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Sanjay de Silva lives in Colombo, under the thumb of a controlling Sri Lankan father, having lost his English mother at an early age. When his father is diagnosed with cancer, he feels the ground shifting under his feet, the balance of power realigning. Though it is something he has dreamed of all his life, he is uneasy when it happens. Learning that he is entitled to live in England-thanks to his half-English parentage-he arrives in south London. It is 1980, the start of the glorious blue-rinsed Thatcher years, when every girl looks like Princess Diana but not every boy looks like Prince Charles. He meets and falls in love with a fellow Sri Lankan, Janine, who is old enough to be his mother and famous within the acid-tongued Sri Lankan community as 'a hooker of the very highest class, with royal connections'. Sanjay manages to buy an old wreck of a house in Brixton and succeeds, against all odds, in converting it into two flats. But all is not well with that house. At night there are voices . . . This is the story of south London's first Asian builder who in eight years developed and sold eighty-four flats, cashing in his winnings just before the crash of 1988. But at its heart it is about grief: how each of us copes in our inimitable way with the hidden mysteries of family and the loss of loved ones. Because, as Sanjay is about to find out, grief is only the transmutation of love, of the very same chemical composition-liquid, undistilled-the one inevitably turning to the other like ice to water.
“This inventive retelling of Pride and Prejudice charms.”—People “A fun, page-turning romp and a thought-provoking look at the class-obsessed strata of Pakistani society.”—NPR Alys Binat has sworn never to marry—until an encounter with one Mr. Darsee at a wedding makes her reconsider. A scandal and vicious rumor concerning the Binat family have destroyed their fortune and prospects for desirable marriages, but Alys, the second and most practical of the five Binat daughters, has found happiness teaching English literature to schoolgirls. Knowing that many of her students won’t make it to graduation before dropping out to marry and have children, Alys teaches them about Jane Austen and her other literary heroes and hopes to inspire the girls to dream of more. When an invitation arrives to the biggest wedding their small town has seen in years, Mrs. Binat, certain that their luck is about to change, excitedly sets to work preparing her daughters to fish for rich, eligible bachelors. On the first night of the festivities, Alys’s lovely older sister, Jena, catches the eye of Fahad “Bungles” Bingla, the wildly successful—and single—entrepreneur. But Bungles’s friend Valentine Darsee is clearly unimpressed by the Binat family. Alys accidentally overhears his unflattering assessment of her and quickly dismisses him and his snobbish ways. As the days of lavish wedding parties unfold, the Binats wait breathlessly to see if Jena will land a proposal—and Alys begins to realize that Darsee’s brusque manner may be hiding a very different man from the one she saw at first glance. Told with wry wit and colorful prose, Unmarriageable is a charming update on Jane Austen’s beloved novel and an exhilarating exploration of love, marriage, class, and sisterhood. Praise for Unmarriageable “Delightful . . . Unmarriageable introduces readers to a rich Muslim culture. . . . [Kamal] observes family dramas with a satiric eye and treats readers to sparkling descriptions of a days-long wedding ceremony, with its high-fashion pageantry and higher social stakes.”—Star Tribune “Thoroughly charming.”—New York Post “[A] funny, sometimes romantic, often thought-provoking glimpse into Pakistani culture, one which adroitly illustrates the double standards women face when navigating sex, love, and marriage. This is a must-read for devout Austenites.”—Publishers Weekly (starred review)
In this extraordinary debut, Ashok Ferry chronicles, in a gently probing voice, the journeys of characters seeking something beyond the barriers of nations and generations. His tales of social-climbing Sri Lankans, of the pathos of immigration, of rich people with poor taste, of ice-cream karma, of innocent love, eternity, and more take us to Colombo’s nouveau riche, hoity-toity returnees, ladies with buttery skin and square fingernails, old-fashioned aristocrats, and the poor mortals trapped between them. Ferry’s stories comprise characters that are ‘serious and fine and upstanding, and infinitely dull’, but also others like young John-John, who loses his childhood somewhere ‘high up in the air between Asmara and Rome’; the maid, Agnes of God, whose mango-sucking teeth ‘fly out at you like bats out of the mouth of a cave’; Ashoka, the immigrant who embodies his Sri Lankan identity only on the bus ride between home and work; and Professor Jayaweera who finds sterile freedoms caged in the ‘unbending, straight lines of Western Justice’. Absurd, sad, scathing and generous, but mostly wickedly funny, Colpetty People presents modern Sri Lankans as they navigate worlds between Ceylon and the West.
