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A striking new coloring book depicting the richness of the last days of the Romanovs, allowing users to experience splendor, majesty, and mystery of lost Russia. Drawing from decades of work, travel, and research in Russia, Robert Alexander has created a stunning coloring book with every detail rooted in the rich, colorful history that was the glory of Imperial Russia. Depicting the grand world of Nicholas and Alexandra Romanov—from their imperial palaces, costume balls and gowns, to jewels and Faberge objets d’art, and the magical meadows and forests of their empire—Vanished Splendor is a treat for the eyes and a delight for history buffs. Infused with Robert Alexander’s deep knowledge and love of Russian culture and art and detailed by Christopher Bohnet’s intricate skills, the coloring book captures in soul and spirit the fascinating era of the Romanovs, where nothing was done until it was overdone. It is a coloring book like no other—and all it takes to bring that magical time to life is the stroke of a colored pencil.
Within the Enchanted Walls of the Hotel Splendor Lies the Truth That Juliette is Desperate to Find When Juliette’s sister, Clare, returns from her birthday week at the magical hotel upon a hill, she comes back changed. All at once, it seems Clare’s love for Juliette has vanished. Or perhaps it was stolen. Deeply unsettled, Juliette uses the last of her savings to book a stay at the Splendor and unravel its mysteries. Run by the talented young illusionist, Henri, the halls are full of magnificent delights and alluring distractions. Every wonder seemsto twist Juliette’s attention away from the answers lurking just beneath the surface. Even as Henri reveals the truths behind his illusions, Juliette is uncertain whom she can trust in this palace of lies. The Splendor promised Juliette her dreams, but the longer she stays, the more it feels like a nightmare.
Rasputin's is one of the most famous deaths in history. Now, his assassin's thrilling memoir is finally back in print. Born to great riches in the days before the Russian Revolution, and married to the niece of Czar Nicholas II, Prince Felix Youssoupoff observed at close range the rampant corruption and intrigues of the imperial court, which culminated in the rise to power of the sinister monk Rasputin. In 1916, Prince Felix and several aristocratic cohorts killed Rasputin, which more than any other single event brought about the cataclysmic upheaval of Tsarist Russia.
"A Season of Splendor takes you on a spectacular journey through this Gilded Age, the period from roughly the 1870s to 1914, when old-money bluebloods and patricians confronted the nouveau riche - railway barons, steel magnates, and Wall Street speculators - and forged an uneasy and dazzling new social order in New York City. Together, their extreme wealth, elaborate parties, marble mansions, shocking excesses, and delicious scandals transformed the social, architectural, and sartorial landscape."--BOOK JACKET.
Features the court of Britain's longest-reigning monarch Royalty and the Victorian era, with coverage of the people, pageantry, and power of Queen Victoria's court. Beginning with the Queen's 1897 Diamond Jubilee, this book describes her long reign. It paints a portrait of a unique ruler at the height of empire.
In his early twenties, John Blofeld spent what he describes as "three exquisitely happy years" in Peking during the era of the last emperor, when the breathtaking greatness of China's ancient traditions was still everywhere evident. Arriving in 1934, he found a city imbued with the atmosphere of the recent imperial past and haunted by the powerful spirit of the late Dowager Empress Tzu Hsi. He entered a world of magnificent palaces and temples of the Forbidden City, of lotus-covered lakes and lush pleasure-gardens, of bustling bazaars and peaceful bathhouses, and of "flower houses" with their beautiful young courtesans versed in the arts of pleasing men. With a novelists' command of detail and dialogue, Blofeld vividly re-creates the magic of these years and conveys to the reader his appreciation and nostalgia for a way of life long vanished.
Every year, nearly one hundred thousand Japanese vanish without a trace. Known as the johatsu, or the “evaporated,” they are often driven by shame and hopelessness, leaving behind lost jobs, disappointed families, and mounting debts. In The Vanished, journalist Léna Mauger and photographer Stéphane Remael uncover the human faces behind the phenomenon through reportage, photographs, and interviews with those who left, those who stayed behind, and those who help orchestrate the disappearances. Their quest to learn the stories of the johatsu weaves its way through: A Tokyo neighborhood so notorious for its petty criminal activities that it was literally erased from the maps Reprogramming camps for subpar bureaucrats and businessmen to become “better” employees The charmless citadel of Toyota City, with its iron grip on its employees The “suicide” cliffs of Tojinbo, patrolled by a man fighting to save the desperate The desolation of Fukushima in the aftermath of the tsunami And yet, as exotic and foreign as their stories might appear to an outsider’s eyes, the human experience shared by the interviewees remains powerfully universal.
In the summer of 1978, Musa al Sadr, the spiritual leader of the Muslim Shia sect in Lebanon, disappeared mysteriously while on a visit to Libya. As in the Shia myth of the "Hidden Imam," this modern-day Imam left his followers upholding his legacy and awaiting his return. Considered an outsider when he had arrived in Lebanon in 1959 from his native Iran, he gradually assumed the role of charismatic mullah, and was instrumental in transforming the Shia, a quiescent and downtrodden Islamic minority, into committed political activists. What sort of person was Musa al Sadr? What beliefs in the Shia doctrine did his life embody? Where did he fit into the tangle of Lebanon's warring factions? What was behind his disappearance? In this fascinating and compelling narrative, Fouad Ajami resurrects the Shia's neglected history, both distant and recent, and interweaves the life and work of Musa al Sadr with the larger strands of the Shia past.