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The Nebula Award–winning author’s “masterful SF trilogy” is a multigenerational epic of human colonists terraforming the second planet from the sun (Publishers Weekly). Often compared to Kim Stanley Robinson’s acclaimed Mars trilogy, the three novels gathered here comprise the complete Venus saga by the author of The Shore of Women, “one of the genre’s best writers” (The Washington Post). The Venus Project—making the planet’s atmosphere habitable for humans—spans centuries and determines the fates of multiple generations. Venus of Dreams: Iris Angharads, a determined, independent woman, sets herself one massive goal: to make the poison-filled atmosphere of Venus hospitable to humans. She works day and night to realize her dream, with only one person sharing her passion, Liang Chen. It seems impossible to make Venus, with its intolerable air and waterless environment, into a paradise, but Iris succeeds. And in doing so, she also creates a powerful dynasty, beginning with her first born, Benzi Liangharad. Venus of Shadows: The Venus Project calls upon the strongest and most courageous to create a prosperous world in the dismal wilderness of Venus. Those who demonstrate the skill and passion to embark on this adventure must transform the barren planet in the midst of political and cultural unrest. When Risa and Benzi, children of Iris, find themselves in opposing forces on the battlefield, it is their love and perseverance that will determine the destiny of the new world. Child of Venus: Mahala Liangharad, a true child of Venus, conceived from the genetic material of the rebels and brought to birth only after their deaths, is seen as a beacon of hope in a colony still ravaged by the aftereffects of civil war. But her world is being torn apart by a drive for independence from Earth by the Venus colonists and rumors of a secret plan developed by the “Habbers,” cybernetically enhanced human dwellers of a mobile asteroid. A mysterious call from deep space offers Mahala a chance to fulfill her own destiny, along with the terrifying possibility of losing touch with everything she has ever known and loved.
The first adventure in the Nebula Award–winning author’s “masterful SF trilogy” about the attempted colonization and terraforming of the planet Venus (Publishers Weekly). Iris Angharads, a determined, independent woman, sets herself one massive goal: to make the poison‐filled atmosphere of Venus hospitable to humans. She works day and night to realize her dream, with only one person sharing her passion, Liang Chen. It seems impossible to make Venus, with its intolerable air and waterless environment, into a paradise, but Iris succeeds. And in doing so, she also creates a powerful dynasty, beginning with her first born, Benzi Liangharad.
This National Book Award-winning debut poetry collection is a "powerfully evocative" (The New York Review of Books) meditation on the black female figure through time. Robin Coste Lewis's electrifying collection is a triptych that begins and ends with lyric poems meditating on the roles desire and race play in the construction of the self. In the center of the collection is the title poem, "Voyage of the Sable Venus," an amazing narrative made up entirely of titles of artworks from ancient times to the present—titles that feature or in some way comment on the black female figure in Western art. Bracketed by Lewis's own autobiographical poems, "Voyage" is a tender and shocking meditation on the fragmentary mysteries of stereotype, juxtaposing our names for things with what we actually see and know. A new understanding of biography and the self, this collection questions just where, historically, do ideas about the black female figure truly begin—five hundred years ago, five thousand, or even longer? And what role did art play in this ancient, often heinous story? Here we meet a poet who adores her culture and the beauty to be found within it. Yet she is also a cultural critic alert to the nuances of race and desire—how they define us all, including her own sometimes painful history. Lewis's book is a thrilling aesthetic anthem to the complexity of race—a full embrace of its pleasure and horror, in equal parts.