‘I was born ugly. That’s what my mother always said.’ So begins the story of young Sonny Mahadewala who lives a dual life: between his adoptive England where he lives in eccentric union with a privileged American, and the mixed bliss of the Mahadewala Walauwa, the big house on the mountain belonging to his father’s family in Kandy— the ancient capital of Sri Lanka—where he has both cachet and awful memories. For Sonny’s mother, a wonderfully maleficent anti-heroine, is convinced that demons possess this awfully ugly son of hers. Demons and the devil himself are the playing field of this book, whether seated in the draughty chapels of Oxford or roaming the Kandyan countryside and, through their clever interplay, they speak of larger horrors with able grace. Who is utterly good or utterly evil—and who, indeed, is the devil?
After a traumatic illness robs her of her looks, Rose Davenport has little expectation of making a good marriage—until her feckless father, Miles, unexpectedly brokers a dazzling match for her with the heir to the Earl of Stanhope. Unfortunately, the marriage doesn’t live up to her hopes. Instead of the kindly bridegroom she’s expecting, Rose gets a sullen young husband who can barely stand to look at her. Gil Truman is in love with the beautiful Tilly when his father informs him that he must instead marry plain, sickly Rose. Forced to agree to the marriage to recover the family fortune his father lost to Miles Davenport in a game of cards, Gil is bitter and heartbroken. Their wretched wedding trip ends with him abandoning Rose at his remote Northumbrian estate, intending never to return. After five years of exile, Rose loses patience and travels to London to make a bid at seducing her errant, faithless husband. But their first encounter at a masked ball changes everything. When Rose learns the secret truth of how Gil was blackmailed into their marriage, her appetite for revenge dissolves. It’s too late to turn back, though. Their night of passion has had consequences that force Rose to confront Gil again. Gil’s discovery that the lovely, masked stranger he fell for is none other than his own wife, leaves him feeling sick and betrayed. As for Rose, she has deep wounds of her own from years of Gil’s neglect. With such unpromising beginnings, can Rose and Gil make any kind of life together? Or are some wrongs too painful to ever be forgiven?
As seen on The Today Show! One of the best summer romance picks! One of Publishers Weekly Best Romance Books of 2019! A modern-day Muslim Pride and Prejudice for a new generation of love. Ayesha Shamsi has a lot going on. Her dreams of being a poet have been set aside for a teaching job so she can pay off her debts to her wealthy uncle. She lives with her boisterous Muslim family and is always being reminded that her flighty younger cousin, Hafsa, is close to rejecting her one hundredth marriage proposal. Though Ayesha is lonely, she doesn't want an arranged marriage. Then she meets Khalid, who is just as smart and handsome as he is conservative and judgmental. She is irritatingly attracted to someone who looks down on her choices and who dresses like he belongs in the seventh century. When a surprise engagement is announced between Khalid and Hafsa, Ayesha is torn between how she feels about the straightforward Khalid and the unsettling new gossip she hears about his family. Looking into the rumors, she finds she has to deal with not only what she discovers about Khalid, but also the truth she realizes about herself.
Unmarriageable? Or simply unusual?There can only be one reason for the proud Duke of Alvan's proposed visit to Audley Park. He means to offer for Lord Overton's beautiful daughter, Thomasina, thus saving the family's waning fortune. In the midst of the hectic preparations for his arrival, Overton's least marriageable daughter Charlotte remembers to collect her young brothers from school for the holidays. When fog forces them to spend the night at the Hart Inn, they are astonished to find the house deserted, save for one other enigmatic traveler who deals most capably with armed intruders. Drawn to their unconventional new friend, Charlotte enlists his help to solve the mystery. Amidst the upheaval of the duke's visit, to say nothing of the chaos caused by Charlotte's unmanageable pet terrier, the Hart becomes the focus of nefarious doings, kidnappings and romantic entanglements. For Charlotte is unwise enough to fall hopelessly in love with her sister's intended husband, and the duke hides too many secrets of his own.
