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Study compelling photographs that will testify not only to Richard Diran's skill as an artist, but to his persistence in the face of the tribes' suspicion and fear of foreigners. At times, his undertaking was outright dangerous due to constant guerrilla activity, but the results are breathtaking, showcasing colorful and elaborate costumes and jewelry, rare instruments, and, above all, unforgettable faces, rich in expressiveness and beauty. "...spectacular photographs..."--Fiber Arts.
Autobiographical account of a Lepcha social activist about the sociocultural conditions of the Lepcha people.
A lost city. A missing tribe. And treasure beyond imagining… When archaeologist Annja Creed attends an auction in Botswana featuring personal effects of an infamous explorer, she purchases a small and seemingly unremarkable piece of art. It's not until the explorer's son makes a desperate attempt to steal it that Annja uncovers the secret of the painting…or rather, the secret map behind the painting. The map points to the Lost City of the San tribe, bushmen who had long ago disappeared off the face of the planet and whose city—so legend has it—was once littered with diamonds. But is the map an epic archaeological discovery or a fantastic work of fiction? Compelled to find out, Annja must face not only the perils of the African bush, but a treacherous son determined to take back his father's greatest legacy…no matter what the cost.
As a designer I am always asked where my inspiration comes from. This is just a glimpse. Open this book, travel the world, and be inspired.
Reproduction of the original: The Vanishing Race by Joseph K. Dixon
"I have been painted and painted others with the deep blood-red earth paint, which is the symbol of life. We call this paint ma etom, which is a derivative of the word for blood, ma e. Ma e, blood, is essential for life." Dr. Henrietta Mann, from the foreword A person's blood quantum is defined as the percentage of their ancestors who are documented as full-blood Native Americans. The U.S. federal government uses a blood quantum minimum as a measure of "Indian" identity to manage tribal enrollments and access to cultural and social services. Evidence suggests that if current demographic trends continue, within a few generations tribes will legally disappear. The forces of modern intermarriage and urbanization are resulting in fewer individuals who can legally meet blood quantum requirements. Through essays, personal stories, case studies, satire, and poetry, a lauded collection of international contributors will explore blood quantum as biology and as cultural metaphor. They will explain the history of the law and how it may result in the devastation of tribal culture and the perpetuation of tribal discrimination in the U.S. and beyond. Featuring diverse and talented Native voices representing different generations, backgrounds and literary styles, Blood Quantum Quandaries: Who Are We? seeks answers to the most critical issue facing Native Americans and all indigenous populations in the 21st century and hopes to redefine the meaning of cultural citizenship. "
The early twentieth-century roots of modern American Indian protest and activism are examined in We Are Not a Vanishing People. It tells the history of Native intellectuals and activists joining together to establish the Society of American Indians, a group of Indigenous men and women united in the struggle for Indian self-determination.
- The first time such intensive research and documentation on Konyak tattoo art has been undertaken - An overall view of the Konyak people, their society, way of life and the culture in detail The Konyaks - a once fearsome headhunting tribe in Nagaland on the border of Myanmar in northeast India - are well known for their iconic body and facial tattoos, originally earned for taking an enemy's head. This book - over four years in the making - is the personal journey of a Konyak woman who retraces the steps of her grandfather and great-grandfather by documenting her tribe's tattooing practices. She explores the Konyak's concept of beautification of the body using it as a canvas for art, with inscriptions marked on the skin as a form of rite of passage and cycle of life. With elegant and powerful portraits of elders, both men and women, this book preserves the unique but vanishing practices of the culture, together with tattoo patterns, their meanings, and the oral traditions attached to them in folktales, songs, poems and sayings. It includes descriptions and information on headhunting and tattooing practices; reasons behind them; techniques used; tattoo artists; different tattoo groups; types of tattoos; and personal stories. Contents: The Konyaks; Headhunting; Traditional Tattooing Art; Tattoo Artist; Face Tattoo Group SHEN-TU; Body Tattoo Group TANGTA-TU; Nose Tattoo Group KONG-TU; The Last of the Tattooed Headhunters; Glossary.
At a time when global change has eradicated thousands of unique cultures, The Last Whalers tells the inside story of the Lamalerans, an ancient tribe of 1,500 hunter-gatherers who live on a remote Indonesian volcanic island. They have survived for centuries by taking whales with bamboo harpoons, but now are being pushed toward collapse by the encroachment of the modern world. Journalist Doug Bock Clark, who lived with the Lamalerans across three years, weaves together their stories. Clark details how the fragile dreams of one of the world's dwindling indigenous peoples are colliding with the upheavals of our rapidly transforming world, and delivers a group of unforgettable families.