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History of The Urhobo People of Niger Delta is the most comprehensive compilation and study of various aspects of the history of the Urhobo people of Nigeria's Niger Delta. It begins with an examination of the prehistory of the region, with particular focus on the Urhobo and their close ethnic neighbour, the Isoko. The book then embarks on a close assessment of the advent of British imperialism in the Western Niger Delta. History of The Urhobo People of Niger Delta also probes the arrival and impact of Western Christian missions in Urhoboland. Urhobo history is notable for the sharp challenges that the Urhobo people have faced at various points of their di?cult existence in the rainforest and deltaic geographical formation of Western Niger Delta. Their history of migrations and their segmentation into twenty-two cultural units were, in large part, e?orts aimed at overcoming these challenges. History of The Urhobo People of Niger Delta includes an evaluation of modern responses to challenges that confront the Urhobo people, following the onrush of a new era of European colonization and introduction of a new Christian religion into their culture. The formation of Urhobo Progress Union and of its educational arm of Urhobo College is presented as the Urhobo response to modern challenges facing their existence in Western Niger Delta and Nigeria. History of The Urhobo People of Niger Delta extends its purview to various other fragments of the Urhobo historical and cultural experience in modern times. These include the di?culties that have arisen from petroleum oil exploration in the Niger Delta in post-colonial Nigeria.
Poetry, Performance, and Art is the first transcribed and translated collection and study of the udje poetry of Nigeria's Urhobo people. Udje is an integrative performance of song and dance by specially costumed performers at annual festivals. Udje dance songs were used to establish and maintain social norms. In addition to being an important compilation and study of African indigenous poetry, this book profiles three of the greatest udje poets and performers. Ojaide also explores the history of udje, including its development and the modern factors threatening its survival. Poetry, Performance, and Art will be of great interest not only to students and scholars of African oral traditions, African literature, and African studies, but also to poets in general and scholars of comparative anthropology, cultural studies, folklore, literature, performance arts, and sociology. "His translations are among the best that have ever been attempted in African oral literature." -- Ode S. Ogede, Research in African Literature
The Urhobo peoples occupy the western fringe of the Niger River delta in southern Nigeria, an area rich with oil reserves. Since the 1970s, the petroleum industry has brought worldwide wealth and attention to Nigeria, but tragically has also detracted from broad-based economic progress as flow stations, flare-offs, drilling platforms and pipelines have proliferated. As rural economies suffered an inevitable decline, the custom of maintaining traditional Urhobo art has experienced a parallel atrophy. The resultant decline in Urhobo culture has prompted a response among many Urhobo who want to celebrate and preserve their traditions for future generations. The Museum for African Art in New York makes a major contribution to this effort through the presentation of "Where Gods and Mortals meet," the first exhibition to showcase Urhobo arts. The exhibition introduces never-before-seen Urhobo art and footage of cultural performances, from yesterday and today. This accompanying catalogue includes approximately 80 works of art: traditional art from the historical period 1850 to 1975, including monumental wood figures, metal and clay sculpture, and masks and costumes with accompanying poetry and song; a small selection of contemporary work by Bruce Onobrakpeya, an Urhobo by birth and one of Africa's foremost artists; plus photos and video footage of extraordinary multimedia masquerades.
This unique book is the product of pioneering research carried out by scholars native to the Urhobo culture and language. Unlike many of the other major ethnic cultures in Nigeria, which were studied by Western anthropologist in the nineteenth and twentieth centuries, the Urhobo language and culture remained neglected. Studies in Urhobo Culture represents a comparatively new area of research, approached from an indigenous perspective. The result is a wide-ranging survey of Urhobo culture in Nigeria, offering diverse perspectives on topics such as: naming traditions and practices of the Urhobo; religious beliefs, values and movements; traditions of marriage; artistic productions, food and dress subcultures; and the geography of Urhoboland and agricultural practices. In-depth consideration is given to Urhobo traditional poetry and the intellectual aspects of Urhobo culture and language, within the wider complex of the Edoid languages and cultures. The contributors further situate the language question within the global context of language endangerment, arguing the Urhobo case is an example of how English and Pidgin are imperilling small and medium-sized languages in Africa, and weakening the hold of indigenous cultures on the younger generation.
