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The asylum--at once a place of refuge, incarceration, and abuse--touched the lives of many Americans living between 1830 and 1950. What began as a few scattered institutions in the mid-eighteenth century grew to 579 public and private asylums by the 1940s. About one out of every 280 Americans was an inmate in an asylum at an annual cost to taxpayers of approximately $200 million. Using the writing of former asylum inmates, as well as other sources, Writing Mad Lives in the Age of the Asylum reveals a history of madness and the asylum that has remained hidden by a focus on doctors, diagnoses, and other interventions into mad people's lives. Although those details are present in this story, its focus is the hundreds of inmates who spoke out or published pamphlets, memorials, memoirs, and articles about their experiences. They recalled physical beatings and prolonged restraint and isolation. They described what it felt like to be gawked at like animals by visitors and the hardships they faced re-entering the community. Many inmates argued that asylums were more akin to prisons than medical facilities and testified before state legislatures and the US Congress, lobbying for reforms to what became popularly known as "lunacy laws." Michael Rembis demonstrates how their stories influenced popular, legal, and medical conceptualizations of madness and the asylum at a time when most Americans seemed to be groping toward a more modern understanding of the many different forms of "insanity." The result is a clearer sense of the role of mad people and their allies in shaping one of the largest state expenditures in the nineteenth and early twentieth centuries--and, at the same time, a recovery of the social and political agency of these vibrant and dynamic "mad writers."
Since its founding twenty years ago the Journal of Social History has made substantial contributions to altering the way American historians look at and interpret their subject. It has served as a central outlet for new and exciting scholarship in social history, particularly European and American history but also Asian and Latin American as well. Under the editorship of Peter N. Stearns, the journal has published innovative work by many major American historians. Expanding the Past commemorates and highlights the achievements of the journal by republishing a selection of the most excellent articles that have appeared in the journal and that especially illustrate key features and trends in social history. These important essays cover issues such as illiteracy, work and gender roles, the police, kleptomania, immigration, and domesticity. Topics such as the history of old age, the social history of women, and working class history are explored. The volume reveals how historians define and deal with the most recent phenomena such as disease symptoms, the integration of subject matter to conventional issues like politics, and an enlargement of the past to embrace new elements. This book is an introduction to looking at the characteristic topics, methods, and particular insights of social history. Collectively, the essays represent some of the most vigorous and important work in this dynamic field of American historical research. They serve as an ideal vehicle for those readers who wish to further their understanding of this distinct approach to the past.
Excerpt from The Vermont Asylum for the Insane: Its Annals for Fifty Years Second, the completion of a half-century of its chartered work warrants the compilation of its results, for the benefit of the specialty in its statistical elaborations and generalizations. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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