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Excerpt from The Village Gods of South India The material for this account of the village gods of South India has been gathered almost entirely from my own Observation and inquiry. I have been able to get little help from books, as this is, I think, the first attempt at dealing systematically with this aspect of Indian religion. It does not pretend to be anything like an exhaustive account of all the various rites and ceremonies Observed in the worship of the village deities. The variety of ritual and ceremonial in the different districts Of South India is almost endless, and I have not attempted in this book to give an account even of all the various ceremonies that have come within my own knowledge. Perhaps it would be more correct to call the book An Introduction to the Study Of the Village Gods of South India. I believe, however, that all the main types of this particular form Of Hinduism are included in the following pages, and that enough has been said to enable the reader to get a fairly complete idea of its general character and to compare it with similar forms Of religion in other parts of the world. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The history of the Hindu tradition is captured by Kalus K. Klostermaier in this new survey of a rich and ancient religion. This study moves swiftly but thoroughly through the ages, from early emergence of the Vedic tradition to the developments in contemporary Hinduism. Factual information is balanced with discussion of such problematic areas as the true origins of Hinduism and the controversy of the Aryan invasion. Other features include: full coverage of all the major branches within the religion, and their origins; the role of philosophical reflection in the development of Hinduism; the future of Hinduism; a quick-reference chronology, bibliography and extensive glossary. This guide to the development of a major religion should be of interest to those interested in the subject, from gradates to the curious general reader, and can be used as a companion volume to "Hinduism - a short introduction".
Provides over 1,000 accessible, informative and authoritative entries that answer any major question about Hinduism, it's mythology, practices, customs and laws India is so vast that each of its regions is a land in its own right, with diverse languages, customs, and cultural traditions. Yet shared social systems, firmly grounded in religious beliefs, provide the cohesive force that unites over a billion people of different backgrounds. Hinduism is the main religion of India, and this new dictionary provides an unrivaled insight to all aspects of Hindu life, past and present. Some thousand illustrated entries elucidate the history of Hinduism, its mythology, art, architecture, religion, laws, and folklore. The development of Hinduism is presented from its ancient manifestations in local cults and epic poems to modern-day festivals and customs worldwide. The complex relationship between the multitude of gods, goddesses, and semi-divine beings is brought to light in the articles on religion and mythology, while its rich imagery is revealed in the entries on architecture, sculpture, painting, dance, and theater, including works of art illustrated here for the first time. Food and etiquette, the caste system, Ayurvedic medicine, love and marriage, and contemporary practices are just a few of the topics explored. Maps and entries on the major cities and places of pilgrimage in India, as well as a concise chronology and a list of principal dynasties, provide a clear overview of the geography, history, languages, and vibrant religious and cultural traditions of Hinduism. This volume will serve as a lively and indispensable guide for those preparing a visit to India, for Indians living in the West, for students, or for anyone interested in the subcontinent. 275 b/w illustrations.
This third edition of the classic text updates the information contained in the earlier editions, and includes new chapters on the origins of Hinduism; its history of relations with Buddhism, Christianity, and Islam; Hindu science; and Hindu measures of time. The chronology and the bibliography have been updated as well. A comprehensive survey of the Hindu tradition, the book deals with the history of Hinduism, the sacred writings of the Hindus, the Hindu worldview, and the specifics of the major branches of Hinduism—Vaisnavism, Saivism, and Saktism. It also focuses on the geographical ties of Hinduism with the land of India, the social order created by Hinduism, and the various systems of Hindu thought. Klaus K. Klostermaier describes the development of Hinduism in the nineteenth and twentieth centuries, including present-day political Hinduism and the efforts to turn Hinduism into a modern world religion. A unique feature of the book is its treatment of Hinduism in a topical fashion, rather than by chronological description of the development of Hinduism or by summary of the literature. The complexities of Hindu life and thought are thus made real to the reader, and Hindus will recognize it as their own tradition.
To scholars in the field, the need for an up-to-date overview of the art of South Asia has been apparent for decades. Although many regional and dynastic genres of Indic art are fairly well understood, the broad, overall representation of India's centuries of splendor has been lacking. The Art of Ancient India is the result of the author's aim to provide such a synthesis. Noted expert Sherman E. Lee has commented: –Not since Coomaraswamyês History of Indian and Indonesian Art (1927) has there been a survey of such completeness.” Indeed, this work restudies and reevaluates every frontier of ancient Indic art _ from its prehistoric roots up to the period of Muslim rule, from the Himalayan north to the tropical south, and from the earliest extant writing through the most modern scholarship on the subject. This dynamic survey-generously complemented with 775 illustrations, including 48 in full color and numerous architectural ground plans, and detailed maps and fine drawings, and further enhanced by its guide to Sanskrit, copious notes, extensive bibliography, and glossary of South Asian art terms-is the most comprehensive and most fully illustrated study of South Asian art available. The works and monuments included in this volume have been selected not only for their artistic merit but also in order to both provide general coverage and include transitional works that furnish the key to an all encompassing view of the art. An outstanding portrayal of ancient Indiaês highest intellectual and technical achievements, this volume is written for many audiences: scholars, for whom it provides an up-to-date background against which to examine their own areas of study; teachers and students of college level, for whom it supplies a complete summary of and a resource for their own deeper investigations into Indic art; and curious readers, for whom it gives a broad-based introduction to this fascinating area of world art.
The author discusses the tragi-comic aspect of Chola kingship in relation to other Indian expressions of comedy, such as the Vidiisaka of Sanskrit drama, folk tales of the jester Tenali Rama, and clowns of the South Indian shadow-puppet theaters. The symbolism of the king emerges as part of a wider range of major symbolic figures--Brahmins, courtesans, and the tragic" bandits and warrior-heroes. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Intended for courses in World Religions, this text provides a strong historical approach with appropriate attention paid to the social and cultural context of each religion.
This essential student textbook consists of seventeen sections, all written by leading scholars in their different fields. They cover all the religious traditions of Southwest Asia, Southeast Asia, Central Asia, Tibet, and East Asia. The major traditions that are described and discussed are (from the Southwest) Hinduism, Jainism, Buddhism, Sikhism and Islam, and (from the East) Taoism, Confucianism and Shinto. In addition, the tradition of Bon in Tibet, the shamanistic religions of Inner Asia, and general Chinese, Korean and Japanese religion are also given full coverage. The emphasis throughout is on clear description and analysis, rather than evaluation. Ten maps are provided to add to the usefulness of this book, which has its origin in the acclaimed Encyclopedia of Religion, edited by Mircea Eliade of the University of Chicago.
This volume presents a detailed ethnographic study of rural Paraiyar communities in South India, focusing on their religions and cultural identity. Formerly known as Dalits, or Untouchables, these are a largely socially marginalised group living within a dynamic and complex social matrix dominated by the caste system and its social and religious implications in India. Through examining Paraiyar Christian communities, the author provides a comprehensive understanding of Paraiyar religious worldviews within the dominant Hindu religious worldview. In contrast to existing research, this volume places the Paraiyars within their wider social context, ascribed and achieved identity, religious symbolism and ritual and negotiation of social boundaries. In arguing that the Paraiyars help us to understand religion as 'lived', the author removes the concept 'religion' from the reified forms it so often obtains in textbooks. Instead, Jeremiah demonstrates that it is only in local and specific contexts, as opposed to essentialised notions, that 'religion' either makes any sense or that theories concerning it can be tested.