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The mid twenty first century saw Earth succumb to a phenomenon that can only be described as Venus fever. An amazing discovery on that far distant planet had had the effect of unleashing a frantic race to be the first to get to Venus, to be the very first in establishing the presence of intelligent beings on the planet's surface and to be the first to exploit the natural resources of the world many described as Earth's sister planet.
This book of essays looks at the multitude of texts and influences which converge in Ridley Scott's film Blade Runner, especially the film's relationship to its source novel, Philip K. Dick's Do Androids Dream of Electric Sheep? The film's implications as a thought experiment provide a starting point for important thinking about the moral issues implicit in a hypertechnological society. Yet its importance in the history of science fiction and science fiction film rests equally on it mythically and psychologically resonant creation of compelling characters and an exciting story within a credible science fiction setting. These essays consider political, moral and technological issues raised by the film, as well as literary, filmic, technical and aesthetic questions. Contributors discuss the film's psychological and mythic patterns, important political issues and the roots of the film in Paradise Lost, Frankenstein, detective fiction, and previous science fiction cinema.
Derin Kaplan was only six years old when her father was frozen, and a lot has changed in the world since then. The financial markets crashed with the interventions of a quantum computer built by her father, and biological weapons killed most of the global population. Derin and her mother survived and live in a female-only community in a high-tech building rising above the sea. The year is 2044 and, as a cryogenic engineer, Derin is working day and night to bring her father back to life. If he does come back, he will be three years younger than her, but what will that change? He’ll still be her father. She remembers his face from old videos, and she’s programmed her personal robot to speak with his voice. She misses him. Her mother is asking her to think this through more, but Derin is determined. She manages to freeze and thaw one of the hamsters she’s been experimenting with, but one is still dead. There must have been a difference somewhere in the process, but she can’t find it. She needs to ask Quantus, the community’s AI. No one else can help her. She won’t give up, even if bringing her father back means that two of the women who have applied for a baby this year will be turned down due to the community’s restrictions on population growth. The system is very different from the approaches of the past; unanimity is required in voting, not just a majority. She must prepare a speech and convince the other women to vote in favor of bringing her father back. However, when her own life and the fate of the whole community are threatened by artificial intelligence, Derin begins to question everything she thought she knew. Her questions will lead her into outer space in pursuit of a mysterious object that appears and disappears in the sky, and the answers that she finds will show her how humanity came to be on Earth and how they should live from this point forward. Derin’s story is interspersed with those of several other interconnected characters, with action taking place both before and after the crises that bring about the collapse of the old-world order.
The mid twenty first century saw Earth succumb to a phenomenon that can only be described as Venus fever. An amazing discovery on that far distant planet had had the effect of unleashing a frantic race to be the first to get to Venus, to be the very first in establishing the presence of intelligent beings on the planets surface and to be the first to exploit the natural resources of the world many described as Earths sister planet.
A novel of extraordinary power from a writer to watch. In a small flat in London, a young man is turning to gold. But before he dies, before his skin and eyes and tongue harden into a golden death mask, he wants to share the amazing story of his life. Born and raised on the barren Orkney Islands off the coast of Scotland, his childhood is a brutal one, devoid of tenderness. It is a miracle when he meets Tracy, falls in love, and discovers his true gift: the merest touch of him is enough to induce visions of angels and orchids. The physical heights he is able to reach-and to which he can bring others-go far beyond any normal sensual pleasure. Armed with this inexplicable talent, he makes his way to London, where he falls in with a group of teens forced to make a living on the street. Luke Sutherland's modern-day myth about the power of love veers from stratosphere to gutter, from visions of heaven to the all-too-mortal yearning for even one glimpse of it. With Venus as a Boy Sutherland has written a moving, poetic novel that manages to imbue the harsh realities of life on the street with a mesmerizing and ethereal beauty.
Leo Tolstoy meets robots in this “creepy, thrilling, and highly enjoyable” sci-fi mashup of the classic Russian novel Anna Karenina (Library Journal). “ . . . lives up to its promise to make Tolstoy ‘awesomer.’”—The Onion AV Club It’s been called the greatest novel ever written. Now, Tolstoy’s timeless saga of love and betrayal is transported to an awesomer version of 19th-century Russia. It is a world humming with high-powered groznium engines: where debutantes dance the 3D waltz in midair, mechanical wolves charge into battle alongside brave young soldiers, and robots—miraculous, beloved robots!—are the faithful companions of everyone who’s anyone. Restless to forge her own destiny in this fantastic modern life, the bold noblewoman Anna and her enigmatic Android Karenina abandon a loveless marriage to seize passion with the daring, handsome Count Vronsky. But when their scandalous affair gets mixed up with dangerous futuristic villainy, the ensuing chaos threatens to rip apart their lives, their families, and—just maybe—all of planet Earth.
By 2021, the Terminus War had driven mankind off-planet and entire species into extinction. Now only the rich can afford living creatures; others may buy amazingly realistic simulacrae: horses, cats, sheep ... Even humans. These artificial people are so advanced it's impossible to tell them from true men and women--except for their lack of empathy. Without empathy, androids can--and do--kill their owners and blend into society, so they're illegal on Earth. It's Rick Deckard's job to find these rogues and "retire" them. But "andys" tend to fight back--with deadly results.