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Mary Dalton's 2020 Pratt Lecture engages with the vernacular voice in Newfoundland poetry, illustrating the move from uncertainty to acceptance and welcoming of the beauty and variety of the language of Newfoundland. The Vernacular Strain in Newfoundland Poetry explores some of the tensions between the oral and the written in the poetry of Newfoundland, with particular emphasis on the struggle towards a confident incorporation of vernacular speech in the poetry of the island in the latter part of the twentieth century. As the word "strain" suggests, there were reservations and hesitancies about drawing on what is a hugely rich linguistic and sonic resource for poetry, one of many vitiating results of a colonial legacy. This Pratt Lecture celebrates the vitality of poetry which lets in Newfoundland idioms and cadences. Among the poets considered are Percy Janes, Tom Dawe, Al Pittman, David Glover, John Steffler and Harold Paddock, and the generation who followed them: Agnes Walsh, Gordon Rodgers, Carmelita McGrath, Michael Crummey, Robin McGrath. The PRATT LECTURES were established in 1968 to commemorate the legacy of E.J. Pratt. Over the years, the series has hosted a litany of world-renowned authors and scholars, including Northrop Frye, Seamus Heaney, Helen Vendler, and Dionne Brand.
The Canadian province of Newfoundland and Labrador is a mythologized place that resonates with tragic adventure, polar expeditions and Grand Banks fishing; a real and imagined geography with an incredible artistic output that calls for critical discussion. This book examines the diversity of this province’s literature and culture, taking into consideration the expertise of scholars and writers who have first-hand knowledge of its unique context. Chapters on history, travel, fiction, autobiography, poetry, theatre, storytelling, filmmaking, and the visual arts provide an up-to-date survey across a broad range of artistic endeavours, as well as close readings of selected texts. The questions that fill the pages of Pathways of Creativity in Contemporary Newfoundland and Labrador arise from the awareness its contributors have of historically shared experiences, but also of shared delusions, and their essays provoke contemplation beyond the labels local/global, Newfoundlander/Come-From-Away. Aboriginal histories and writing come to the foreground in this panoramic view that balances descriptions of mainstream, vernacular and Indigenous cultural productions. The final chapter is organized as a multi-voiced interview which serves as a supplement to the academic essays. Here, themes are revisited and personalized as several writers express their feelings about what it means to be a Newfoundlander and an artist. As such, this book will encourage dialogue about Newfoundland and Labrador’s literary and artistic achievements within the international community of readers and researchers.
A poetic exploration of place and belonging, a quest that takes the speaker across the ocean in search of identity and origin. The speaker in the poems that form Land of the Rock: Talamh an Carraig travels through Newfoundland and Ireland looking for meaning in words, places, and behaviour. Whether the subject is tourists on Fogo Island, conversations on Inis Oírr, flora and fauna of the Burren, or accents in Waterford, Nolan translates this sensory data into a narrative of someone seeking a sense of belonging in a lost ancestral culture. In Land of the Rock, the lost utopia of Gaelic Ireland, which is interwoven through Irish writing and consciousness, is reimagined and displaced across the Atlantic.
In his 2018 Pratt Lecture, The Quest for a 'National' Nationalism, renowned author and critic George Elliott Clarke investigates E.J. Pratt's poetic attempt to become the epic poet of Canada. And while Pratt's epic poems, such as Brebeuf and His Brethren and Towards the Last Spike, stand as lofty poetic achievements, the poet is never able to escape his own identity and speak convincingly for all Canadians. Unable to speak for Francophones, Indigenous peoples, and People of Colour, Pratt becomes the epic poet of the establishment, but never truly of the people. The PRATT LECTURES were established in 1968 to commemorate the legacy of E.J. Pratt. Over the years, the series has hosted a litany of world-renowned authors and scholars, including Northrop Frye, Seamus Heaney, Helen Vendler, and Dionne Brand.
WINNER OF THE HERITAGE TORONTO 2022 BOOK AWARD Rich and diverse narratives of Indigenous Toronto, past and present Beneath many major North American cities rests a deep foundation of Indigenous history that has been colonized, paved over, and, too often, silenced. Few of its current inhabitants know that Toronto has seen twelve thousand years of uninterrupted Indigenous presence and nationhood in this region, along with a vibrant culture and history that thrives to this day. With contributions by Indigenous Elders, scholars, journalists, artists, and historians, this unique anthology explores the poles of cultural continuity and settler colonialism that have come to define Toronto as a significant cultural hub and intersection that was also known as a Meeting Place long before European settlers arrived. "This book is a reflection of endurance and a helpful corrective to settler fantasies. It tells a more balanced account of our communities, then and now. It offers the space for us to reclaim our ancestors’ language and legacy, rewriting ourselves back into a landscape from which non Indigenous historians have worked hard to erase us. But we are there in the skyline and throughout the GTA, along the coast and in all directions." -- from the introduction by Hayden King
Why do we read? What do we cherish in a book? What is the nature of a masterpiece? What do Alice Munro, Albert Camus, and the great Polish experimentalist Witold Gombrowicz have in common? In the tradition of Nabokov, Calvino, and Kundera, Douglas Glover’s new essay collection fuses his long experience as an author with his love of philosophy and his passion for form. Call it a new kind of criticism or an operator’s manual for readers and writers, The Erotics of Restraint extends Glover’s long and deeply personal conversation with great books and their authors. With the same dazzling mix of emotion and idea that characterizes his fiction, he dissects narrative and shows us how and why it works, why we love it, and how that makes us human. Erudite and obsessively detailed, inventive, confessional, and cheeky, these essays offer a brilliant clarity, a respite in an age of doubt. They raise the bar.
In the tradition of Williams' Paterson, The Debt explores tensions between tradition and innovation, present and past, in St. John's, Newfoundland. An argument for community in an increasingly isolated age, The Debt takes stock of all the dues we owe: to nature, to our ancestors, to one another and ourselves.