This is a pioneering work on Urhobo language, and since language is not the restricted domain of only scholars of linguistics, other aspects of the language or issues that impinge on language use are also discussed in this collection of essays by a eleven experts drawn from research institutes and universities. Since literature is a vehicle of language, the proverbs and axioms of the language as well as the oratorical and performance traditions in Urhobo are also covered competently. Other cultural aspects, especially music, are also seen as enhancers of the language. To underscore the significance of religion and language, some contributors here examine the relationship between the Urhobo language and Christian evangelisation and between the language and the people's belief systems. Another also explores the place of language in what has come to be known as Urhobo "disco" music. The essays reinforce each other and some points are repeated for emphasis because of their cultural significance. The closeness of several topics, especially the challenges of the language and culture and on evangelisation in Urhobo as well as Gospel music in Urhobo, is intended to exhaustively open up the Urhobo language debate." Tanure Ojaide is Professor of African-American and African Studies at the University of North Carolina at Charlotte, where he teaches African/Pan-African literature and art. Rose Aziza is the Head of Department of Languages and Linguistics and Director of the Urhobo Studies Programme at the Delta State University in Nigeria.
The Untold Story of a Nigerian Royal Family presents the story of the Urhobo ruling family of Okpe Kingdom and its political power in Nigeria. It traces the origins and history of the Okpe people and their social and political organization. Topics include: - The Okpe revolution of the sixteenth century and the assassination of Esezi I - British Colonial rule of the kingdom, late 1800s-1960 - Civil war between the Okpe and Olomu of Itsekiri and the palm oil trade rivalry - Urhobo-Itsekiri collaboration in the slave trade, and slavery in eighteenth- and nineteenth-century Okpe. - The political role played by traditional chiefs - Feminists who campaigned for women's rights to participate in the council of elders - The effort by HRH Esezi II to promote the democratic system of government within the Okpe council. - The story of the uncrowned king of Okpe Kingdom, including a brief history of the Nigerian Civil War of 1967-70 - The reign of HRH Orhoro I. - The story of the author's candidacy for Okpe King after the death of Orhoro I - Nigeria oil policy - Muslim-Christian strife and human rights abuses
Starting with the premise that literature and the arts are cultural productions, Tanure Ojaide finds using Western literary theory to judge African literary works to be missing the point. Using udje dance songs of Nigeria's Urhobo people as an example of Africa oral poetic performance, he argues that the main objective of these works of literature is to provoke laughter. He then relates his theory to the Africa diaspora, examining if African-American battle rap, Caribbean Calypso, music, rhetoric and other artistic productions exhibit the same features.
Olomu and Development of Urhoboland and Western Niger Delta offers fresh perspectives on the origin of the Urhobo people as well as the pre-historic development of their lands in Nigeria's Western Niger Delta. The book posits that the uninhabited rain forests of the central Western Niger Delta were conquered and developed by Edoid-speaking Urhobo migrants who took advantage of Iron Age implements that emerged from the transition from Late Stone Age to Early Iron Age some two thousand years ago in the West African region. The book postulates that the progenitors of the Urhobo people arrived in the Western Niger Delta through the waterways of Niger River and its tributaries and that they first settled on the western banks of Ase River and Patani creek. Their descendants moved northwards in cohorts of Kinsmen that conquered and settled portions of the rain forests, resulting in a cascading formation of twenty-two clans with distinct subcultures. Olomu stands out among these due to its central location in Western Niger Delta and has ample linkages with several sub-cultures of Urhoboland, neighbouring Isoko, and Western Ijaw. In Ancient times, Olomu was exceptionally prolific in serving as the origin of four major sub-cultures in northern Urhobo and northern Isoko. Moreover during the early decades of British colonial rule in the 20th century, Olomu played a significant role in the development of Urhoboland. For these reasons, Olomu has been used as a handle for examining the patterns of development of Urhoboland and Western Niger Delta they are presented in this monograph.
This book is ideal for anyone who wants to learn or improve their Urbobo. The book will also help parents actively teaching their children the Urhobo language by providing a structured approach to the learning experience. The book covers the rudimentary aspects of learning the language and offers practice exercises which will aid the individual leaner or teacher. The sections on the book include: * Urhobo Alphabets* Urhobo Numerals* Urhobo Tone System* Urhobo Grammar* Speaking Urhobo* Learning New Words* Time and Day* Colours* I am a child of Urhobo Whether you are a learner or a teacher, you will find this book helpful.
This book employs the event of the Arab Spring revolution of 2011 to reflect on the event itself and beyond. Some of the chapters address the colonial encounter and its lingering reverberations on the African sociopolitical landscape. Others address the aftermath of large scale societal violence and trauma that pervade the African context. The contributions indicate the range of challenges confronting African societies in the postmodern era. They also illustrate the sheer resilience and inventiveness of those societies in the face of apparently overwhelming odds. What is the nature of political power in contemporary Africa as constituted from below instead of being a state driven phenomenon? What constitutes sovereignty without recourse to the usual academic responses and discourses? These two questions loom behind most of the deliberations contained in this book with contributions from an impressive field of international scholars.