One of the Washington Posts' "The 5 best science fiction and fantasy novels of 2017"! James Tiptree, Jr Literary Award Honor List A B&N Sci-Fi and Fantasy Blog "Best SFF of 2017" pick! A Kirkus "Best of the Best!" of 2017 Honorable Mention From debut author Maggie Shen King, An Excess Male is the chilling dystopian tale of politics, inequality, marriage, love, and rebellion, set in a near-future China, that further explores the themes of the classics The Handmaid's Tale and When She Woke. Under the One Child Policy, everyone plotted to have a son. Now 40 million of them can't find wives. China’s One Child Policy and its cultural preference for male heirs have created a society overrun by 40 million unmarriageable men. By the year 2030, more than twenty-five percent of men in their late thirties will not have a family of their own. An Excess Male is one such leftover man’s quest for love and family under a State that seeks to glorify its past mistakes and impose order through authoritarian measures, reinvigorated Communist ideals, and social engineering. Wei-guo holds fast to the belief that as long as he continues to improve himself, his small business, and in turn, his country, his chance at love will come. He finally saves up the dowry required to enter matchmaking talks at the lowest rung as a third husband—the maximum allowed by law. Only a single family—one harboring an illegal spouse—shows interest, yet with May-ling and her two husbands, Wei-guo feels seen, heard, and connected to like never before. But everyone and everything—walls, streetlights, garbage cans—are listening, and men, excess or not, are dispensable to the State. Wei-guo must reach a new understanding of patriotism and test the limits of his love and his resolve in order to save himself and this family he has come to hold dear. In Maggie Shen King’s startling and beautiful debut, An Excess Male looks to explore the intersection of marriage, family, gender, and state in an all-too-plausible future.
Our Sri Lankan narrator visits his friend Joe in Italy, where Joe attends a special course—in higher (or, shall we say, lower) studies in women. Italians—much like Sri Lankans—live at home through marriage, death, and sometimes even beyond the pale. An accompanying string of fake fiancés and phoney engagements are the backdrop to this delightful collection of darkly humorous tales about Sri Lankans at home and abroad. Long years and many miles away, Colombo’s Father Cruz attempts to rescue a church from parishioners who like to put their donations where others can see them—on large plaques; on the coast, a retired Admiral escapes the tsunami on an antique Dutch cabinet; two childhood sweethearts, in time-honoured Sri Lankan tradition, are married off to strangers. Ashok Ferrey writes about Sri Lanka and its people, wherever they roam, with remarkable acuity. He writes of the West’s effect on Sri Lankans, of its ‘turning them into caricatures, unmistakably genuine but not at all the real thing’. In The Good Little Ceylonese Girl, his second collection of stories, he shows us the reality beyond those feeble sketches, in its full glory.
Seven essays celebrating the beauty of the imperfect marriage. We hear plenty about whether or not to get married, but much less about what it takes to stay married. Clichés around marriage—eternal bliss, domestic harmony, soul mates—leave out the real stuff. After marriage you may still want to sleep with other people. Sometimes your partner will bore the hell out of you. And when stuck paying for your spouse’s mistakes, you might miss being single. In Wedding Toasts I’ll Never Give, Ada Calhoun presents an unflinching but also loving portrait of her own marriage, opening a long-overdue conversation about the institution as it truly is: not the happy ending of a love story or a relic doomed by high divorce rates, but the beginning of a challenging new chapter of which “the first twenty years are the hardest.” Calhoun’s funny, poignant personal essays explore the bedrooms of modern coupledom for a nuanced discussion of infidelity, existential anxiety, and the many other obstacles to staying together. Both realistic and openhearted, Wedding Toasts I’ll Never Give offers a refreshing new way to think about marriage as a brave, tough, creative decision to stay with another person for the rest of your life. “What a burden,” Calhoun calls marriage, “and what a gift.”