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The Unveiling of Michelle duBois, aka *Cricket* (Spring 2012) Published by Aperture Ideas.Asianesque & Collecting,with an introduction by Jan Tumlir & essay by Catherine G. Wagley.8 X 10 inches,240 pages, 220 four-color images.The Unraveling of Michelle duBois aka “Alice Johnson” is a print-on-demand artist book. It is the third in a four-volume set by the artist Zoe Crosher.Zoe Crosher’s The Archives of Michelle duBois, Vols. 1-4 is a reconsidered archive culled from crates, boxes, and albums consisting of endless flirtatious smiles, tourist shots, cheesecake mementos, and suggestive poses, in every film type and size.Identical in structure, each volume offers an alternate perspective on the archive of Michelle duBois, an enigmatic collection of images bequeathed to the artist by the subject and compiler. In each subsequent volume, Crosher configures a new set of identities and meanings for this ephemeral archive of photographic detritus, through a selection of unique sets of images, reinterpretations of photos seen in previous volumes, as well as new texts.
Volume 1: The Reconsidered Archive of Michelle DuBois, aka *Kathy* (Spring 2011) Published by Aperture Ideas.Autoportrait & Companions,with an introduction by Eleanor Kaufman & essay by Karsten Lund.8 × 10 inches, 240 pages.The Reconsidered Archive of Michelle duBois is a print-on-demand artist book. It is the first in a four-volume set by the artist Zoe Crosher. These artist books are part of Aperture Ideas: Writers and Artists on Photography, a series devoted to the finest critical and creative minds exploring key concepts in photography, including new technologies of production and dissemination.Identical in structure, each volume offers an alternate perspective on the archive of Michelle duBois, an enigmatic collection of images bequeathed to the artist by the subject and compiler. In each subsequent volume, Crosher configures a new set of identities and meanings for this ephemeral archive of photographic detritus through a selection of unique sets of images, reinterpretations of photos seen in previous volumes, as well as new texts.Zoe Crosher’s The Unraveling of Michelle duBois is a reconsidered archive culled from crates, boxes and albums consisting of endless flirtatious smiles, tourist shots, cheesecake mementos and suggestive poses in every film type and size. The Reconsidered Archive of Michelle duBois was featured in Aperture magazine, issue 198.
The Unraveling of Michelle DuBois, aka *Alice Johnson* (Fall 2011) Published by Aperture Ideas. Self-Reflexive & Errant Hairs,with an introduction by Eleanor Kaufman & essay by Andrew Berardini.8 × 10 inches,240 pages, 220 four-color imagesThe Unraveling of Michelle duBois aka “Alice Johnson” is a print-on-demand artist book. It is the second in a four-volume set by the artist Zoe Crosher.Zoe Crosher’s The Archives of Michelle duBois, Vols. 1-4 is a reconsidered archive culled from crates, boxes, and albums consisting of endless flirtatious smiles, tourist shots, cheesecake mementos, and suggestive poses, in every film type and size.Identical in structure, each volume offers an alternate perspective on the archive of Michelle duBois, an enigmatic collection of images bequeathed to the artist by the subject and compiler. In each subsequent volume, Crosher configures a new set of identities and meanings for this ephemeral archive of photographic detritus, through a selection of unique sets of images, reinterpretations of photos seen in previous volumes, as well as new texts.
The Disappearance of Michele DuBois, aka *Mitchi* (Fall 2012) Published by Aperture Ideas.Almost The Same & Obfuscated,with an introduction by Christine Y. Kim & essay by Lucas Blalock.8 × 10 inches,240 pages, 208 four-color images.The Disappearance of Michelle duBois is a print-on-demand artist’s book. It is the fourth volume in a four-volume set by the artist Zoe Crosher. This volume is part of Aperture Ideas: Writers and Artists on Photography, a series devoted to the finest critical and creative minds exploring key concepts in photography, including new technologies of production and dissemination.Identical in structure, each volume offers an alternate perspective on the archive of Michelle duBois, an enigmatic collection of images bequeathed to the artist by the subject and compiler. In each subsequent volume, Crosher configures a new set of identities and meanings for this ephemeral archive of photographic detritus through a selection of unique sets of images, reinterpretations of photos seen in previous volumes, as well as new texts.Zoe Crosher’s The Disappearance of Michelle duBois is a reconsidered archive culled from crates, boxes and albums consisting of endless flirtatious smiles, tourist shots, cheesecake mementos and suggestive poses in every film type and size.
