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In 1969, Robert Tucker returns from strict boarding school life in England to his island home in Bermuda to work a summer job for famed local treasure diver Harry Tumbridge. An epic marine treasure hunt and adventure unfolds in this hauntingly beautiful underwater world--and above it--with unexpected twists and turns conspiring to test Robert and his seafaring compatriots. For Tucker, young love also evolves in this tropical paradise as first experiences unfold with nascent innocence. However, treachery is afoot when Dr. Parrish, the head of the national museum, along with the Bermuda government and others, seek to take over the important 1600's treasure-laden wreck site that Tumbridge has found. Spirited legal battles ensue, with additional international interests playing out their hands. Will love and justice prevail? An epic summer of adventure to remember.
Classic British Superheroes remade for a 21st Century audience by today’s top graphic novel stars! Classic British Superheroes remade for a 21st Century audience by today’s top graphic novel stars! Lost in the mists of time, home-grown British superheroes once entertained and enthralled millions of kids…Now, the likes of Adam Eterno, Blake Edmonds, Thunderbolt the Avenger, and The Leopard from Lime Street are back for a new generation of readers. This volume collects the trilogy of Vigilant stories written by Simon Furman (Transformers) and drawn by an all-star roster of artsists including Simon Coleby (Dark Souls), DaNi (Coffin Bound), Henrik Sahlstrom (Thirteenth Floor), Warwick Fraser-Combe, Staz Johnson (Spider-Man), Will Sliney (Spider-Man 2099), Jake Lynch (Judge Dredd)
How the problematic behavior of private citizens—and not just the police force itself—contributes to the perpetuation of police brutality and institutional racism “Warning: Neighborhood Watch Program in Force. If I don’t call the police, my neighbor will!” Signs like this can be found affixed to telephone poles on streets throughout the US, warning trespassers that the community is an active participant in its own policing efforts. Thijs Jeursen calls this phenomenon, in which individuals take on the responsibility of defending themselves and share with the police the duty to mitigate everyday insecurity, “vigilant citizenship.” Drawing on eleven months of fieldwork in Miami and sharing the stories and experiences of police officers, private security guards, neighborhood watch groups, civil society organizations, and a broad range of residents and activists, Jeursen uses the lens of vigilant citizenship to extend the analysis of police brutality beyond police encounters, focusing on the often blurred boundaries between policing actors and policed citizens and highlighting the many ways in which policing produces and perpetuates inequality and injustice. As a central premise in everyday policing, vigilant citizenship frames racist and violent policing as matters of personal blame and individual guilt, ultimately downplaying the realities of how systemically race operates in policing and US society more broadly. The Vigilant Citizen illustrates how a focus on individualized responsibility for security exacerbates and legitimizes existing inequalities, a situation that must be addressed to end institutionalized racism in politics and the justice system.
Huddleston explains why we fall for investment scams, how con artists play on the human tendencies we all share, and what we can do to protect ourselves from predators.
Ever since the exposure of the Kitten Killer of Hangshou captured the imagination of online communities world-wide, vigilantism and digilantism has come to the fore as an emerging and poignant issue. In their book Introducing Vigilant Audiences Daniel Trottier and colleagues (and contributors) have produced an excellent and throughtful ‘must read’ for all who are studying vigilantism, or just interested in it. Prof. David Wall, University of Leeds This is a collection of cutting edge and thoughtful case studies of global digital vigilantism that advances this emerging and increasingly important field in useful and intriguing ways. Prof. Michael Pfeifer, City University of New York This ground-breaking collection of essays examines the scope and consequences of digital vigilantism – a phenomenon emerging on a global scale, which sees digital audiences using social platforms to shape social and political life. Longstanding forms of moral scrutiny and justice seeking are disseminated through our contemporary media landscape, and researchers are increasingly recognising the significance of societal impacts effected by digital media. The authors engage with a range of cross-disciplinary perspectives in order to explore the actions of a vigilant digital audience – denunciation, shaming, doxing – and to consider the role of the press and other public figures in supporting or contesting these activities. In turn, the volume illuminates several tensions underlying these justice seeking activities – from their capacity to reproduce categorical forms of discrimination, to the diverse motivations of the wider audiences who participate in vigilant denunciations. This timely volume presents thoughtful case studies drawn both from high-profile Anglo-American contexts, and from developments in regions that have received less coverage in English-language scholarship. It is distinctive in its focus on the contested boundary between policing and entertainment, and on the various contexts in which the desire to seek retribution converges with the desire to consume entertainment. Introducing Vigilant Audiences will be of great value to researchers and students of sociology, politics, criminology, critical security studies, and media and communication. It will be of further interest to those who wish to understand recent cases of citizen-led justice seeking in their global context.
