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In this book the author puts forward an agenda to enhance intelligence and longevity in humans, select animal species (including dogs, dolphins and elephants), and machines. This effort would extend over 1,000 years or 40 human generations. Enhancements of IQ and longevity in humans would involve both environmental and genetic improvements in membership IQ and longevity. The goal would be a mean IQ of 145 and an average longevity of 100 years in human Uplift Project members by the end of these 1,000 years. Given that Uplift Project members will probably at project outset have better than average IQ and life expectancy, this could involve as little as a two standard deviations increase in IQ (30 points) and one standard deviation increase in longevity (20 years) over these 1,000 years.The Uplift Project would also expand human, animal and machine membership not only across the planet, but to the moon, Mars, and space colonies.
In Uplift Cinema, Allyson Nadia Field recovers the significant yet forgotten legacy of African American filmmaking in the 1910s. Like the racial uplift project, this cinema emphasized economic self-sufficiency, education, and respectability as the keys to African American progress. Field discusses films made at the Tuskegee and Hampton Institutes to promote education, as well as the controversial The New Era, which was an antiracist response to D. W. Griffith's The Birth of a Nation. She also shows how Black filmmakers in New York and Chicago engaged with uplift through the promotion of Black modernity. Uplift cinema developed not just as a response to onscreen racism, but constituted an original engagement with the new medium that has had a deep and lasting significance for African American cinema. Although none of these films survived, Field's examination of archival film ephemera presents a method for studying lost films that opens up new frontiers for exploring early film culture.
David Brin's Uplift novels are among the most thrilling and extraordinary science fiction ever written. Sundiver, Startide Rising, and The Uplift War--a New York Times bestseller--together make up one of the most beloved sagas of all time. Brin's tales are set in a future universe in which no species can reach sentience without being "uplifted" by a patron race. But the greatest mystery of all remains unsolved: who uplifted humankind? As galactic armadas clash in quest of the ancient fleet of the Progenitors, a brutal alien race seizes the dying planet of Garth. The various uplifted inhabitants of Garth must battle their overlords or face ultimate extinction. At stake is the existence of Terran society and Earth, and the fate of the entire Five Galaxies. Sweeping, brilliantly crafted, inventive and dramatic, The Uplift War is an unforgettable story of adventure and wonder from one of today's science fiction greats.
In the late nineteenth century, if ethnologists in the United States recognized African American culture, they often perceived it as something to be overcome and left behind. At the same time, they were committed to salvaging “disappearing” Native American culture by curating objects, narrating practices, and recording languages. In Anthropology and the Racial Politics of Culture, Lee D. Baker examines theories of race and culture developed by American anthropologists during the late nineteenth century and early twentieth. He investigates the role that ethnologists played in creating a racial politics of culture in which Indians had a culture worthy of preservation and exhibition while African Americans did not. Baker argues that the concept of culture developed by ethnologists to understand American Indian languages and customs in the nineteenth century formed the basis of the anthropological concept of race eventually used to confront “the Negro problem” in the twentieth century. As he explores the implications of anthropology’s different approaches to African Americans and Native Americans, and the field’s different but overlapping theories of race and culture, Baker delves into the careers of prominent anthropologists and ethnologists, including James Mooney Jr., Frederic W. Putnam, Daniel G. Brinton, and Franz Boas. His analysis takes into account not only scientific societies, journals, museums, and universities, but also the development of sociology in the United States, African American and Native American activists and intellectuals, philanthropy, the media, and government entities from the Bureau of Indian Affairs to the Supreme Court. In Anthropology and the Racial Politics of Culture, Baker tells how anthropology has both responded to and helped shape ideas about race and culture in the United States, and how its ideas have been appropriated (and misappropriated) to wildly different ends.
The Marvelous Adventures of Gwendolyn Gray is part fantasy, part dystopia, part steampunk, and all imagination as dreamer Gwendolyn evades thought police, enters a whimsical world, befriends world-jumping explorers and ragtag airship pirates, and fights the evil threatening to erase the new world she loves and her old world that never wanted her.

Earthquake

United States. Congress. House. Committee on Science and Technology. Subcommittee on Science, Research, and Technology

Published: 1976

Total Pages: 318


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A collection of essays from international critics that considers the ways and extent of Haiti’s exceptionalisation – its perception in multiple arenas as definitively unique with respect not only to the countries of the North Atlantic, but also to the rest of the Americas.
In her anticipated second novel, Karla Holloway evokes the resilience of a family whose journey traces the river of America’s early twentieth century. The Mosby family, like other thousands, migrate from the loblolly-scented Carolinas north to the Harlem of their aspirations—with its promise of freedom and opportunities, sunlit boulevards, and elegant societies. The family arrives as Harlem staggers under the flu pandemic that follows the First World War. DeLilah Mosby and her daughter, Selma, meet difficulties with backbone and resolve to make a home for themselves in the city, and Selma has a baby, Chloe. As the Great Depression creeps across the world at the close of the twenties, however, the farsighted see hard times coming. The panic of the early thirties is embodied in the kidnapping and murder of the infant son of the nation’s dashing young aviator, Charles Lindbergh. A transfixed public follows the manhunt in the press and on the radio. Then Chloe goes missing—but her disappearance does not draw the same attention. Wry and perceptive Weldon Haynie Thomas, the city’s first “colored” policeman, takes the case. The urgent investigation tests Thomas’s abilities to draw out the secrets Harlem harbors, untangling the color-coded connections and relationships that keep company with greed, ghosts, and grief. With nuanced characters, lush historical detail, and a lyrical voice, Gone Missing in Harlem affirms the restoring powers of home and family.
The award-winning author’s complete second trilogy of the Uplift Saga, featuring a planet of refugees, a fugitive Earthling ship, and her dolphin/human crew. Brightness Reef Six outcast races hunker down on the off-limits planet Jijo when a mysterious starship lands. However, it doesn’t bring the “law” they feared, but something worse—a dark secret the invaders will do anything to keep . . . Infinity’s Shore Earthship Streaker, with its dolphin and human crew, has been on the run for three years after discovering a derelict armada whose mere existence seems to drive the Five Galaxies mad. With Earth under siege and nowhere to turn, Streaker has come to far-off, isolated Jijo in search of sanctuary amid its population of secret refugees. Unfortunately, they’ve been followed . . . Heaven’s Reach With the arrival of deadly enemies, the peaceful isolation of Jijo’s six exile races has ended. While the races join forces to fight invaders, the Earthship Streaker must lure other foes into weird layers of the unknown. Meanwhile, a dire prophecy may put the entire universe at risk . . . Praise for the Hugo and Nebula Award–winning Uplift Saga “An extraordinary achievement.” —Poul Anderson, award-winning author of Tau Zero, on Startide Rising “An exhilarating read that encompasses everything from breathless action to finely drawn moments of quiet intimacy.” —Locus on The Uplift War “Tremendously inventive, ambitious work.” —Kirkus Reviews on Brightness Reef “Well paced, immensely complex, highly literate . . . Superior SF.” —Publishers Weekly, starred review, on Infinity’s Shore “A timely, science fictional contemplation of the refugee experience.”—Santa Fe Reporter on Brightness Reef