Unveiling the unconventional : Kehinde Wiley's portrait of Barack Obama / Taína Caragol -- "Radical empathy" : Amy Sherald's portrait of Michelle Obama / Dorothy Moss -- The Obama portraits, in art history and beyond / Richard J. Powell -- The Obama portraits and the National Portrait Gallery as a site of secular pilgrimage / Kim Sajet -- The presentation of the Obama portraits : a transcript of the unveiling ceremony.
"A bold, stunning book...The reader is drawn in not because we want to find out what happened, but why it happened..."--NPR A psychologically twisting novel about a politically-charged act of violence that echoes through a small Spanish town; a debut novel that the New York Times Book Review calls "a triumph." It's 2004 in Muriga, a quiet town in Spain's northern Basque Country, a place with more secrets than inhabitants. Five years have passed since the kidnapping and murder of a young local politician-a family man and father-and the town's rhythms have almost returned to normal. But in the aftermath of the Atocha train bombings in Madrid, an act of terrorism that rocked a nation and a world, the townspeople want a reckoning of Muriga's own troubled past: Everyone knows who pulled the trigger five years ago, but is the young man now behind bars the only one to blame? All That Followed peels away the layers of a crime complicated by history, love, and betrayal. The accounts of three townspeople in particular-the councilman's beautiful young widow, the teenage radical now in jail for the crime, and an aging American teacher hiding a traumatic past of his own-hold the key to what really happened. And for these three, it's finally time to confront what they can find of the truth. Inspired by a true story, All That Followed is a powerful, multifaceted novel about a nefarious kind of violence that can take hold when we least expect. Urgent, elegant, and gorgeously atmospheric, Urza's debut is a book for the world we live in now, and it marks the arrival of a brilliant new writer to watch.
A supplemental textbook for middle and high school students, Hoosiers and the American Story provides intimate views of individuals and places in Indiana set within themes from American history. During the frontier days when Americans battled with and exiled native peoples from the East, Indiana was on the leading edge of America’s westward expansion. As waves of immigrants swept across the Appalachians and eastern waterways, Indiana became established as both a crossroads and as a vital part of Middle America. Indiana’s stories illuminate the history of American agriculture, wars, industrialization, ethnic conflicts, technological improvements, political battles, transportation networks, economic shifts, social welfare initiatives, and more. In so doing, they elucidate large national issues so that students can relate personally to the ideas and events that comprise American history. At the same time, the stories shed light on what it means to be a Hoosier, today and in the past.
Offers new insights into both the successes and the limitations of Latin America's left in the twentieth century.
In Emancipation's Daughters, Riché Richardson examines iconic black women leaders who have contested racial stereotypes and constructed new national narratives of black womanhood in the United States. Drawing on literary texts and cultural representations, Richardson shows how five emblematic black women—Mary McLeod Bethune, Rosa Parks, Condoleezza Rice, Michelle Obama, and Beyoncé—have challenged white-centered definitions of American identity. By using the rhetoric of motherhood and focusing on families and children, these leaders have defied racist images of black women, such as the mammy or the welfare queen, and rewritten scripts of femininity designed to exclude black women from civic participation. Richardson shows that these women's status as national icons was central to reconstructing black womanhood in ways that moved beyond dominant stereotypes. However, these formulations are often premised on heteronormativity and exclude black queer and trans women. Throughout Emancipation's Daughters, Richardson reveals new possibilities for inclusive models of blackness, national femininity, and democracy.
From the author of the New York Times bestseller Fish in a Tree comes a compelling story about perspective and learning to love the family you have. Delsie loves tracking the weather--lately, though, it seems the squalls are in her own life. She's always lived with her kindhearted Grammy, but now she's looking at their life with new eyes and wishing she could have a "regular family." Delsie observes other changes in the air, too--the most painful being a friend who's outgrown her. Luckily, she has neighbors with strong shoulders to support her, and Ronan, a new friend who is caring and courageous but also troubled by the losses he's endured. As Ronan and Delsie traipse around Cape Cod on their adventures, they both learn what it means to be angry versus sad, broken versus whole, and abandoned versus loved. And that, together, they can weather any storm.