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The interaction with happened-upon street art is both physical and emotional, provoking a reaction and hopefully a conversation about the work this worldwide phenomenon. From backs of street signs to corporate boardrooms, its visibility, popularity, and diversity is what makes it so beloved. Highlighting some of the best work from around the world, The Urban Canvas is an extensive look at this art form and the artists that make it great. Whether created as political message, social commentary, or simply visual entertainment, street art has reclaimed art from the privileged and brought it back into the open for everyone to experience. Art professor, critic, and historian G. James Daichendt presents street art from around the world in The Urban Canvas, an exploration of how this global art form has been influenced by local customs and culture. Featuring the art of Banksy • Kenny Scharf •Shepard Fairey • Ron English • Blu • Keith Haring • Os Gêmeos • Vhils • D*Face • JR • Escif • Swoon • Barry McGee • ROA • Invader • Eduardo Kobra • Robbie Conal • Fin DAC • Chase • Toxicómano • Gaia • Herr von Bias • Herakut • Pixel Pancho • Cranio • Hyuro • Blek le Rat • Boa Mistura • Aryz • Stik • Stinkfish • CRISP • Adnate • Lady Aiko • Faith47 • C215 • Rone • Case Maclaim • El Seed • P183 • Clet • Bukruk • El Mac • Yuree Kensaku • David Flores • Plastic Jesus • Hueman • Tristan Eaton • Bumblebee • Nychos • Thierry Noir • Smug • Ericailcane • Fintan Magee • Alexis Diaz • Liqen • André • Ludo • . . . and many more! Territories featured: North America, South America, Australia, Europe, Asia, Africa
Take a Journey with the Master of the Urban Landscape! John Salminen is one of the most accomplished watercolor artists working today, earning awards and recognition all over the world. Whether depicting the trees of Central Park, the architecture of San Francisco or the busy streets of Beijing, John Salminen's watercolor paintings are snapshots of urban life that are both rich in detail and universal in appeal. In Master of the Urban Landscape, Salminen shares over 150 pieces of his artwork, spanning his entire career. His early abstracts and recent plein air work in the book's Introduction set the groundwork for four chapters of remarkable watercolor paintings that highlight different aspects of his work: architectural form, organic form, human form and light and shadow. Throughout, Salminen shares the inspiration for his paintings, challenges he encountered and techniques he used to capture unique scenes from cities around the world. Embark on an amazing watercolor journey with John Salminen—Master of the Urban Landscape. "John Salminen is a master of the medium of watercolor. His sense of light and design sets him apart from his contemporaries, and he has emerged as one of the finest living artists of our times with a style very much his own." --Dean Mitchell
...This case study traces the contemporary mural movement in three cities: Boston, Philadelphia, and Los Angeles; it examines the evoluation of mural art from impromptu political protest to programs administered and funded by municipalities; this paper explains how mural arts projects can establish communal bands in urban centers rife with racial, social, and economic divides, how they can build social and intellectual capital in "at risk" youth, and how they can enhance the physical perception and quality of urban neighborhoods...
What happens when you look at graffiti and street art as unlimited art forms instead of urban phenomena? Concrete Canvas does just that; investigating the media the artists work with, the canvases they work on, the themes that arise through their work, and the way their art redefines the spaces in which it is set. Concrete Canvas is filled with stunning photos of works from new and exciting artists, as well as established names, including Ron English, Phlegm, Daim, Invader and more. It examines how the curation of public space is affecting our cities and moving art into the future. Global Street Art is the largest online archive of street art photography. Here, its founder Lee Bofkin shares some of his best stories of documenting street art, which variously feature big guns, massive dogs and lots of abandoned buildings.
As the world hurtles towards urbanization at an ever-increasing pace, there arises the need for further theological reflection on the city. Globalization, international immigration, and densification in cities are having a transformative impact on the urban landscape. Urban mission is at the forefront of many denominations, church planting networks, ministries, and mission organizations yearning for citywide transformation. How are we to think biblically and theologically about the city? View from the Urban Loft will take readers through the development of cities throughout history, act as a guide to navigating the current forces shaping urban environments, and seek to uncover a theology of the city that gives Christians a rationale and a biblical understanding of the meaning and purposes of the city and then how to live in it for the glory of God.
A visual account of the birth of graffiti and street art, showcasing as-yet-unseen works collected by preeminent artist Martin Wong. Referred to by the New York Times as an artist "whose meticulous visionary realism is among the lasting legacies of New York’s East Village art scene of the 1980s," Martin Wong (1946–1999) was firmly entrenched in the NYC street art world of the late ’70s and ’80s. City as Canvas chronicles the most important chapter in the street art movement and the artists involved. Showcasing Wong’s enormous graffiti art collection, the book contains artwork, photographs, black books, letters, postcards, posters, and flyers made by Wong and his artist friends. The book contains previously unpublished art by famous street artists such as Futura 2000, Jean-Michel Basquiat, Christopher "Daze" Ellis, LA II, Lady Pink, and Keith Haring, to name only a few. City as Canvas traces the origins of urban self-expression and the era of "outlaw" street art in New York, which primed the floodgates for graffiti art to spread worldwide. Exhibition Schedule: Museum of the City of New York: Opens October 2013
The majority of the world's population is now urban, and for most this will mean a life lived in the suburbs. City Suburbs considers contemporary Anglo-American suburbia, drawing on research in outer London it looks at life on the edge of a world city from the perspective of residents. Interpreted through Bourdieu's theory of practice it argues that the contemporary suburban life is one where place and participation are, in combination, strong determinants of the suburban experience. From this perspective suburbia is better seen as a process, an on-going practice of the suburban which is influenced but not determined by the history of suburban development. How residents engage with the city and the legacy of particular places combine powerfully to produce very different experiences across outer London. In some cases suburban residents are able to combine the benefits of the city and their residential location to their advantage but in marginal middle-class areas the relationship with the city is more circumspect as the city represents more threat than opportunity. The importance of this relational experience with the city informs a call to integrate more fully the suburbs into studies of the city.
Urban art - the decoration of public spaces - combines street art and graffiti and is an international creative practice. Many urban artists address issues such as human rights, the environment and lifestyle choices by challenging and confronting established thinking. Some artists feature heroes or icons in their work, others use illusions to lure the viewer into examining the art and trying to figure out what is real and what is not. Others still pay homage to less wellknown people who have worked for the good of humanity. Along with the urban landscape, this art form is evolving all the time, reflecting the zeitgeist, asking questions, and grabbing the attention of the passing city dweller.