Sixteen all-new stories by science fiction’s top talents, collected by bestselling author George R. R. Martin and multiple-award-winning editor Gardner Dozois From pulp adventures such as Edgar Rice Burroughs’s Carson of Venus to classic short stories such as Ray Bradbury’s “The Long Rain” to visionary novels such as C. S. Lewis’s Perelandra, the planet Venus has loomed almost as large in the imaginations of science fiction writers as Earth’s next-nearest neighbor, Mars. But while the Red Planet conjured up in Golden Age science fiction stories was a place of vast deserts and ruined cities, bright blue Venus was its polar opposite: a steamy, swampy jungle world with strange creatures lurking amidst the dripping vegetation. Alas, just as the last century’s space probes exploded our dreams of Mars, so, too, did they shatter our romantic visions of Venus, revealing, instead of a lush paradise, a hellish world inimical to all life. But don’t despair! This new anthology of sixteen original stories by some of science fiction’s best writers—edited by #1 New York Times bestselling author George R. R. Martin and award-winning editor Gardner Dozois—turns back the clock to that more innocent time, before the hard-won knowledge of science vanquished the infinite possibilities of the imagination. Join our cast of award-winning contributors—including Elizabeth Bear, David Brin, Joe Haldeman, Gwyneth Jones, Mike Resnick, Eleanor Arnason, Allen M. Steele, and more—as we travel back in time to a planet that never was but should have been: a young, rain-drenched world of fabulous monsters and seductive mysteries. FEATURING ALL-NEW STORIES BY Eleanor Arnason • Elizabeth Bear • David Brin • Tobias S. Buckell • Michael Cassutt • Joe Haldeman • Matthew Hughes • Gwyneth Jones • Joe R. Lansdale • Stephen Leigh • Paul McAuley • Ian McDonald • Garth Nix • Mike Resnick • Allen M. Steele • Lavie Tidhar And an Introduction by Gardner Dozois
The Nebula Award–winning author’s “masterful SF trilogy” of human colonists terraforming the second planet from the sun comes to a stunning conclusion (Publishers Weekly). Often compared to Kim Stanley Robinson’s acclaimed Mars trilogy, the three novels in the Venus saga—Venus of Dreams, Venus of Shadows, and Child of Venus—further establish the Nebula and Locus Award–winning author of The Shore of Women as “one of the genre’s best writers” (The Washington Post). The Venus Project—making the planet’s atmosphere habitable for humans—spans centuries and determines the fate of multiple generations. The great task has already survived the ravages of civil war and continues unabated, overseen by two distinct rival factions: the “Cytherian” human colonists in enclosed settlements on the planet’s surface and the “Habbers,” cybernetically enhanced human dwellers living in a mobile asteroid orbiting above the planet. Mahala Liangharad is a true child of Venus, conceived from the genetic material of rebels who died long before her birth. Chained to the Project her forebears began centuries earlier, she is restless and dissatisfied with the prospect of spending her entire existence inside a sealed dome. But her life is changed forever when the Habbers receive alien radio signals from six hundred light years away. With all work on Venus abruptly halted, Mahala now faces the most momentous decision of her young life. She can remain behind on the unfinished planet, or leave everything she’s ever known and loved to pursue her destiny—and humankind’s—to the far reaches of the universe . . .
Simon Wagstaff narrowly escapes the Deluge that destroys Earth when he happens upon an abandoned spaceship. A man without a planet, he gains immortality from an elixir drunk during an interlude with a cat-like alien queen. Now Simon must chart a 3,000-year course to the most distant corners of the multiverse, to seek out the answers to the questions no one can seem to answer.
Published in chronological order, with extensive story and bibliographic notes, this series not only provides access to stories that have been out of print for years, but gives them a historical and social context. Series editors Scott Conners and Ronald S. Hilger excavated the still-existing manuscripts, letters and various published versions of the stories, creating a definitive “preferred text” for Smith's entire body of work. This first volume of the series, brings together 25 of his fantasy stories, written between 1925 and 1930, including such classics as "The Abominations of Yondo," "The Monster of the Prophecy," "The Last Incantation" and the title story.
Based on two international conferences held at Cornell University and the Freie Universität of Berlin in 2010 and 2015, this volume is the first ever to explicitly address the destruction of plaster cast collections of ancient Mediterranean and Western sculpture. Focusing on Europe, the Americas, and Japan, art historians, archaeologists and a literary scholar discuss how different museum and academic traditions – national as well as disciplinary –, notions of value and authenticity, or colonialism impacted the fate of collections. The texts offer detailed documentation of degrees of destruction by spectacular acts of defacement, demolition, discarding, or neglect. They also shed light on the accompanying discourses regarding aesthetic ideals, political ideologies, educational and scholarly practices, or race. With destruction being understood as a critical part of reception, the histories of cast collections defy the traditional, homogenous narrative of rise and decline. Their diverse histories provide critical evidence for rethinking the use and display of plaster cast collections in the contemporary moment.