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This relates Clarke to the Irish Literary Revival and the cultural contexts of his time while tracing that "fine generosity, lavish colour and concrete imagery." Contents: Portrait; Introduction; (i) Austin Clarke (1896-1974), (ii) Contexts, (iii) Catholicism, (iv) The Irish Literary Revival, (v) The Gaelic League, (vi) The Worlds of Austin Clarke, (vii) A New Generation; Part I. Remembering Our Innocence; 1 Short Poems 1916-1925, 2 Epic Narratives 1916-1925, 3 Pilgrimage (1929), 4 Night and Morning (1938), 5 Three Prose Romances, 6 Plays, 7 Conclusion; Part II. Nothing Left to Sing?; 8 Poems and Satires 1955-1962: (i) Short Peoms, (ii) Long Autobiographical Poems; 9 Flight to Africa (1963), 10 Mnemosyne Lay In Dust (1966), 11 Last Poems 1967-1974, 12 Conclusion; Notes; Bibliography; Index^R
Fionn Mór was once a high king of Ireland; a fierce warrior who led his tribes against the invading fae. It was a war he couldn't win and to save his family he turned consort for the Fae Queen. Fionn escaped as the thing he once despised, and the people he loved betrayed him for it. Now, centuries later, it's time to reopen the gates to Faerie to take his revenge against the Faerie Queen. At sixteen Rose Kelly discovered family secrets that changed her forever. Years after, she's still lost, traveling across Europe in search of that elusive missing 'something'. When she's attacked by a vampire, not only is she wrenched into a supernatural underworld she never knew existed, a knock on the head releases a spell on her mind and unlocks powers beyond her wildest imaginings. And with them more questions. Questions Fionn Mór claims to have answers to. Following the powerful and enigmatic Fionn to Ireland, Rose quickly realizes she's a pawn in his plan for vengeance. What begins as a passionate battle of wills leads to an inexplicable but undeniable connection. One that will force them to face an impossible choice between the deepest love... and the darkest revenge.
From the best-known authors on witchcraft, a three-part reference for discovering and celebrating the Masculine Principle of Divinity. A companion to the Farrars’ The Witches’ Goddess, this volume documents the ancient balance between God and Goddess. In part one, they explore the numerous faces of God throughout history: the Anti-God, the Son/Lover God, the Vegetation God, the War God, and more. In part two, they examine twelve gods from history and feature an invoking ritual for each god. Finally, part three offers a comprehensive dictionary with over 1,000 gods from cultures all over the world and throughout time. With over 30,000 copies sold, this title is likely to become the standard work on the masculine god aspect. The Witches’ God is part of The Paranormal, a series that resurrects rare titles, classic publications, and out-of-print texts, as well as publishes new supernatural and otherworldly ebooks for the digital age. The series includes a range of paranormal subjects from angels, fairies, and UFOs to near-death experiences, vampires, ghosts, and witchcraft.