Download Free The Use Of Scripture In The Markan Passion Narrative Book in PDF and EPUB Free Download. You can read online The Use Of Scripture In The Markan Passion Narrative and write the review.

The Library of New Testament Studies (LNTS) is a premier book series that offers cutting-edge work for a readership of scholars, teachers in the field of New Testament studies, postgraduate students and advanced undergraduates. All the many and diverse aspects of New Testament study are represented and promoted, including innovative work from historical perspectives, studies using social-scientific and literary theory, and developing theological, cultural and contextual approaches Kelli S. O'Brien examines the use of scripture in the Markan passion narrative. O'Brien begins by laying firm methodological foundations, providing an incisive definition of the term allusion and the criteria by which the presence of allusions may be established. She then tests the plethora of allusions that previous scholars have discerned within Mark 14-15, arguing that only sixteen references have sufficient support to be considered as allusions out of approximately 270 references suggested. O'Brien then moves to assess the interpretive impact of the most likely allusions on the Markan passion narrative. Some allusions make bold statements with regard to Christology, including Jesus' ultimate vindication and exaltation. Many, however, have little Christological content and function as literary devices to interpret the narrative. Allusions illuminate the significance of events, from the flight of the disciples to the offer of vinegary wine. The presence of allusions provides a window to the evangelist's understanding of Jesus' death in eschatological and redemptive terms. As such this study is of immense importance in furthering comprehension of the Second Gospel's interpretation of the passion.
The earliest of the four Gospels, the book portrays Jesus as an enigmatic figure, struggling with enemies, his inner and external demons, and with his devoted but disconcerted disciples. Unlike other gospels, his parables are obscure, to be explained secretly to his followers. With an introduction by Nick Cave
Scholars of early Christian literature acknowledge that oral traditions lie behind the New Testament gospels. While the concept of orality is widely accepted, it has not resulted in a corresponding effort to understand the reception of the gospels within their oral milieu. In this book, Kelly Iverson reconsiders the experiential context in which early Christian literature was received and interpreted. He argues that reading and performance are distinguishable media events, and, significantly, that they produce distinctive interpretive experiences for readers and audiences alike. Iverson marshals an array of methodological perspectives demonstrating how performance generates a unique experiential context that shapes and informs the interpretive process. Iverson's study explores the dynamic oral environment in which ancient audiences experienced the gospel stories. He shows why an understanding of oral performance has important implications for the study of the NT, as well as for several issues that are largely unquestioned by biblical scholars.
Nathanael Vette proposes that the Gospel of Mark, like other narrative works in the Second Temple period, uses the Jewish scriptures as a model to compose episodes and tell a new story. Vette compares Mark's use of scripture with roughly contemporary works like Pseudo-Philo, the Genesis Apocryphon, 1 Maccabees, Judith, and the Testament of Abraham; diverse texts which, combined, support the existence of shared compositional techniques. This volume identifies five scripturalized narratives in the Gospel: Jesus' forty-day sojourn in the wilderness and call of the disciples; the feeding of the multitudes; the execution of John the Baptist; and the Crucifixion of Jesus. This fresh understanding of how the Jewish scriptures were used to compose new narratives across diverse genres in the Second Temple period holds important lessons for how scholars read the Gospel of Mark. Instead of treating scriptural allusions and echoes as keys which unlock the hidden meaning of the Gospel, Vette argues that Mark often uses the Jewish scriptures simply for their ability to tell a story.
Gripping stories, whether modern or ancient, always include heroes and villains. The Synoptic Gospels, chock full of villains (religious leaders and others) in pursuit of an emerging hero (Jesus), are no different. Drawing first-century Jews into their familiar past and beckoning modern readers to join in its appreciation, these writers employ a literary tactic that intensifies this conflict; they depict these characters as Old Testament heroes and villains. To enter this fascinating, intertextual character portrayal, this book, in building on eighty years of lament studies, advances our understanding of the Synoptists's literary and rhetorical use of the Psalmic Lament in relation to other Old Testament motifs to characterize Jesus and his opponents. Other contributions made along the way, including insights into the Synoptists's literary appropriation of Isaiah's Servant, are all geared toward helping us better understand how Matthew, Mark, and Luke characterize their hero and villains.
How do Israel’s Scriptures inform the account of Jesus’s cruciform death in the Gospel of John? What does it mean for John’s portrayal of Jesus’s death to be “according to the Scriptures”? The Use of the Jewish Scriptures in the Johannine Passion Narrative: That the Scripture May Be Perfected argues that they are the focal element of the Johannine portrayal, and without them, John’s Passion Narrative simply makes no sense. Whether through the evangelist’s appeal to the fulfilment of Scripture (with such fulfilment accompanying the very moment of Jesus’s death) or whether through allusions to the narratives of Creation or Passover, Israel’s Scriptures provide the Passion Narrative’s veritable heartbeat. This book also considers the impact of John’s scriptural usage on the very concept of Scripture itself, contending that Scripture is brought to perfection by Jesus’s actions and to a new standing or status in this regard. David M. Allen examines how the use of Scripture in the Passion account impacts the Fourth Gospel’s own self-understanding, arguing that its capacity to pronounce on Scripture’s fulfilment attests to the Gospel’s own self-avowed, scriptural credentials.
In Scripting Jesus, Michael White, famed scholar of early Christian history, reveals how the gospel stories of Jesus were never meant to be straightforward historical accounts, but rather were scripted and honed as performance pieces for four different audiences with four different theological agendas. As he did as a featured presenter in two award-winning PBS Frontline documentaries (“From Jesus to Christ” and “Apocalypse!”), White engagingly explains the significance of some lesser-known aspects of The New Testament; in this case, the development of the stories of Jesus—including how the gospel writers differed from one another on facts, points of view, and goals. Readers of Elaine Pagels, Marcus Borg, John Dominic Crossan, and Bart Ehrman will find much to ponder in Scripting Jesus.
Scholarship on the Gospel of Mark has long been convinced of the paradoxical description of two of its primary themes, christology and discipleship. This book argues that paradoxical language pervades the entire narrative, and that it serves a theological purpose in describing God's activity. Part One focuses on divine action present in Mark 4:10-12. In the first paradox, Mark portrays God's revelatory acts as consistently accompanied by concealment. The second paradox is shown in the various ways in which divine action confirms, yet counters, scripture. Finally, Mark describes God's actions in ways that indicate both wastefulness and goodness; deeds that are further illuminated by the ongoing, yet defeated, presence of evil. Part Two demonstrates that this paradoxical language is widely attested across Mark's passion narrative, as he continues to depict God's activity with the use of the three paradoxes observed in Mark 4. Through paradoxical narrative, Mark emphasizes God's transcendence and presence, showing that even though Jesus has brought revelation, a complete understanding of God remains tantalizingly out of their grasp until the eschaton (4:22).
Ahearne-Kroll examines the literary interaction between Mark's passion narrative and four Psalms of Individual Lament.