civilians, emerged as a central strategy of the victorious Anglo-American powers. The devastation was catastrophic almost everywhere, with the notable exception of the United States, which exited the strife unmatched in power and influence. The death toll of fighting forces plus civilians worldwide was staggering. The Violent American Century addresses the US-led transformations in war conduct and strategizing that followed 1945—beginning with brutal localized hostilities, proxy wars, and the nuclear terror of the Cold War, and ending with the asymmetrical conflicts of the present day. The military playbook now meshes brute force with a focus on non-state terrorism, counterinsurgency, clandestine operations, a vast web of overseas American military bases, and—most touted of all—a revolutionary new era of computerized “precision” warfare. In contrast to World War II, postwar death and destruction has been comparatively small. By any other measure, it has been appalling—and shows no sign of abating. The author, recipient of a Pulitzer Prize and a National Book Award, draws heavily on hard data and internal US planning and pronouncements in this concise analysis of war and terror in our time. In doing so, he places US policy and practice firmly within the broader context of global mayhem, havoc, and slaughter since World War II—always with bottom-line attentiveness to the human costs of this legacy of unceasing violence. “Dower delivers a convincing blow to publisher Henry Luce’s benign ‘American Century’ thesis.” —Publishers Weekly
This novel was the major inspiration for the Women's Movement and continues to be a powerful and illuminating analysis of the position of women in Western society___
If democracy liberates individuals from their inherited bonds, what can reunite them into a sovereign people? In The Virtues of Violence, Kevin Duong argues that one particular answer captivated modern French thinkers: popular violence as social regeneration. In this tradition of political theory, the people's violence was not a sign of anarchy or disorder. Instead, it manifested a redemptive power capable of binding and repairing a society on the cusp of social disintegration. This was not a fringe view of French democracy at the time, but central to its momentous development. Duong analyzes the recurring role of the people's redemptive violence across four historical moments: the French Revolution, the imperial conquest of Algeria, the Paris Commune, and the years leading up to World War I. Bringing together democratic theory and intellectual history, he reveals how political thinkers across the spectrum proclaimed that violence by the people could repair the social fabric, even as they experienced democratization as social disintegration. The path from an anarchic multitude to an organized democratic society required the virtuous expression of violence by the people--not its prohibition. Duong's book urges us to reject accounts that view redemptive violence as an antidemocratic pathology. It challenges the long-held view that popular violence is a sign of anarchy or disorder. As shocking and unsettling as redemptive violence could be, it appealed to thinkers across the spectrum, because it answered a fundamental dilemma of political modernity: how to replace the severed bonds of the old regime with a superior democratic social bond. The Virtues of Violence argues we do not properly understand modern democracy unless we can understand why popular redemptive violence could be invoked on its behalf.