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During his 50-year association with the Village Voice, Fred W. McDarrah (1926–2007) covered the city’s downtown scenes, producing an unmatched and encyclopedic visual record of people, movements, and events. McDarrah frequented the bars, cafés, and galleries where writers, artists, and musicians gathered, and he was welcome in the apartments and lofts of the city’s avant-garde cultural aristocracy. He captured every vital moment, from Jack Kerouac reading poetry, to Bob Dylan hanging out in Sheridan Square, to Andy Warhol filming in the Factory, to the Stonewall Riots. Through his lens, we see the legendary birth of ideas and attitudes that continue to shape the character and allure of New York today.
David Godlis captures the grit and grandeur of 1970s-'80s New York City in his street photography When he is on the street armed with his camera, photographer David Godlis (born 1951) describes himself as "a gunslinger and a guitar picker all in one." Ever since he bought his first 35mm camera in 1970, Godlis has made it his mission to capture the world on film just as it appears to him in reality. Godlis is most famous for his images of the city's punk scene and serving as the unofficial official photographer for the Film Society of Lincoln Center. For 40 years, his practice has also consisted of walking around the streets of New York City and shooting whatever catches his eye: midnight diner patrons, stoop loiterers, commuters en route to the nearest subway station. With an acute sense of both humor and pathos, Godlis frames everyday events in a truly arresting manner. This publication presents Godlis' best street photography from the 1970s and '80s in a succinct celebration of New York's past. The book is introduced by an essay written by cultural critic Luc Sante and closes with an afterword written by Blondie cofounder and guitarist Chris Stein.
"Barrio collects ninety of these striking color images along with D'Amato's fascinating account of his time photographing Mexican Chicago and his acceptance - often grudging, after threatened violence - into the heart of the city's Mexican community."--Jacket.
Miracle Village is located on the outskirts of a rural town in an impoverished area of Palm Beach County, Florida, which is home to over 100 sex offenders. Florida legislation requires offenders to live a minimum of 1,000 ft. from any school, bus stop or place where children congregate, yet many municipalities extend this law with local ordinances that increase the distance to 2,500 ft. In reality, this becomes extremely difficult to abide by, and many offenders struggle to find housing and re-establish their lives in society. The village, founded by a Christian ministry, seeks to help offenders that have no place to go. The range of crimes committed by the residents varies - from serious offenses to consensual teenage relationships that had an age gap. The men are mixed in age, from various ethnic backgrounds, and they are all coming to terms with living with the permanence of this label. Over the period of one year, Sofia Valiente befriended, lived among and photographed the residents in Miracle Village. She has chosen 12 stories that show an intimate glance of what life is like for these individuals that are living distanced from society.
The popular illustrated journal for all photographers devoted to the interests of photography and kindred arts and sciences.
This book is the product of a unique collaboration between Israeli artist and philosopher Aïm Deüelle Lüski and visual culture theorist Ariella Azoulay. In their longstanding working relationship, they research how to theorize the structure of the contemporary scopic regime and open a space for its civil transformation.