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The Untouchable Tree is about our connection to the magnificence, the transcendence, and the essential nature of trees. Throughout human history, they have served as shelter and as symbol. And today, more than ever, our destiny is tied to theirs. The books weaves together prose, poetry, and art in a unique exploration of our relationship with these plants, from the billowy yet delicate black cherry to the majestic white oak. Each painting subtly points to a range of historical mythological symbols, reminding us of the "untouchable," the sacred, within each of us.
Cherry Blossom Epiphany - the poetry and philosophy of a flowering tree - a selection, translation and lengthy explication of 3000 haiku, waka, senryû and kyôka about a major theme from I.P.O.O.H. (In Praise Of Olde Haiku)by robin d. gill 1. Haiku -Translation from Japanese to English 2. Japanese poetry - 8c-20c - waka, haiku and senryû 3. Natural History - flowering cherries 4. Japan - Culture - Edo Era 5. Nonfiction - Literature 6. Translation - applied 7. You tell me! If the solemn yet happy New Year's is the most important celebration of Japanese (Yamato) ethnic culture, and the quiet aesthetic practice of Moon-viewing in the fall the most elegant expression of Pan-Asian Buddhism=religion, the subject of this book, Blossom-viewing - which generally means sitting down together in vast crowds to drink, dance, sing and otherwise enjoy the flowering cherry in full-bloom - is less a rite than a riot (a word originally meaning an 'uproar'). The major carnival of the year, it is unusual for being held on a date that is not determined by astronomy, astrology or the accidents of history as most such events are in literate cultures. It takes place whenever the cherry trees are good and ready. Enjoyed in the flesh, the blossom-viewing, or hanami, is also of the mind, so much so, in fact, that poetry is often credited with the spread of the practice over the centuries from the Imperial courts to the maids of Edo. Nobles enjoyed link-verse contests presided over by famous poet-judges. Hermits hung poems feting this flower of flowers (to say the generic "flower" = hana in Japanese connotes "cherry!") on strips of paper from the branches of lone trees where only the wind would read them. In the Occident, too, flowers embody beauty and serve as reminders of mortality, but there is no flower that, like the cherry blossom, stands for all flowers. Even the rose, by any name, cannot compare with the sakura in depth and breadth of poetic trope or viewing practice. In Cherry Blossom Epiphany, Robin D. Gill hopes to help readers experience, metaphysically, some of this alternative world. Haiku is a hyper-short (17-syllabet or 7-beat) Japanese poem directly or indirectly touching upon seasonal phenomena, natural or cultural. Literally millions of these ku have been written, some, perhaps, many times, about the flowering cherry (sakura), and the human activity associated with it, blossom-viewing (hanami). As the most popular theme in traditional haiku (haikai), cherry-blossom ku tend to be overlooked by modern critics more interested in creativity expressed with fresh subjects; but this embarrassment of riches has much to offer the poet who is pushed to come up with something, anything, different from the rest and allows the editor to select from what is, for all practical purposes, an infinite number of ku. Literary critics, take note: Like Rise, Ye Sea Slugs! (2003) and Fly-ku! (2004), this book not only explores new ways to anthologize poetry but demonstrates the practice of multiple readings (an average of two per ku) as part of a composite translation turned into an object of art by innovative clustering. Book-collectors might further note that while Cherry Blossom Epiphany may not be hardback, it takes advantage of the many symbols included with Japanese font to introduce design ornamentation (the circle within the circle, the reverse (Buddhist) swastika, etc.) hitherto not found in English language print. It is a one-of-a-kind work of design by the author.
I am just blown away by Peter C. Stone s Waltzes with Giants. He has captured the story all so well, so tragically, so beautifully. Amy Knowlton, North Atlantic right whale research scientist, New England...
The passionate response of the British public to the Newbury Bypass is a revealing measure of how strongly people feel about trees and the environment. Similarly, in the United States, the giant sequoia of California is an enduring national symbol that inspires intense feelings. As rainforests are sacrificed to the interests of multi-national corporations and traditional ways of life disappear, the status of forests, the cultural significance of trees, and the impact of conservation policies are subjects that have inspired intense engagement. Why do people feel so strongly about trees? With this explosion of interest in environmental issues, a serious study of what trees mean to people has long been overdue. This interdisciplinary book responds to this need by providing the first cross-cultural analysis of tree symbolism. Drawing on rich case studies, contributors explore the processes through which trees are used as metaphors of identity and continuity. Political struggles over forest resources feature prominently, and the perceptions of trees in various cultures provide telling insights into the ways in which human societies conceptualize nature.As well as being a major contribution to the field of symbolic anthropology, this comprehensive study will be essential reading for students in a wide range of courses and for anyone with a keen interest in the politics of ecology, the occult and neo-paganism, and the history and sociology of environmentalism in its widest sense.