Once a spy . . . Granted asylum by the United States, former Russian naval intelligence officer Yuri Kirov wants nothing more than to live peacefully with his adopted American family. But first the underwater technology expert must pay a price . . . Yuri is drafted by the CIA. His mission: assist U.S. spies with uncovering the secret behind the People’s Republic of China’s new weapon system, codename SERPENT. The radical antisubmarine technology erases America’s advantage in underseas warfare. Amid the turmoil of escalating tension between China and Russia, Yuri’s team is inserted by a spy sub onto Hainan Island in the South China Sea. The mission spirals out of control, leaving Yuri trapped with a CIA officer and a beautiful, high-ranking Chinese engineer. With PRC forces closing in and war between superpowers about to break out, there is only one avenue of escape left. That route will pit Yuri against China’s full might and power . . . Praise for the The Good Spy “An explosive, high-stakes thriller that keeps you guessing.” —Leo J. Maloney “The excitement never stops . . . high adventure at its very best.” —Gayle Lynds “A page-turner with as much heart as brains.” —Dana Haynes “A fast-paced adventure that will take readers on a thrilling journey.” —Diana Chambers “Breathless entertainment.” —Tim Tigner
Uncovers a fundamental change that took place in Western thinking, especially its departure from the Sephardic philosophy found in the Iberian Peninsula during the 13th century.
"Signs and symbols rule the world, not words nor laws." - Confucius This timeless quote perfectly sums up the aims of Vigilant Citizen. To understand the world we live in, we must understand the symbols surrounding us. To understand these symbols, we must dig up their origin, which are often deeply hidden in occult mysteries. Vigilant Citizen aims to go beyond the face value of symbols found in pop culture to reveal their esoteric meaning
Winner of the 2012 Melville J. Herskovits award (African Studies Association) Throughout southwestern Nigeria, Yoruba men and women create objects called aale to protect their properties�farms, gardens, market goods, firewood�from the ravages of thieves. Aale are objects of such unassuming appearance that a non-Yoruba viewer might not register their important presence in the Yoruba visual landscape: a dried seedpod tied with palm fronds to the trunk of a fruit tree, a burnt corncob suspended on a wire, an old shoe tied with a rag to a worn-out broom and broken comb, a ripe red pepper pierced with a single broom straw and set atop a pile of eggs. Consequently, aale have rarely been discussed in print, and then only as peripheral elements in studies devoted to other issues. Yet aale are in no way peripheral to Yoruba culture or aesthetics. In Vigilant Things, David T. Doris argues that aale are keys to understanding how images function in Yoruba social and cultural life. The humble, often degraded objects that comprise aale reveal as eloquently as any canonical artwork the channels of power that underlie the surfaces of the visible. Aale are warnings, intended to trigger the work of conscience. Aale objects symbolically threaten suffering as the consequence of transgression�the suffering of disease, loss, barrenness, paralysis, accident, madness, fruitless labor, or death�and as such are often the useless residues of things that were once positively valued: empty snail shells, shards of pottery, fragments of rusted iron, and the like. If these objects share �suffering� and �uselessness� as constitutive elements, it is because they already have been made to suffer and become useless. Aale offer would-be thieves an opportunity to recognize themselves in advance of their actions and to avoid the thievery that would make the "useless" people.
He goes to work at the same shop every morning, serves the same people. He buys the same groceries every Tuesday, eats the same meals every day of the week. Life is nothing but routine. But when he sees someone abusing his favourite cashier at the grocery store, the woman he might just have a little bit of a crush on, something is awakened in him: the need to right that wrong, to deliver justice, one petty act at a time. He begins to fight back against rudeness and all manner of social injustice, committing himself to the cause of small-town vigilantism and becoming . . . a hero? But when the stakes get raised and the crimes get real . . . is he in over his head? Should he stop? And more importantly, can he? Or has it already gone too far down this rabbit hole, committed himself too fully to The Vigilant Principle and its disturbing but unavoidable conclusion? The Vigilant Principle is a darkly comic look at one man’s descent into the grey area of personal justice. It’s the story of an anti-hero, a rogue vigilante without much of a clue what he's doing, or who he's becoming.