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'[Edward] FitzGerald (1809-1883) won a small piece of immortality with his translation-adaptation of The Rubaiyat of Omar Khayyam... but in every other way he seems to have successfully avoided fulfilment. A godless Epicurean, he lived in permanent virginity, never pressing his homosexual desires beyond a number of sentimental crushes... The son of a fabulously rich heiress, he rarely travelled... Though he had many friends he also had a perverse penchant for alienating them... [Robert Bernard] Martin argues that FitzGerald's greatest achievement, outside the Rubaiyat, is his letters, which certainly have grace and a wistful charm.' Kirkus Review 'There is [] something sad about the life of this loving and never quite satisfied man... Mr. Martin's biography is splendid reading, and it is a real credit to it that he makes us feel the sadness.' New York Times
In light of the great importance Iranians themselves attach to their imaginative Persian literature and in light of the underutilization of literary figures, works, and evidence in existing studies of Iranian culture, this work focuses on leading authors and classic literary works in attempting to discern enduring cultural features and values. It is a Persianist account of the pivotal features of Iranian culture through the eyes of six Persian literary figures, three from the pre-modern and three from the modern literary history of Iran. The work examines the literary dimensions of the Persian culture as well as the political, social and religious significance of the dimensions within the culture. The author reveals the ancient Persian tradition of the struggle between two opposing forces and the way in which it relates to the present political turmoil in that country.
Writing at the time of political and social crisis in Athens, Aristophanes was an eloquent yet bawdy challenger to the demagogue and the sophist. The Achanians is a plea for peace set against the background of the long war with Sparta.
At first glance few literary lineages might seem less likely than one connecting the foremost experimental poet of the 20th century to Victorian poet/translator Edward FitzGerald's Rubaiyat of Omar Khayyam. But the controversy surrounding the life and work of FitzGerald was approaching its peak around the time a young and intellectually fervid Thomas Stearns Eliot first found the Rubaiyat lying about, and his exposure to it resulted in a profound inward change. Years later Eliot observed in his Norton lectures that the effect of his first reading of the work was like a sudden conversion - the world appeared anew, painted with bright, delicious and painful colours. Eliot Possessed reminds us of this important lineage.
First published in 1851, this delightful novella - whimsical, kind, and filled with the bonds of custom, tradition, and loving friendship - invites readers to join collegiate friends enjoying an impromptu outing on a bright May day in Cambridge, England. Filled with droll wit, youthful wisdom, and above all, unbridled joy, the companions, while imbibing fine ale at an inn, heartily discuss many subjects, including Life, Love, Chivalry, Parenting, and the enduring values of a University Education. There is also am excellent Appendix which contains some of Goethe's most illuminating ideas.