Satyajit Ray is India's greatest filmmaker and his importance in the international world of cinema has long been recognised. Darius Cooper's study of Ray is the first to examine his rich and varied work from a social and historical perspective, and to situate it within Indian aesthetics. Providing analyses of selected films, including those that comprise The Apu Trilogy, Chess Players, and Jalsaghhar, among others, Cooper outlines Western influences on Ray's work, such as the plight of women functioning within a patriarchal society, Ray's political vision of the 'doubly colonised', and his attack and critique of the Bengali/Indian middle class of today. The most comprehensive treatment of Ray's work, The Cinema of Satyajit Ray makes accessible the oeuvre of one of the most prolific and creative filmmakers of the twentieth century.
The Present Book Primarily Aims At Tracing Influences Central To Both Ngugi And Anand, Especially Of Marx, Gandhi And Fanon In The Constructions Of Their Fictional Worlds. Also, An Attempt Has Been Made Here To Examine And Present A Comparative Study Of Language Of The Fiction Which These Two Great Novelists Have Employed In Rendering The Chosen Fictional World. Besides Novels, Their Non-Fictional Writings Have Also Been Taken Into Account. The Interviews With Ngugi And Anand As Well As Anand S Letters Have Been Appended In The Book Which Are Sufficient Enough To Give A Glimpse Of The Amazing Concurrence That They Display In Their Approaches To The Problems Of Life And Literature. It Has Been Aptly Remarked On The Contents Of The Present Book: & Your Study Shows Acute Perceptiveness Of Motive Forces Behind My Novels And Ngugi Wa Thiong O Of Kenya...Your Study Will Be Valuable For The New Young Students.
Any recycled energetic discrete quantum, proportional in magnitude to the Revolutions Per Minute (RPM) of the ‘Zeus - Genset (engine and generator)’ in motor mode (Kindle eBook 3.99 € Paperback 4.64 € https://www.amazon.com/dp/B08D3WJ1PF) flowing via the Hades infernal hot channels into the nozzle as crystalline strings, cooled down by the Aeolus fan, solidified by the Boreas cold plate and coiled resting as Hermes bobbin borning or even rebirthing through Poseidon and Amphitrite vacuum pathways faster drying them, before bringing the shape of the designed CAD and desired physical body according to the needs of any human consumer wishing for a quick, pragmatic and efficient tool for recycling any material by themselves at home just throwing rubbish in the Ares shredder and clicking on the icon of the lacking object on the Uranus display managed with Arduino IDE.
Plants are commonly considered immobile, in contrast to humans and other animals. But vegetal existence involves many place-based forms of change: stems growing upward, roots spreading outward, fronds unfurling in response to sunlight, seeds traveling across wide distances, and other intricate relationships with the surrounding world. How do plants as sessile, growing, decaying, and metamorphosing beings shape the places they inhabit, and how are they shaped by them? How do human places interact with those of plants—in lived experience; in landscape painting; in cultivation and contemplation; in forests, fields, gardens, and cities? Examining these questions and many more, Plants in Place is a collaborative study of vegetal phenomenology at the intersection of Edward S. Casey’s phenomenology of place and Michael Marder’s plant-thinking. It focuses on both the microlevel of the dynamic constitution of plant edges or a child’s engagement with moss and the macrolevel of habitats that include the sociality of trees. This compelling portrait of plants and their places provides readers with new ways to appreciate the complexity and vitality of vegetal life. Eloquent, descriptively rich, and insightful, the book also shows how the worlds of plants can enhance our understanding and experience of place more broadly.
Kerala is a destination on the world tourist map. It is often referred to as Gods Own Country. The place has been visited by foreigners from all over the globe for five thousand years at least. To give an insight into the mysteries of this place and events that occurred over many, many years, Sankaran, an immortal, takes the reader through very gripping, thrilling, and thought-provoking situations and, in the process, demystifies the Malayalee.